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All Journal AL-QIBLAH: Jurnal Studi Islam dan Bahasa Arab Kajian Linguistik dan Sastra
Raden Muhammad Ardiansyah Kurniawan
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Religion Arts Humanities Education

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Analisis Semiotika Riffaterre dalam Puisi "Hiya Fil Masāi Waḥīdatin” Karya Mahmoud Darwish Raden Muhammad Ardiansyah Kurniawan; Ridwan Ritonga; Aminuddin Hrp, Arpin; Kastrawi, Puji; Manan Nasution, Abdul; Ismail
Kajian Linguistik dan Sastra Vol. 9 No. 1 (2024)
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/kls.v9i1.3233

Abstract

This study aims to uncover the deepest meaning of language signs in Mahmoud Darwish's Hiya Fil Masāi Waḥīdatin poetry using Micheal Riffaterre's semiotic theory. This research uses a descriptive method with qualitative analysis. The source of this research data is the poerty Hiya Fil Masāi Waḥīdatin which consists of 34 lines. In interpreting signs in poetry, Riffaterre offers two concepts of reading. The first stage is through heuristic reading, then hermeneutic reading, followed by models, variants, matrices, as well as hypograms. The results of this study were found in heuristic readings of the meanings that are still ambiguous and heterogeneous. On the other hand, in hermeneutic reading, the model that is in the form of "sadness" is found in stanzas 1 and 2. These two stanzas represent the entire content of the poem, for the whole stanza reflects a man's sorrow for him (his country). Then the model was developed into variants namely sympathy and struggle. The matrix in this poem describes "the meaning of a homeland". The hypogram of Hiya Fil Masāi Waḥīdatin poetry is backed by two poetries, namely Yaumiyātu Jurḥ Filasṭīnī and Al-Waṭan ‘an Syain which have the meaning of suffering from alienation and longing so that a sense of struggle arises.
Aliran Barnāsiyah dalam Kesusatraan Arab: Kajian Historis: Parnassianism in Arabic Literature: Historical Studies Ritonga, Ridwan; Raden Muhammad Ardiansyah Kurniawan
AL-QIBLAH: Jurnal Studi Islam dan Bahasa Arab Vol. 3 No. 3 (2024): AL-QIBLAH: Jurnal Studi Islam dan Bahasa Arab
Publisher : Pusat Penelitian dan Pengabdian Masyarakat (P3M) Sekolah Tinggi Ilmu Islam dan Bahasa Arab (STIBA) Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36701/qiblah.v3i3.1401

Abstract

This study aims to investigate and reveal the role of Parnassianism in the development of Arabic literature. Parnassianism, which originated in France in the 19th century, emphasized formal beauty, clarity, and technical rigor in literary works, while rejecting the excessive use of emotional expression. This research shows how the influence of Parnassianism has permeated the works of prominent Arabic literati, influencing writing style, poetry structure, and themes raised. Through historical approaches and comparative literary analysis, this study traces the presence of Parnassianism in the works of Arab literati, from the introduction of Parnassian aesthetic concepts to their application in the context of Arabic literature. The works of Arabic literati such as Aḥmad Syawqῑ, Ḥāfiẓ Ibrāhῑm, and others are explored to highlight the formal use of Parnassianism and how it influenced the evolution of modern poetry in the context of Buddhism.
Co-Authors Aminuddin Hrp, Arpin Ismail Kastrawi, Puji Manan Nasution, Abdul Ridwan Ritonga Ritonga, Ridwan