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Avant-Garde Sebagai Ilustrasi Mitos Dewi Sri Nadia Rachmaya Ningrum Budiono
PANTUN Vol 3, No 1 (2018): Estetika Budaya Urban
Publisher : Pascasarjana ISBI Bandung

This paper aims to explain the concept of the creation of avant-garde works inspired by the mythical fgure of Dewi Sri in Javanese society in the form of an illustrated fashion. The purpose is to introduce the mythical fgure of Dewi Sri in Java to the modern society. Dewi Sri is a character who is trusted in the Javanese people life. She is identifed with the goddess of rice, the goddess of wealth, the goddess of fertility and prosperity, the goddess of fame and success. She is believed to be able to provide long life, health and lots of children. She is the mother of life on earth. Avant-garde is one type of artwear or wasable-art focusing on an aesthetic value rather than a function. The research is conducted by collecting literature data and interviews. This study applies Paul Ricour’s Hermeneutic approach which is conducted through appreciation of symbols to the idea of ‘thinking of’ symbols. Ricour considers that hermeneutics is a way to explore hidden meanings in texts that appear to contain meaning, also an atempt to fght against “cultural distortion”, through semantics, re?ection, and existential or ontological.Keywords: Avant-Garde, Artwear, Dewi Sri.

KONSEP TATA RIAS SITIWINANGUN FASHION FESTIVAL (SIFFEST) Nadia Rachmaya Ningrum Budiono
ATRAT: Jurnal Seni Rupa Vol 10, No 3 (2022): EKSISTENSI SENI DAN BUDAYA DALAM INTERPRETASI VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v10i3.2321

Futatsu No Bunka: Penciptaan Ready To Wear Deluxe Bergaya Kimono Kurotomesode Dengan Aplikasi Motif Wayang Rama Shinta Fatma Delaneirabudy, Giazkha; Budiono, Nadia Rachmaya Ningrum; Fitra, Annisa
ATRAT: Jurnal Seni Rupa Vol 12 No 2 (2024): KREATIVITAS DAN INOVASI SENI VISUAL DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i2.3567

This research discusses the development of new clothing by combining two different cultural icons, namely the Kurotomesode Kimono from Japan and the Rama Shinta Wayang from Indonesia. This design is based on the desire to create a fashion work that combines the essence of the two cultures, namely a ready to wear deluxe work with a kurotomesode kimono style and the application of the Wayang Rama Shinta motif, this also shows a unique combination of traditional Japanese beauty and the richness of Indonesian culture. The method used is exploration, design, and realization, with a focus on embroidery techniques on the Wayang Rama Shinta motif. The result is six fashion works that will be exhibited at the 2024 Jogja Fashion Parade.

Estetika Motif Nyi Pohaci: Interpretasi Mitos Dewi Sri Dalam Desain Motif Kontemporer Albahi, Haidarsyah Dwi; Budiono, Nadia Rachmaya Ningrum; Kemala, Alya Bela
ATRAT: Jurnal Seni Rupa Vol 12 No 2 (2024): KREATIVITAS DAN INOVASI SENI VISUAL DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i2.3803

This study aims to examine the Dewi Sri myth’s aesthetic value as a source of inspiration for digital creations featuring Nyi Pohaci motifs. The myth of Dewi Sri, the deity of fertility and rice in Indonesian agrarian culture, plays a significant role in illustrating the spiritual and cultural traditions of the society. This study employs a contemporary aesthetic methodology created by Prof. Dharsono. It is a multifaceted methodology that examines how form, colour, symbolism, emotions, and personal expression are all analyzed in this procedure of creating art. There are four stages to the study process for developing motif designs: 1) exploration, 2) experimentation, 3) contemplation, and 4) realization. This research also examines the socio-cultural context in which the myth of Dewi Sri was developed, resulting in an interaction between tradition and modernity in the creative process of labour. According to the research findings, Nyi Pohaci’s contemporary design has the potential to facilitate a dialogue between the past and the present, as well as to reflect aesthetic attractiveness. The design’s visual structure is intended to convey messages of harmony, balance, and fecundity about nature, which are pertinent to the current environmental and social issues.

Avant-Garde Sebagai Ilustrasi Mitos Dewi Sri Budiono, Nadia Rachmaya Ningrum
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 3 No. 1 (2018): Estetika Budaya Urban
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v3i1.881

This paper aims to explain the concept of the creation of avant-garde works inspired by the mythical fgure of Dewi Sri in Javanese society in the form of an illustrated fashion. The purpose is to introduce the mythical fgure of Dewi Sri in Java to the modern society. Dewi Sri is a character who is trusted in the Javanese people life. She is identifed with the goddess of rice, the goddess of wealth, the goddess of fertility and prosperity, the goddess of fame and success. She is believed to be able to provide long life, health and lots of children. She is the mother of life on earth. Avant-garde is one type of artwear or wasable-art focusing on an aesthetic value rather than a function. The research is conducted by collecting literature data and interviews. This study applies Paul Ricour’s Hermeneutic approach which is conducted through appreciation of symbols to the idea of ‘thinking of’ symbols. Ricour considers that hermeneutics is a way to explore hidden meanings in texts that appear to contain meaning, also an atempt to fght against “cultural distortion”, through semantics, re?ection, and existential or ontological.Keywords: Avant-Garde, Artwear, Dewi Sri.

