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All Journal Garina An International Journal Tourism and Community Review Abdi Karya: Jurnal Pengabdian Kepada Masyarakat
Arina Haq
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Arts Computer Science & IT Decision Sciences, Operations Research & Management Education Social Sciences

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Journal : Garina

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Pemanfaatan Kain Perca untuk Menghasilkan Manipulasi Kain Teknik Slashing pada Celana dengan Bahan Kulit Sintetis Gabriella Krisnugtya Putri; Arina Haq
Garina Vol. 16 No. 2 (2024): Desember : Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan De
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v16i2.161

Abstract

The slashing technique is a technique for manipulating fabric which is done by stacking several fabrics which are treated by cutting so that later they will form a certain motif depending on the size of the cutting technique. The purpose of making this report is to find out the process of utilizing patchwork to produce fabric manipulation with slashing techniques on pants. The methodology used is qualitative method, observation method, literature study method and documentation method. The manufacture of slashing on these pants goes through several stages. In the process of making slashing, it is necessary to pay attention to when choosing a slashing pattern in order to produce the desired slashing. When making slashing, it is better to use 10 piles of material to produce a good color refraction from a pile of fabric. The arrangement of the patchwork for slashing should be a light dark color so that it gives a bold impression on the color mixing, the result of a pile of patchwork should not be too big, just around 1-1.5cm is enough. Synthetic leather as the basic material for making pants, this synthetic leather is easily damaged. When sewing synthetic leather, it is necessary to use several techniques that are quite complicated, namely large stitches, long needles and non-metallic machine shoes or you can use paper as a surface to make it easier when sewing. Also the other thing to be considered, because this is a synthethic leather fabric it will be damaged if it is exposed to a blunt needle.
Proses Pembuatan Fabric Manipulation Dengan Teknik Tucking Menggunakan Kain Denim Pada Croptop Arina Haq; Irmatul Afizah
Garina Vol. 14 No. 2 (2022): Desember: Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Des
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v14i2.13

Abstract

The sewing techniques in clothings can be added as a value for the beauty of clothing. This research uses fabric manipulation techniques. Fabric manipulation is a technique of manipulating textile materials by using the technique of decorating fabrics to form new textiles. This writing aims to knowing the process of making tucking techniques using denim fabric on a croptop. Tucking technique is a fold that reduces the size of the fabric, it is usually folded in one direction or another. Method used in this paper is a qualitative method. The process of fabric manipulation with tucking technique using the denim fabric begins by determining the tucking technique that will be used. The tucking techniques used are pin tucks, bow-tied tucks and undulating tucks. After determining the technique that will be used, then prepare the tools and materials. The conclusion of the process of making fabric manipulation with the tucking technique using denim fabric on the croptop is that tucking is made with great care in the measurement of each fold so that the results are accurate. The use of denim fabric with tucking technique can form the appropriate wave, the great is caused to make it look neater and less wrinkled. In the tucking process, you must pay attention to the fabric needs, so that when folded it is according to the pattern and it should be marked so that it does not slide the folds. The choice of material should be considered well in the making of tucking, because the thickness of the material and the the composition of the material greatly affects the result of the tucking wave.
Pembuatan Ready To Wear Look Gothic Dengan Variasi Detail Kulit Sintetis Dan Lukis Kain Motif Etnik Dayak Arina Haq; Erni Septia Nur Fitri
Garina Vol. 15 No. 1 (2023): June : Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Desain
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v15i1.30

Abstract

Gothic is a clothing style that is characterized by striking, mysterious, exotic, and complex dark features, in this study the author adds fabric painting with Dayak ethnic motifs on synthetic leather in a gothic look. This study aims to determine the process of making a ready-to-wear gothic look with variations of synthetic leather details and painting of Dayak ethnic motifs. The method used in this research process is a qualitative method. The process of making ready-to- wear which consists of a blazer, crop top, obi belt, and skirt begins with determining the fashion design, making patterns from basic patterns to breaking patterns, cutting materials, marking stitches, then sewing the sides of the crop top, combining with lining, attaching zipper and collar, sewing the sides and lining of the blazer, combining the main material and the lining, attaching the painting to the back, attaching the buttons, then sewing the sides and lining of the skirt, then combining the main material and the lining, reassembling, then combining the main material and the lining , reassembling, painting variations, installing tires on the waist, followed by combining all sides with a furing obi belt, sewing the waist, then installing chicken eyes, finally painting the Dayak ethnic motif on the skin, starting with making a pattern sketch of the motif, then installing it on the cloth, block the motif with white, and the last one gives color to the motif.
Penerapan Fabric Manipulation Teknik Spiral Dan Draping Pada Busana Pesta Malam Gala Dengan Hiasan Payet. Arina Haq; Adinda Aisyah Fattahul Qullub
Garina Vol. 15 No. 2 (2023): Desember: Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Des
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v15i2.39

