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Netizens' Opinions on the "Boycott Misleading Horror Movies" Action on Social Media Instagram Ramadhan, Syahrul; Aesthetika, Nur Maghfirah; Muhammad, Helmy; Asy'ari, Nur Aini Shofiya
ETTISAL : Journal of Communication Vol. 9 No. 2 (2024): ETTISAL : Journal of Communication
Publisher : Universitas Darussalam Gontor collaboration with ISKI (Ikatan Sarjana Ilmu Komunikasi Indo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21111/ejoc.v9i2.12670

Abstract

This study aims to analyze netizen responses to the boycott of horror films that use religious symbols on Instagram social media, as well as identify factors that influence netizen behavior after watching the film. This research uses a qualitative method with a content analysis approach and a netnography study. The results show that the majority of netizens support the boycott of films that are considered misleading and damaging to the faith, with the film «Kiblat» as one example that is considered to harass Islamic symbols.  Netizens› reactions are influenced by various factors, including social factors,  personality,religiosity, age, and the role  of social media. Instagram, as the main platform, allowed netizens to express their opinions regarding the boycott of this horror movie,  which shows that social media has an important role in shaping public opinion and can have a significant impact on the film industry in Indonesia. Netizens› negative reactions to the use of religious symbols in horror films reflect a high sensitivity to religious issues, especially when they are perceived to undermine faith values. This research provides important insights into how religious symbols in horror films can trigger widespread social reactions among social media users, as well as how such reactions can influence trends in the creative industry in Indonesia, particularly in the production of films involving religious elements.
Exploring film dynamics in the age of artificial intelligence: bibliometric visualization Sukmono, Filosa Gita; Dyah Lestari, Nastiti; Muhammad, Helmy
Mediator: Jurnal Komunikasi Vol. 18 No. 2 (2025): Mediator: Jurnal Komunikasi (Sinta 2)
Publisher : UPT Publikasi Ilmiah UNISBA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29313/mediator.v18i2.8225

Abstract

This research aims to map trends, main themes, and scientific contributions in film studies in the era of artificial intelligence (AI) through a bibliometric approach. This study uses the PRISMA approach to compile a systematic literature selection, with Scopus data-based bibliometric analysis. Data were analyzed using VOSviewer to map thematic clusters and publication trends. Bibliometric analysis of 253 publications from the Scopus database revealed a significant increase in the trend of film research in the context of artificial intelligence since 2016, with a sharp spike in 2024. Eight main thematic clusters were successfully identified, including posthumanism, gender representation, machine learning-based film production, immersive cinema, deepfake ethics, AI literacy, and distribution through social media. The study also highlights the most influential scientific contributions, also examine the ethical, cultural, and social dimensions in depth. These findings suggest that cinema in the AI era is evolving as a discursive space that reflects technological transformation while opening up complex ethical and cultural debates. The results of this study show that artificial intelligence has significantly influenced the landscape of film research, both in terms of production and representation, as well as driving academic attention to ethical, cultural, and technological aspects of contemporary cinema.