Green Peafowl Sebagai Inspirasi Dalam Desain Busana Digital Evening Gown Putri, Syilvi Karisa; Albahi, Haidarsyah Dwi; Budiono, Nadia Rachmaya Ningrum
Journal of Contemporary Indonesian Art Vol 11, No 1 (2025)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jocia.v11i1.15072

This study describes the creative process of digital fashion design, focusing on how to transform the idea inspired by the Green Peafowl into an evening gown using digital design techniques. The motivation behind this creative work is the need for digital fashion designs that showcase contemporary fashion concepts as well as represent the beauty of the endemic Green Peafowl, a species currently threatened with extinction. The objective of this research is to create a digital fashion design inspired by the Green Peafowl, exploring its visual elements and aesthetics artistically in the form of an evening gown. Through the application of artistic theory and design principles, symbols representing the characteristics of the Green Peafowl—derived from visual elements such as shape, colour, and texture—are transformed into the design of the evening gown. The research method employed is Dharsono's artistic creation method, which consists of the following stages: 1) Observation, 2) Experimentation, 3) Reflection, and 4) Formation. The observation stage includes literature and pictorial studies related to the theme. The experimentation stage involves exploring the visual elements of the Green Peafowl in the design. The reflection stage involves analyzing and reflecting on the aesthetic aspects and meaning of the resulting design. The formation stage results in harmonious and innovative work in accordance with the concept and idea. The outcome of this research is a collection of digital evening gown designs. Penelitian ini mendeskripsikan proses kreatif pengkaryaan desain busana digital dengan fokus utama yakni; bagaimana mentranformasikan ide inspirasi Green Peafowl pada evening gown dengan teknik digitalisasi desain. Pengkaryaan ini didasari oleh kebutuhan akan desain busana digital untuk menampilkan konsep busana terkini, serta merepresentasikan keindahan fauna endemik Green Peafowl yang saat ini mulai terancam keberadaanya. Tujuan penelitian ini adalah menciptakan desain busana digital yang terinspirasi dari burung Green Peafowl, dengan mengeksplorasi elemen rupa dan estetika secara artistik ke dalam wujud evening gown. Melalui pendekatan teori artistik dan prinsip desain, simbol-simbol yang merepresentasikan karakteristik Green Peafowl, bersumber dari elemen rupa seperti bentuk, warna, dan tekstur, ditransformasikan kedalam wujud evening gown. Metode penelitian yang digunakan adalah kreasi artistik Dharsono, dengan tahapan proses yakni; 1) Observasi, 2) eksperimen, 3) perenungan, dan 4) pembentukan. Tahap Observasi meliputi studi pustaka dan piktorial terkait tema yang diusung. Tahap eksperimen dilakukan dengan mengeksplorasi elemen rupa Green Peafowl ke dalam desain. Tahap perenungan melibatkan analisis dan refleksi terhadap aspek estetika dan makna dari desain yang dihasilkan. Tahap pembentukan menghasilkan karya yang harmonis dan inovatif sesuai konsep dan gagasan ide. Hasil penelitian ini berupa koleksi desain busana digital evening gown.

KONSEP TATA RIAS SITIWINANGUN FASHION FESTIVAL (SIFFEST) Budiono, Nadia Rachmaya Ningrum
ATRAT: Jurnal Seni Rupa Vol 10 No 3 (2022): EKSISTENSI SENI DAN BUDAYA DALAM INTERPRETASI VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v10i3.2321

This paper is based on basic problem, namely, the lack of student references in the D4 Makeup and Clothing Study Program, FSRD, ISBI Bandung related to the concept of makeup from a fashion festival event. Therefore, this paper aims to describe the concept of make-up in a fashion festival that can be used as a reference for classes (makeup studio or final project). The object material chosen is Sitiwinangun Fashion Festival (Siffest). This object was chosen because it was the first time held, and the author became part of the research team at the event. To achieve this goal, the formal approach used is descriptive analysis. The result of this study is the concept of fantasy makeup, which is built based on the talents of the local community.Keywords: makeup, fantasy makeup, Sitiwinangun fashion festival----------------------------------------------------------------------------------Tulisan ini didasarkan oleh persoalan mendasar yakni, kurangnya referensi mahasiswa di Program Studi D4 Tata Rias dan Busana, FSRD, ISBI Bandung yang terkait dengan konsep tata rias dari sebuah event fashion festival. Oleh sebab itu tujuan tulisan ini adalah untuk mendeskripsikan konsep tata rias dalam sebuah event fashion festival yang dapat menjadi referensi kuliah (studio rias atau tugas akhir). Adapun objek material yang dipilih adalah Sitiwinangun Fashion Festival (Siffest). Objek ini dipilih karena event festival pertama kali, dan penulis menjadi bagian anggota peneliti di event tersebut. Untuk mencapai tujuan tersebut pendekatan formal yang digunakan adalah deskriptif analisis. Hasil dari kajian ini adalah konsep tata rias fantasi yang dibangun berdasarkan kemampuan talent dari masyarakat setempat.Kata kunci: tata rias, tata rias fantasi, Sitiwinangun fashion festival

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