Karolus B. Jama
Unknown Affiliation

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

MAKNA LAGU NENGGO DALAM UPACARA PENTI DI NGKOR, DESA BANGKA LA’O, KECAMATAN RUTENG, KABUPATEN MANGGARAI Antonia Pendi Mantu; Karolus B. Jama; Aris Nurhuda
Journal Education and Government Wiyata Vol 3 No 1 (2025): Februari 2025
Publisher : Yayasan Panca Bakti Wiyata Pangandaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71128/e-gov.v3i1.205

Abstract

The focus of this study is to find out the meaning contained in Song called “Nenggo” in ceremony Penti at Ngkor, Bangka La'o village, District Ruteng, Regency Manggarai. The aim of this study is to describe the meaning contained in song “Nenggo” at the Ceremony Penti di Ngkor, Bangka La'o village, District Ruteng, Regency Manggarai. There are two benefits of this study, they area theorical benefits and practical benefits. Theoretically, this study is expected to stimulate and increase the way of thingking or enrich concepts to literature related to Indonesian language specifically in solving problems occurring in society. Whereas practically, the benefits of this study is for the readers, researchers, and investigators. The method used in this study is descriptive qualitative method. Meanwhile, the theory used is semiotics theory (Roland Barthes). The use of semiotics analysis in this study succeed dig meaning deep from everylyrics of the “Rana rembong” song, so can be understood in a way more widely by society in general. The result of this study found that there are 3 meanings of the “Nenggo” song, they are: (1) the denotation meaning consists of erelele: embrace, rembong: protector, rana: lake, mbaru: house, beo: village, wekol: happiness, enggo: jungle cat; (2) the connotative meaning includes erelele: warmly receive, rembong: someone who has high authority, rana: beauty and mystery of nature, mbaru: warmth, security, shelter, beo: simple life and close to nature, wekol: positive feelings, satisfaction and joy, enggo: reflects relationships humans and nature; (3) myth contains erelele: a symbol of strong emotional ties, rembong: a figure who protects and preserves traditions and cultural values, rana: a source of life for various kinds of living creatures, mbaru: a place connected to ancestors or spirits ancient, beo: a symbol of ethnic and cultural identity, wekol: happiness that everyone wants, enggo: a symbol of courage. Thus, “Nenggo” is a traditional song which use in ceremony like penti, caci, birth, and marriage and contains deep meaning as a culture identity and as a medium used to embrace and unite the community in a village. Nenggo „‟Rana rembong‟‟ is not just a song but also as a medium that expresses local wisdom, spirituality, and life social public Manggarai.
The article Social Criticism[ in the short story of Orang Gila Yang Bijak Dan Merdeka by Jefta H. Atapeni.: Kritik Sosial Dalam Cerpen Orang Gila Yang Bijak Dan Merdeka Karya Jefta H. Atapeni Baksuni, I'm ester; Hayon G. Nico; Margaretha P.E Djokaho; Karolus B. Jama
Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Vol 6 No 2 (2022): Santhet : Jurnal Sejarah, Pendidikan, dan Humaniora
Publisher : Proram studi pendidikan Sejarah Fakultas Keguruan Dan Ilmu Pendidikan Universaitas PGRI Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (210.23 KB) | DOI: 10.36526/santhet.v6i2.2196

Abstract

This study raises about the social criticism contained in the short story Orang Gila Yang Bijak dan Merdeka by Jefta H. Atapeni. The problem raised in this study is social criticism and the form of delivery of social criticism in the short story of Orang Gila Yang Bijak dan Merdeka by Jefta H. Atapeni. This study aims to describe social criticism and the form of delivery of social criticism in the short story Orang Gila Yang Bijak dan Merdeka by Jefta H. Atapeni. This study uses Antonio Gramsci's theory of Domination and Hegemony. The method used in this research is descriptive qualitative research method. The source of the data in this research is the short story of Orang Gila Yang Bijak dan Merdeka by Jefta H. Atapeni. The results of this study are: 1) The most dominant social criticism discussed is socio-economic criticism, while the dominant form of criticism that appears is a symbolic and simple form of criticism. 2) Social criticism includes, social criticism of political, economic, cultural, religious, morality, gender, power, and government issues. 3) The forms of delivery of criticism include direct criticism, namely in a straightforward manner, indirect forms, namely, symbolically, subtly, and cynically. The results of this study are expected to be useful for broadening the horizons of appreciation of literary readers for social criticism in literary works in the form of short stories and its application with Antonio Gramsci's theory of Domination and Hegemony. The results of this study are also expected to be used as reference material and as a reference or comparison material for literary researchers in the future.