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All Journal Ars: Jurnal Seni Rupa dan Desain Ekspresi: Indonesian Art Journal
Mahardika, Daphne Dinda
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Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Cyber Crime Sebagai Sumber Penciptaan Skenario Film Pendek "Pitch Bill" Mahardika, Daphne Dinda; Sumarno, Rano; Wibowo, Philipus Nugroho Hari
Ekspresi Vol 13, No 2 (2024)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v13i2.14143

Abstract

Skenario dengan judul Pitch Bill merupakan sebuah karya yang berfokus pada isu cyber crime masa kini. Karya ini berangkat dari keresahan yang  tumbuh akibat melihat grafik korban penipuan online yang kian naik, serta bentuk empati kepada orang-orang terdekat yang menjadi korban dari kasus penipuan online sekaligus menjadi narasumber wawancara dalam proses pengumpulan data. Penciptaan ini menggunakan teori kriminologi untuk menciptakan latar belakang tokoh-tokoh dengan didukung oleh data dari hasil wawancara, sebelum akhirnya dikemas menjadi sebuah karya fiksi dengan format filmis. Penerapan teori kriminologi, film komedi drama, dan skenario film guna mendukung proses kreatif serta inovatif. Pengumpulan data yang dilakukan setelah terciptanya ide dan konsep cerita bermaksud untuk dijadikan sebagai kriteria dalam proses pencarian data. Hal tersebut guna membantu dalam proses pengembangan untuk dijadikan skenario film yang utuh. Pitch Bill menceritakan tentang Kaivan yang membantu Sarah dalam produksi untuk film tugas akhirnya sebagai produser, namun Kaivan menggunakan jasa pinjaman online untuk dijadikan dana produksi film Sarah. Skenario film pendek Pitch Bill diproduksi menjadi sebuah film pendek. Produksi film pendek ini berupa proyek kerja sama antara mahasiswi jurusan Teater ISI Yogyakarta dengan mahasiswi jurusan Televisi dan Film Universitas Padjajaran. Kata kunci: Cyber Crime, Film Scenario, Comedy Drama Film, Online Lending, Pitch Bill AbstractCybercrime as a Source of Inspiration for the Creation of the Short Film Script Pitch Bill. Scenario called Pitch Bill focuses on current cyber crime issues. The scenario stems from the anxiety that has grown as a result of seeing the increasing graph of online fraud victims, as well as a form of empathy for the dearest one who have become victims of online fraud cases as well as being sources in the research process. The process of creating the background for the characters uses criminology theory supported by data from interviews, before finally turned into a work of fiction in filmic format. Application of criminological theory along with comedy drama film and film scenario to support creative and innovative process. The data collection carried out after the creation of story ideas the idea is intended to be used to classify in the data search process. This is to assist in the development process to become a complete film scenario. Pitch Bill tells the story of Kaivan who helps Sarah with the production of her final film as a producer, but Kaivan uses an online loan service as the main funds for Sarah’s film production. “Pitch Bill’s” short movie scenario was produced into a short movie. The production of this short movie is a collaborative project between the sutdent of theater department of ISI Yogyakarta and the student of television and film department of Padjajaran University. Keywords: Cyber crime, Film Scenario, Comedy Drama Film, Online Lending, Pitch Bill
Domestikasi Atas Hegemoni: Peran Pameran Seni "Conversing With Domestic Memories" Tivani, Mellynajati Ancas Oryza; Sholikhah, Khairunnisa; Mahardika, Daphne Dinda
Ars: Jurnal Seni Rupa dan Desain Vol 28, No 2 (2025): Mei-Agustus 2025
Publisher : Faculty of Visual Arts and Design, Institut Seni Indonesia Yogyakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v28i2.15025

Abstract

The research based on the exhibition 'Conversing With Domestic Memories' at Ruang MES 56 from 18th-21st February 2025, explores the concept of domestication, which positions marginalised groups as subordinate elements in the construction of an authoritarian society. This exhibition highlights the less well-known events that have occured in Indonesia, Canada, Chile, Northern Ireland, Nicaragua, Colombia, and Uganda. This research is qualitative study using literature sources. The primary data used in this research are Antonio Gramsci concept of hegemony, Maurice Halbwach's collective memory, Jan Assmann's cultural identity, and Gayatri Chakravorty Spivak's subaltern approach. It aims to review the implementation of the exhibition's role through art as a tool and or a medium in the context of the truth of the dominant version of historical narratives, especially aspects of memory, aspects of power, and aspects of marganalized groups. The researcher employed the data with elements of description, interpretation, intercoherence and critical reflection with a visual analysis component and interviews to examine how an art exhibition relates to the issue of state violence and the provision of a space for the voices of marganalized communities. The result shows that art exhibitions function not only as a medium for revealing historical truths, but also as a tool for fostering solidarity and critical awareness among audiences. A broader perspective reveals the role of art in combating forgetting and impunity, including the role of art in constructing a more inclusive narrative of the past authoritarian society and encompasses the role of the art's as a tool, as a medium, and the synergy between these two functions.
Co-Authors Philipus Nugroho Hari Wibowo Rano Sumarno Sholikhah, Khairunnisa Tivani, Mellynajati Ancas Oryza