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KERTAS BUATAN TANGAN (HANDMADE PAPER) DARI LIMBAH SERAI DAPUR Aprina Murwanti; Yusmini Murdiyah; Ataswarin Oetopo
Corak : Jurnal Seni Kriya Vol 10, No 2 (2021): NOVEMBER 2021
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v10i2.4719

Kitchen Lemongrass (Cymbopogon Citratus) waste has the potential to become a strong and environmentally-friendly material for handmade paper due to its high cellulose content, distinctive texture and aroma. So far, handmade paper made from kitchen lemongrass waste is made in Thailand and India and is available in the international market. Indonesia, which has quite high lemongrass resources, has not explored much lemongrass waste in the exploration of handmade paper. Although it has good potential as a handmade paper material, lemongrass waste must be mixed with kapok fiber and processed with the right composition and process to produce handmade paper that is strong but foldable and not easily torn. The methods of observation, experimentation and documentation were carried out in this study to achieve adequate results for work. The various stages ranging from waste preparation to printing, boiling, pulping, filtering, printing and drying are presented in this scientific article to open up the possibility of further research into process of handmade lemongrass wastepaper that environmentally friendly. Limbah serai dapur (Cymbopogon citratus) memiliki potensi untuk menjadi bahan baku kertas buatan tangan (handmade paper) yang kuat dan ramah lingkungan karena kandungan selulosa yang tinggi serta tekstur dan aromanya yang khas. Selama ini, kertas buatan tangan yang terbuat dari limbah serai dapur dibuat di Thailand dan India dan tersedia di pasar internasional. Indonesia yang memiliki sumber daya serai yang cukup tinggi, belum banyak mengeksplorasi limbah serai dalam eksplorasi kertas buatan tangan. Meskipun memiliki potensi yang baik sebagai bahan kertas buatan tangan, limbah serai harus dicampur dengan serat kapuk dan diolah dengan komposisi dan proses yang tepat untuk menghasilkan kertas buatan tangan yang kuat namun dapat dilipat dan tidak mudah robek. Metode observasi, eksperimentasi, dan dokumentasi dilaksanakan dalam penelitian ini untuk mencapai hasil yang memadai untuk berkarya. Berbagai tahapan mulai dari persiapan limbah hingga pencetakan, perebusan, pembuatan bubur (pulp), penyaringan, pencetakan, dan penjemuran disampaikan di dalam artikel ilmiah ini untuk membuka kemungkinan penelitian lanjutan dalam proses kertas limbah serai buatan tangan yang ramah lingkungan.

Penciptaan Desain Berbasis Praktik Eksperimental Sebagai Penelitian Ilmiah Aprina Murwanti
ULTIMART Jurnal Komunikasi Visual Vol 6 No 2 (2013): Ultimart: Jurnal Komunikasi Visual
Publisher : Universitas Multimedia Nusantara

Artikel ini mengkaji tentang posisi penciptaan desain berbasis praktik eksperimental dalam konteksnya sebagai penelitian ilmiah. Melalui metodologi kua- litatif yang mengintegrasi tiga metode yaitu observasi partisipatori, kajian pustaka serta konten analisis, dilakukan kajian objektif bahwa praktik eksperimental dalam penciptaan desain dapat diajukan sebagai bentuk penelitian yang ilmiah. Dalam artikel ini juga diberikan kelebihan praktik eskperimental dalam proses desain serta batasannya sebagai penelitian ilmiah Key words : Desain, eksperimental, penelitian ilmiah

Application of natural dyes in the woven pandan leaf: experimental study on craft products in Tipang village Kamal, Fauzy Prasetya; Murwanti, Aprina; Hazmi, Fariz Al
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 2 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i2.6258

Natural dyes come from natural sources through certain processes used in several arts and crafts to produce environmentally friendly products. This research aims to conduct experiments on applying natural dyes to woven pandan products in Tipang Village, North Sumatra Province. This aim was to develop sustainable methods for woven pandan leaf products. The research method uses an experimental process with a practice-led research approach to applying natural dyes in the context of arts and crafts. Experimental samples were obtained by staining using a type of mordant group, namely tegeran and tingi wood extraction, as well as a container group from fermented tarum leaves (Indigofera). The number of samples used was 6, with 1 sample without color, two with tegeran wood dye, two with tingi wood, and 1 with arum leaves. The analysis and evaluation process uses visual analysis assisted by greyscale image assessment via the Matlab application. The findings show that the application of natural dyes of the mordant group with fixation using lime has a more intense and even color quality with an R.G.B value of around 0.5 - 0.6 or an index value of around 135 -143. Meanwhile, natural dyes in the vessel class have uneven colors, so further experiments must be conducted to produce good colors. Thus, natural dyes from the mordant group can be applied to woven products made from pandan leaves.

