Article Per Year (5 Year)
p-Index From 2020 - 2025
0.444
P-Index
This Author published in this journals
All Journal Kawruh : Journal of Language Education, Literature and Local Culture Sutasoma : Jurnal Sastra Jawa
Luwiyanto
Unknown Affiliation
Languange, Linguistic, Communication & Media Other

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
Konsep Keseimbangan dalam Wayang Tauhid Lakon “Wedhare Sadat Tembayat” Sajian Ki Sunardi Wirocarito Luwiyanto; M. Mukhtasar Syamsuddin; Lasiyo
Kawruh: Journal of Language Education, Literature and Local Culture Vol. 6 No. 2 (2024): Oktober 2024
Publisher : Universitas Veteran Bangun Nusantara Sukoharjo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32585/kawruh.v6i2.5763

Abstract

Wayang tauhid is a new wayang creation created by Ki Sunardi Wirocarito from Trucuk Klaten since 1984. This wayang is a type of wayang dakwah that contains the story of the struggle of the walisanga to spread Islam in Java. There has not been much research done on this wayang tauhid by experts. One of its popular plays is ‘Wedhare Sadat Tembayat (WST)’. The text of this play is full of ethical values conveyed by the puppeteer. The purpose of this study is to find the answer to the question, what is the purpose of Javanese life implied in the wayang tauhid play WST. This philosophical research can be categorised as qualitative research by taking a literature study model. The research method used is hermeneutic with philosophical methodical steps. The results of this study can be formulated that the achievement of the Javanese goal of life is characterised by the perfection of a balanced relationship with God, a balanced relationship with fellow humans, a balanced relationship with non-humans (being the other), and a balanced relationship with the surrounding nature.
Metaphysics of Wayang Tauhid Play 'Wedhare Sadat Tembayat' Presented by Ki Sunardi Wirocarito Luwiyanto; Syamsuddin, M. Mukhtasar; Lasiyo
Sutasoma : Jurnal Sastra Jawa Vol. 13 No. 1 (2025): Sutasoma: Jurnal Sastra Jawa
Publisher : Program Studi Sastra Jawa, Fakultas Bahasa dan Seni, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/e1reyx08

Abstract

Wayang has a closeness to the behavior and mindset of Javanese people. It is believed that there is a broad and deep philosophical thought system. The wayang performance, character, or nature of the wayang figures conveys the intellectual values ​​of life. Each character comes from a reflection or representation of humans' attitude, character, and nature. Wayang Tauhid, the play Wedhare Sadat Tembayat, which is full of the delivery of philosophical values, is the object of this research. Based on the material object's characteristics, the study focuses on the metaphysical approach. How can humans reveal reality's most profound meaning through metaphysical studies and explanations. The purpose of this study and explanation is to open the way for humans to gain knowledge of the actual reality, namely the existence of Allah. This study is included in qualitative research in the realm of library research. Because the material object is philosophy, this study uses the hermeneutic philosophical method. The hermeneutic philosophical method provides a comprehensive and in-depth approach to studying philosophy. From a metaphysical perspective, the study's results indicate that the WST play has an existential orientation, suggesting that humans have material, emotional, and spiritual limitations. The WST play teaches humans to live based on the oneness of Allah, the True Being. Everything in the world is an event, as a being that does not exist, is only created by Allah, the True Being. This reminds humans that life in the world is only temporary and has limits, so life should not chase worldly things too much, but carry out human obligations to get closer to Allah through faithful prayer. This statement shows that the metaphysics of the WST play is monistic and spiritual.
Co-Authors Lasiyo M. Mukhtasar Syamsuddin