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All Journal BASIS (BAHASA DAN SASTRA INGGRIS) Journal of English Language Teaching and Literature (JELITA)
Rahmah, Tsaqila Idzhan Nur
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Arts Education Languange, Linguistic, Communication & Media

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REFLECTION OF ALCOHOLISM IN THE LYRICS “CHANDELIER” BY SIA Rahmah, Tsaqila Idzhan Nur; Hikmat, Mahi M.
BASIS (Bahasa dan Sastra Inggris) Vol 11 No 2 (2024): JOURNAL BASIS UPB
Publisher : Universitas Putera Batam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33884/basisupb.v11i2.8876

Abstract

This research aims to determine the author's psychology in creating a literary work through a psychoanalytic perspective. The creation of a lyric cannot be separated from its author. Sia Kate Isobelle Furler and Jesse Shatkin wrote the lyrics to the song entitled Chandelier. This research was conducted to find out how the psychological role of the author influences the literary work created by the author. The psychological theory that is very dominant in the analysis of literary works is Freud’s theory, where this theory differentiates personality into three types, namely Id, Ego, and Super Ego. Data collection uses documentation techniques from primary data sources, namely the lyrics of the song “Chandelier” and secondary data sources in the form of books, research journals, and articles which relevant. This research uses qualitative descriptive methods to conduct an analysis, using library research methods and content analysis methods to collect and analyze the data used. The research results show that the lyrics she created reflect the psychological state of the author. Represented through several sentences and characters built into the lyrics, which consist of 3 aspects of the Id, 3 aspects of the ego, and 1 aspect of the superego. This results in the conclusion that the psychological condition of the writer, Furler, who is a former alcoholic, can influence the creation of the lyrics of the song Chandelier where alcohol acts as an escape from the pain she felt, this is in line with Sigmund Freud’s psychoanalytic theory.
Redefinition of Japanese Culture and Structure of Feelings in Kubo and the Two Strings Rahmah, Tsaqila Idzhan Nur; Ardiansyah, Erlan Aditya; Nurrachman, Dian
JELITA Vol 6 No 1 (2025): Journal of English Language Teaching and Literature (JELITA)
Publisher : Universitas Muhammadiyah Barru

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56185/jelita.v6i1.891

Abstract

This research aims to reveal how Japanese culture is being redefined as a dynamic social process. The social dynamic processes involve emotional experiences that are formed from individual perspectives into collective feelings. It views culture as something that continues to develop along with social changes and the collective feelings felt by society. These ideas are represented in the film Kubo and the Two Strings (2016). This research uses a qualitative approach to Marxist literary criticism. The film Kubo and the Two Strings is not only as entertainment but also as a representative of deep social criticism of social movements regarding power dynamics and cultural identity. This study contributes to the field of Marxist studies by highlighting cultural dynamics and how the structure of feelings works in society to create newness without abandoning conventional traditions to achieve balance. In addition, it provides insights for future research and encourages broader exploration of increasingly diverse cultural dynamic contexts which influences the interpretation of defining culture itself. The results of this research prove that Kubo and the Two Strings (2016) represent a redefinition of Japanese culture in terms of the 3 main aspects dominant, residual, and emergent. Supported by the structure of feelings that were felt by Kubo. These findings are a powerful example of how art can serve as a tool to examine changes in culture.
Co-Authors Dian Nurrachman, Dian Erlan Aditya Ardiansyah Hikmat, Mahi M.