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All Journal International Journal of Environmental, Sustainability, and Social Science Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Global Art Creativity Conference
Shahab, Fauziah
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Arts Humanities Economics, Econometrics & Finance Environmental Science Social Sciences

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ALAM SEBAGAI DAYA CIPTA SENI Widnyana, I Kadek; Shahab, Fauziah; Dwiyani, Ni Kadek; Widyarto, Rinto; Putra, Ida Bagus Hari Kayana
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 4 (2024): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Kajian ini bertujuan mengeksplorasi hubungan antara alam dan seni, dengan fokus pada bagaimana elemen-elemen alam menginspirasi berbagai bentuk ekspresi artistik, serta dampaknya terhadap kesadaran lingkungan. Metode yang digunakan adalah pendekatan kualitatif dengan analisis tematik melalui studi literatur, wawancara dengan seniman, dan survei untuk menggali perspektif seniman dan masyarakat mengenai pengaruh alam dalam seni. Hasil penelitian menunjukkan bahwa alam tidak hanya berfungsi sebagai subjek estetis, tetapi juga sebagai medium untuk menyampaikan pesan tentang perubahan ekologis, keindahan yang rapuh dan keberlanjutannya. Seniman dari berbagai disiplin, termasuk seni lukis, fotografi, seni instalasi, dan seni pertunjukan (khususnya seni sastra dan seni pedalangan) yang menggambarkan alam sebagai refleksi dari hubungan manusia dengan lingkungannya. Pembahasan lebih lanjut, bahwa alam sangat menginspirasi para sastrawan/kawi sastra dengan berbagai ilustrasi dan imajinasi “lango”-nya tersurat ke dalam bait-bait syair yang estetik. Karya sastra inilah menjadi sumber inspirasi para seniman (dalang) dalam memberikan tuntunan di setiap lakonnya berkaitan dengan alam. Dampak sosial dan kultural dari seni yang mengangkat tema alam diharapkan dapat memperkuat hubungan manusia dengan lingkungan serta mendorong perubahan sosial menuju keberlanjutan.
Mediamorphosis of Betawi Cultural Broadcasting Domain Into New Media Domain SHAHAB, Fauziah
International Journal of Environmental, Sustainability, and Social Science Vol. 4 No. 4 (2023): International Journal of Environmental, Sustainability, and Social Science (Jul
Publisher : PT Keberlanjutan Strategis Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38142/ijesss.v4i4.715

Abstract

Along with the development of technology and the internet, mediamorphosis has affected the domain of broadcasting Betawi culture, which was initially limited to traditional media such as radio and television, shifting to new media domains such as the internet and social media. This mediamorphosis significantly impacts the promotion, representation, and understanding of Betawi culture among the public. This study aims to analyze the mediamorphosis from the broadcasting domain of Betawi culture to the domain of new media by paying attention to disruption and changes in the representation and accessibility of Betawi culture. The research method used is media analysis, which involves collecting data from various new media sources containing Betawi cultural content. The study results show that the morphosis of media from the Betawi cultural broadcasting domain to the new media domain has expanded the reach and accessibility of Betawi culture. Betawi cultural content can now be accessed via digital platforms such as websites, apps, and social media. Mediamorphosis changes the way Betawi culture is disseminated, accessed, and understood by society and also helps revitalize Betawi culture.
THE EXISTENCE OF “NGINANG” AS A SOCIAL AND THEOLOGICAL STUDY OF PUPPETRY IN BALI Widnyana, I Kadek; Sadevi, Luh Wina; Widyarto, Rinto; Shahab, Fauziah; Putra, Ida Bagus Hari Kayana
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.576

Abstract

Nginang is the habit of chewing betel leaves and other herbs, such as lime, gambier, areca nut, and tobacco. Nginang has been practiced by people in Southeast Asian countries and parts of Southern China since the 15th century AD. Currently, nginang habit in Indonesia has decreased, which can be caused by many factors. The custom of nginang in Indonesia, especially in Bali, has meaning in various rituals, such as in Balinese puppetry. Nginang functions as a social and theological means of Balinese Dharma Pewayangan Bali. The purpose of this study is to explore the social-theological meaning and existence of the nginang custom for puppeteer in Bali. This is a qualitative study, where primary data is obtained through interviews and observations, while secondary data is obtained through literature review. The conclusion from this study is that nginang is a theological symbol that unites spiritual and social aspects in the life of Balinese puppeteers who must master various arts and the Dharma of Balinese puppetry. Nginang can control words, actions, peace, and harmony during the performance and daily life of the dalang. Nginang should continue to the young generations of puppeteers in order to master the various arts and Dharma of Balinese puppetry.
Co-Authors I Kadek Widnyana, I Kadek Kadek Dwiyani Putra, Ida Bagus Hari Kayana Rinto Widyarto Sadevi, Luh Wina