Abstract

Fabric manipulation is a technique to decorate the fabric to produce the impression arising on the fabric, fabric manipulation used in this study spiral techniques and draping techniques. Problems in making research related to “how to apply fabric manipulation spiral and draping techniques on evening evening party dress with sequin decoration?” , this study aims to determine the process of applying fabric manipulation spiral and draping techniques on gala evening party dress with sequin decoration. Applying Fabric manipulation with spiral and draping techniques on gala evening party dresses that look luxurious is getting more luxurious. Gala evening party dress with additional sequin decoration that makes it look sparkling. This study uses data collection with observation, literature, and documentation while the data analysis used is qualitative. The process of making a gala evening party dress consists of the top of the party dress, mermaid skirt and tail, this begins by going through several stages, namely: determining the design, preparing tools and materials, taking measurements, making basic patterns and breaking patterns, cutting materials, the process of making fabric manipulation with spiral techniques and draping techniques, sewing party clothes. Suggestions before making fabric manipulation spiral techniques and draping techniques need to be tested to determine the amount of material to be used, the selection of materials also needs to be considered such as light colors and preferably plain fabrics.
PEMBUATAN BUSANA PESTA MENGGUNAKAN KOMBINASI KAIN SHIBORI DENGAN VARIASI SULAMAN PITA JEPANG Arina Haq; Aldhis Safitry
Garina Vol. 13 No. 2 (2021): Desember: Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Des
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v13i2.76

Abstract

Shibori fabrics is one of the kind materials which has its own circlenes especially in its uniqe and ethnic design, it's light but it looks elegant.This research will innovate to shibori fabrics which will be cultivated become party clothing, to beautify party clothing performance which is made, the writter applied one of the ornaments that is "ribbon needlework".the writter took the title the production of party clothing by using the combination of shibori fabrics and Japanese embroidery variations because he wanted to know a sartorial costume technique that combines the sheboris with a embroidered Japanese ribbon. It USES methods: observation, literature and documentation. The result of the completion of the dressmaking process, the combination of shibori fabrics with a variety of embroidery bands, is that shibori cloth can be used as a combination for the dress of the party, but some important things need to be noted, such as the selection of a shibori cloth, a motif of the shibori colors. Also, the combination of other fabrics is crucial to supporting the shibori cloth to give a more extravagant appearance, while the application of the bow on the wedding dress provides an interesting result, but there are some things to consider in applying for the embroidery of the ribbon, such as, the embroidery of the ribbon must fit and not look so full, the design of the ribbon's embroidery should fit the cloth that is filled, And the selection of tape colors as well as the tape size to be applied.
Pembuatan Busana Pesta Malam Dengan Sumber Ide Renaissance Italia Menggunakan Penerapan Smock Pada Corset Dan Hiasan Payet Chalita Oktavianita Risqi; Arina Haq
Garina Vol. 16 No. 1 (2024): Juni : Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Desain
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v16i1.109

Abstract

Making a party fashion design takes pouring creative ideas to create a fashion design. The source of the idea is an idea that comes out to create an innovative creation one of which can be taken from the renaissance. Smock is a technique of making wrinkles on the fabric symmetrically or asymmetrically. Smock used in this study is a wave smock. In making this final project the author raised the issue of how the application of the Italian renaissance ideas in the manufacture of fashion evening party, where women at this time wear clothes that have characteristics that show luxury, glamor, feminine, shiny, tight (press body), rigid and made fall. This writing aims to determine the process of making party dress with renaissance ideas source using the application of smock on corset and sequin decoration. The method of data collection used in this paper is the method of observation, documentation and lite The process of making clothes in this study starts from determining the design of clothing, sizing, making basic patterns to break patterns, making smock, laying patterns, cutting materials, and pattern marks. The initial stage in the process is sewing a translucent top, tanktop, corset and circle skirt. The conclusion of the process of making this dress is that the manufacture of smock is carried out with accuracy.Installation of the smock on the corset must also be done with the appropriate technique, so that the results look right. The suggestion in this report is that the smock making process must pay attention to the needs of the fabric, so that during the smock making process there is no shortage of materials. The process of installing the smock must be considered, because in this installation technique it determines the accuracy of the results attached to the corset.rature. The analysis used in this study is qualitative analysis.
Penerapan Pola Zero Waste pada Ready to Wear dengan Texstil Ecoprint Pewarna alam Arina Haq; Grace Nauli
Garina Vol. 17 No. 2 (2025): Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Desain Mode
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v17i2.331

Abstract

The implementation of the concept of sustainable fashion is an effort carried out by fashion players to create sustainable fashion products so as to reduce the impact of fast fashion. Forms of implementing the concept of sustainable fashion include the zero waste puttern cutting technique and the use of natural dyes. Cutting techniques without leaving scraps and liquid waste produced from the textile production process. The purpose of the study was to determine the process of implementing zero waste in ready to wear with ecoprint natural dye textiles. The data collection methods used are observation, documentation and literature methods. The analysis used in this study is qualitative data analysis. The process begins with creating ecoprint motifs using steam techniques and adding cibori motifs, the process of creating designs and planning the layout of the pattern components, and planning the layout of patterns on ecoprint materials, the cutting process, installing tricot, followed by the sewing process to unite the pattern components. The initial stage in this process is sewing the top. Conclusion of the process of applying the zero waste puttern cutting technique with ecoprin natural dye textiles is one of the visionary concepts where creating clothes starts from making motifs. with ecoprin natural dye textile is one of the visionary concepts where creating clothes starts from making motifs with natural dyes and continues with efforts to minimize fabric waste by applying the zero waste concept to the cutting pattern process and continues with the sewing process until completion, so that it can be used as a solution and reference in the fashion field for making clothes sustainably. Suggestions for applying the zero waste concept to be more optimal, the design of motif designs and pattern designs should always go hand in hand so that all motifs can be used and in accordance with the design to minimize fabric waste and dye waste.  
Co-Authors Adinda Aisyah Fattahul Qullub Aldhis Safitry Anita Shofiyunada Ariyana Damayanti Chalita Oktavianita Risqi Erni Septia Nur Fitri Gabriella Krisnugtya Putri Grace Nauli Irmatul Afizah Mien Zyahratil Umami Romadhona Chusna Tsani