Teknik Tritik dan Sulam dengan Zat Pewarna Alami Alami pada Tas Denim Larasati, Anggina; Murwanti, Aprina
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 3 No 2 (2023): Oktober
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.32.05

The creation of this work is an innovative approach to decorate cotton denim fabric through the adaptation of a traditional Indonesian textile craft technique, the tritik technique. In contrast to conventional methods such as the environmentally unfriendly wash technique, this research explores the application of the environmentally friendly tritik technique on cotton denim. Despite its historical use on softer fabrics, the artist demonstrates that tritik can be adapted to thicker materials. The geometric motifs selected on the fabric undergo a tritik sewing process, as well as dyeing with Indigo paste, transforming into abstract motifs. The denim fabric was then enhanced using floral embroidery. The final product, in the form of five bags, realises fashion needs while promoting environmentally friendly products. The research method used qualitative practice-based research by exploring tracing, embroidery and dyeing techniques on denim fabric. The results of the study show creativity, offering a new perspective in decorating recalatars with an Indonesian touch, thus breaking traditional boundaries and expanding the application of tritical techniques

PEMANFAATAN SERAT LIMBAH SERAI DAPUR (CYMBOPOGON CITRATUS) SEBAGAI KERTAS SENI Yusmini Murdiyah; Aprina Murwanti; Ataswarin Oetopo
Serat Rupa: Journal of Design Vol 6 No 1 (2022): SRJD - JANUARY
Publisher : Faculty of Humanities and Creative Industries, Maranatha Christian University (formerly Faculty of Fine Arts and Design)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28932/srjd.v6i1.3371

Lemongrass plant (Cymbopogon citratus) is a spice plant that is commonly used and easily found in Indonesia. Besides being used in cooking and herbal drinks, lemongrass is also extracted into essential oil. At the household level, utilization of kitchen lemongrass can produce organic household waste. This is because not all parts of lemongrass can be used, such as the leaves and outer shell of the stem (Schmidt, 2020). Lemongrass is a plant in the Poaceae or grass family which has strong fiber characteristics and has high cellulose content (T. Cope, A. Gray, 2009). This knowledge ignites research ideas to utilize and process kitchen lemongrass plants, especially those in the form of waste into useful products. This idea is also in line with the movement launched by the Ministry of Industry of the Republic of Indonesia through its official online website, namely the Bangga Buatan Indonesia (BBI) (National Movement of Proud to be Made in Indonesia). The movement also seeks to develop and utilize local materials, one of which is natural fiber, as raw material for industry in Indonesia. The practice-based experimental-led method, a practice-based research led by experimentation (Sullivan 2005, 2006) was used in this study, then the result of experiments were analyzed using the parameters of folding and tear resistance.

Improving Students' Creativity Through Modern Puppet Project Learning Model in Senior High School Rendhy Galih Prayogo; Indro Moerdisuroso; Aprina Murwanti
International Journal of Educational Research Vol. 2 No. 2 (2025): International Journal of Educational Research
Publisher : Asosiasi Riset Ilmu Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62951/ijer.v2i2.348

This study aims to improve students' creativity through the application of project-based learning models (PjBL) with modern puppet media in fine arts subjects at the Senior High School (SMA) level. The background of this study is based on the low creativity of students due to the conventional approach to fine arts learning and the lack of integration of media and technology in learning. The study was conducted as Classroom Action Research (CAR) with a descriptive qualitative approach implemented in class XI of SMA Negeri 46 Jakarta. Data collection techniques were carried out through observation, interviews, documentation, learning outcome tests, and questionnaires. The results of the study showed that the application of project-based learning models with modern puppet media significantly increased teacher and student activity in the learning process, improved learning outcomes, and received positive responses from students. Modern puppets have proven to be an effective medium in stimulating imagination, strengthening local cultural values, and building student character. This study recommends the use of creatively modified traditional media as an educational tool in developing student creativity in the era of the independent curriculum. The results of the study showed that the application of project-based learning models with modern puppet media significantly increase teacher and student activities in the learning process, improve learning outcomes, and receive positive responses from students. Modern puppets have proven to be an effective medium in stimulating imagination, strengthening local cultural values, and building student character. This study recommends the use of creatively modified

Toko Jamu “Kwat Shae” Untuk Menyuarakan Isu Street Harassment Catcalling Wattimena, Louisiana; Murwanti, Aprina
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 3 No 1 (2023): April
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.31.06

Catcalling is a verbal sexual harassment that is a fraction of an underestimated street harassment but have a huge impact towards its victim, which is women at any age. The root of this problem is the normalization of catcalling by society that leads to bigger problems among civilization. Herbal Shop is one of the solutions for people to gain access to traditional medicine. People’s understanding in herbal medicine efficacy is an interesting approach to deliver a sensitive issue; where in this case, catcalling. By using a parody of a herbal shop analogy, issue of catcalling could be wrapped into a familiar and a lighter form to deliver. Installation of “Kwat Shae” herbal shop as an introduction of street harassment issue of “catcalling” appropriates a herbal shop installation that evoke false way of thinking from society about catcalling that “heals” people’s perception just like herbal medicine.

