Kemala, Alya Bela
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Estetika Motif Nyi Pohaci: Interpretasi Mitos Dewi Sri Dalam Desain Motif Kontemporer Albahi, Haidarsyah Dwi; Budiono, Nadia Rachmaya Ningrum; Kemala, Alya Bela
ATRAT: Jurnal Seni Rupa Vol 12 No 2 (2024): KREATIVITAS DAN INOVASI SENI VISUAL DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i2.3803

Abstract

This study aims to examine the Dewi Sri myth’s aesthetic value as a source of inspiration for digital creations featuring Nyi Pohaci motifs. The myth of Dewi Sri, the deity of fertility and rice in Indonesian agrarian culture, plays a significant role in illustrating the spiritual and cultural traditions of the society. This study employs a contemporary aesthetic methodology created by Prof. Dharsono. It is a multifaceted methodology that examines how form, colour, symbolism, emotions, and personal expression are all analyzed in this procedure of creating art. There are four stages to the study process for developing motif designs: 1) exploration, 2) experimentation, 3) contemplation, and 4) realization. This research also examines the socio-cultural context in which the myth of Dewi Sri was developed, resulting in an interaction between tradition and modernity in the creative process of labour. According to the research findings, Nyi Pohaci’s contemporary design has the potential to facilitate a dialogue between the past and the present, as well as to reflect aesthetic attractiveness. The design’s visual structure is intended to convey messages of harmony, balance, and fecundity about nature, which are pertinent to the current environmental and social issues.
Shibori Teknik Kacak Three Colors pada Penciptaan Ready to Wear Deluxe Kemala, Alya Bela; Suharno, Suharno; Marlianti, Mira
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.874

Abstract

The kacak technique is one of the techniques in making shibori. This technique is generally only used to produce shibori with one color. This is the basis for the creation of this work, namely, to produce three colors in shibori fabric with the kacak technique. Therefore, the purpose of creating this work is to find a new application of the kacak technique in shibori. The results of this finding are then used as the main material in the creation of ready-to-wear deluxe, which is combined with an angklung motif stamp batik as a complement. To realize this work, the creation method used is the three-stage design process, including problem definition and research, creative exploration, and implementation. The results of this creation are in the form of 4 (four) ready-to-wear deluxe looks presented at the Indonesia International Modest Fashion Festival (IN2MF) 2024 at the Jakarta Convention Center (JCC).