Article Per Year (5 Year)
p-Index From 2020 - 2025
0.61
P-Index
This Author published in this journals
All Journal Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni International Journal of Visual and Performing Arts
Kamal, Fauzy Prasetya
Unknown Affiliation
Arts Humanities Education Languange, Linguistic, Communication & Media Other

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
Application of natural dyes in the woven pandan leaf: experimental study on craft products in Tipang village Kamal, Fauzy Prasetya; Murwanti, Aprina; Hazmi, Fariz Al
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 2 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i2.6258

Abstract

Natural dyes come from natural sources through certain processes used in several arts and crafts to produce environmentally friendly products. This research aims to conduct experiments on applying natural dyes to woven pandan products in Tipang Village, North Sumatra Province. This aim was to develop sustainable methods for woven pandan leaf products. The research method uses an experimental process with a practice-led research approach to applying natural dyes in the context of arts and crafts. Experimental samples were obtained by staining using a type of mordant group, namely tegeran and tingi wood extraction, as well as a container group from fermented tarum leaves (Indigofera). The number of samples used was 6, with 1 sample without color, two with tegeran wood dye, two with tingi wood, and 1 with arum leaves. The analysis and evaluation process uses visual analysis assisted by greyscale image assessment via the Matlab application. The findings show that the application of natural dyes of the mordant group with fixation using lime has a more intense and even color quality with an R.G.B value of around 0.5 - 0.6 or an index value of around 135 -143. Meanwhile, natural dyes in the vessel class have uneven colors, so further experiments must be conducted to produce good colors. Thus, natural dyes from the mordant group can be applied to woven products made from pandan leaves.
Application of natural dyes in the woven pandan leaf: experimental study on craft products in Tipang village Kamal, Fauzy Prasetya; Murwanti, Aprina; Hazmi, Fariz Al
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 2 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i2.6258

Abstract

Natural dyes come from natural sources through certain processes used in several arts and crafts to produce environmentally friendly products. This research aims to conduct experiments on applying natural dyes to woven pandan products in Tipang Village, North Sumatra Province. This aim was to develop sustainable methods for woven pandan leaf products. The research method uses an experimental process with a practice-led research approach to applying natural dyes in the context of arts and crafts. Experimental samples were obtained by staining using a type of mordant group, namely tegeran and tingi wood extraction, as well as a container group from fermented tarum leaves (Indigofera). The number of samples used was 6, with 1 sample without color, two with tegeran wood dye, two with tingi wood, and 1 with arum leaves. The analysis and evaluation process uses visual analysis assisted by greyscale image assessment via the Matlab application. The findings show that the application of natural dyes of the mordant group with fixation using lime has a more intense and even color quality with an R.G.B value of around 0.5 - 0.6 or an index value of around 135 -143. Meanwhile, natural dyes in the vessel class have uneven colors, so further experiments must be conducted to produce good colors. Thus, natural dyes from the mordant group can be applied to woven products made from pandan leaves.
Sustainable batik dyeing with ketapang (terminalia catappa) leaves: a practice-led experimental study on color retention and design innovation Murwanti, Aprina; Hazmi, Fariz Al; Kamal, Fauzy Prasetya
International Journal of Visual and Performing Arts Vol 7, No 1 (2025)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v7i1.1698

Abstract

This study investigates the batik production process through a focused experimental approach on three key aspects: motif exploration, technique application, and the use of natural dyes extracted from Ketapang leaves. Employing a practice-led research methodology, the experiments were conducted at Rumoh Batik Malaka in Aceh Besar Regency, Aceh Province, Indonesia. Data were collected via systematic observation, experimental trials, and a comprehensive literature review. The color quality of batik samples was quantitatively assessed through RGB value analysis using grayscale imaging processed in MATLAB software. Results revealed that natural dyes derived from Ketapang leaves exhibit a measurable decline in color intensity when applied to batik textiles. Specifically, samples fixed with alum and calcium oxide and subjected to two dipping cycles showed significant fading, with grayscale values increasing from 0.5 to 0.7 post-wax removal (lorod). Conversely, optimal color retention was observed in samples fixed with ferrous sulfate and subjected to four dipping cycles, presenting minimal fading with values rising only from 0.1 to 0.2 after lorod. Six distinct batik pieces were produced, showcasing diverse motifs and color variations derived from the natural dye. The findings confirm that dye concentration and fixation type critically influence the colorfastness and aesthetic outcome, supporting the viability of Ketapang leaf extracts as sustainable natural dyes for cotton batik production. This research contributes to enriching batik design practices by promoting natural dye applications and innovative stamping techniques, offering ecological and cultural value to the textile arts in Indonesia and beyond.
Co-Authors Aprina Murwanti Hazmi, Fariz Al