PENCIPTAAN TIRAI IKAT CELUP DENGAN RAGAM HIAS ALAM MELAYU Rahma, Sheyla; Tridjata, Caecilia; Murwanti, Aprina
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 4 No 2 (2024): Oktober
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.42.09

The craft sector has great potential in Indonesia. According to data from the Ministry of Tourism and Creative Economy (Kemenparekraf), the craft sector contributed IDR 166.13 trillion to the national GDP in 2020. Based on the craft potential data, artists are interested in introducing diverse and unique Malay decorative motifs through tie-dye curtains to the wider community. This Creation Research uses a descriptive qualitative research type and a practice-based research method with a formalistic approach to analyze the aesthetic value of the visual elements of Malay tie-dye curtain works. This tie-dye curtain work is made on linen fabric using the tritik tie-dye technique. The dye used in the process of making the work is synthetic indigosol dye with a brush-dyeing technique. During the process of making this final project curtain, the Malay natural decorative motif was successfully applied well to the tie-dye curtain and was able to present the Malay natural atmosphere well.

Application of natural dyes in the woven pandan leaf: experimental study on craft products in Tipang village Kamal, Fauzy Prasetya; Murwanti, Aprina; Hazmi, Fariz Al
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 2 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i2.6258

Natural dyes come from natural sources through certain processes used in several arts and crafts to produce environmentally friendly products. This research aims to conduct experiments on applying natural dyes to woven pandan products in Tipang Village, North Sumatra Province. This aim was to develop sustainable methods for woven pandan leaf products. The research method uses an experimental process with a practice-led research approach to applying natural dyes in the context of arts and crafts. Experimental samples were obtained by staining using a type of mordant group, namely tegeran and tingi wood extraction, as well as a container group from fermented tarum leaves (Indigofera). The number of samples used was 6, with 1 sample without color, two with tegeran wood dye, two with tingi wood, and 1 with arum leaves. The analysis and evaluation process uses visual analysis assisted by greyscale image assessment via the Matlab application. The findings show that the application of natural dyes of the mordant group with fixation using lime has a more intense and even color quality with an R.G.B value of around 0.5 - 0.6 or an index value of around 135 -143. Meanwhile, natural dyes in the vessel class have uneven colors, so further experiments must be conducted to produce good colors. Thus, natural dyes from the mordant group can be applied to woven products made from pandan leaves.

Sustainable batik dyeing with ketapang (terminalia catappa) leaves: a practice-led experimental study on color retention and design innovation Murwanti, Aprina; Hazmi, Fariz Al; Kamal, Fauzy Prasetya
International Journal of Visual and Performing Arts Vol 7, No 1 (2025)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v7i1.1698

This study investigates the batik production process through a focused experimental approach on three key aspects: motif exploration, technique application, and the use of natural dyes extracted from Ketapang leaves. Employing a practice-led research methodology, the experiments were conducted at Rumoh Batik Malaka in Aceh Besar Regency, Aceh Province, Indonesia. Data were collected via systematic observation, experimental trials, and a comprehensive literature review. The color quality of batik samples was quantitatively assessed through RGB value analysis using grayscale imaging processed in MATLAB software. Results revealed that natural dyes derived from Ketapang leaves exhibit a measurable decline in color intensity when applied to batik textiles. Specifically, samples fixed with alum and calcium oxide and subjected to two dipping cycles showed significant fading, with grayscale values increasing from 0.5 to 0.7 post-wax removal (lorod). Conversely, optimal color retention was observed in samples fixed with ferrous sulfate and subjected to four dipping cycles, presenting minimal fading with values rising only from 0.1 to 0.2 after lorod. Six distinct batik pieces were produced, showcasing diverse motifs and color variations derived from the natural dye. The findings confirm that dye concentration and fixation type critically influence the colorfastness and aesthetic outcome, supporting the viability of Ketapang leaf extracts as sustainable natural dyes for cotton batik production. This research contributes to enriching batik design practices by promoting natural dye applications and innovative stamping techniques, offering ecological and cultural value to the textile arts in Indonesia and beyond.

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