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All Journal Abdi Seni Lakon Jurnal Pengkajian & Penciptaan Wayang
Padnobo, Halintar Cakra
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Arts Humanities Education Social Sciences

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Sosio Psikologis Dalam Implementasi Fungsi Seorang Dalang Padnobo, Halintar Cakra; Nurnani, Dewi
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol. 21 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

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Abstract

This article analyzes the relationship between social-psychology and puppetry, by examining how the five socio psychological elements—attitudes, beliefs, emotions, habits, and desires—influence the character of a dalang and the quality of wayang performances. Based on social psychology theories, this article shows how these elements shape the behavior patterns of a dalang in carrying out his profession and interacting with the audience. The dalang, as the center of a wayang performance, is required to understand and apply these five elements in order to achieve perfection in the performance and to create a harmonious relationship with the audience. The theories used in this article include the basic concepts of general psychology explained by Irwanto et al. (1991), the influence of trust and emotions in social interactions, as described by Sujanto (1993) and Damajanti (2006). Apart from that, the importance of socio-psychology in creating quality art is also highlighted, with. It is hoped that this article can provide deeper insight into the importance of understanding socio-psychology for dalang and audiences in creating meaningful performances.
Sosio Psikologis Dalam Implementasi Fungsi Seorang Dalang Padnobo, Halintar Cakra; Nurnani, Dewi
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol. 21 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article analyzes the relationship between social-psychology and puppetry, by examining how the five socio psychological elements—attitudes, beliefs, emotions, habits, and desires—influence the character of a dalang and the quality of wayang performances. Based on social psychology theories, this article shows how these elements shape the behavior patterns of a dalang in carrying out his profession and interacting with the audience. The dalang, as the center of a wayang performance, is required to understand and apply these five elements in order to achieve perfection in the performance and to create a harmonious relationship with the audience. The theories used in this article include the basic concepts of general psychology explained by Irwanto et al. (1991), the influence of trust and emotions in social interactions, as described by Sujanto (1993) and Damajanti (2006). Apart from that, the importance of socio-psychology in creating quality art is also highlighted, with. It is hoped that this article can provide deeper insight into the importance of understanding socio-psychology for dalang and audiences in creating meaningful performances.
Revitalisasi Wayang Beber sebagai Upaya Mempersiapkan Regenerasi Pelukis dan Dalang di Sanggar Naladerma Baluwarti Surakarta Marwati, Sri; Rosalina , Neni Nurul; Padnobo, Halintar Cakra
Abdi Seni Vol. 16 No. 2 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v16i2.7180

Abstract

Naladerma Studio as the only place to learn wayang beber in the Surakarta Palace complex is not well managed. The study schedule, teaching materials, modules, members/students, and collections are not well organized. Meanwhile, the existence of Naladerma Studio also supports Surakarta Palace as a center of Javanese traditional culture, although its contribution is not well exposed. Joko Sriyono as the owner of Naladerma Studio has long been known as a Wayang Beber sungging artist and local residents already know him as a wayang beber sungging artist. Joko Sriyono's condition is not like it used to be, due to his increasing age and illness. This has caused his painting activities to be no longer productive and even the 21-meter wayang beber project he designed has not been completed. Currently, there is no longer a successor to manage Naladerma Studio, even though Joko previously founded the studio driven by his concern for the preservation of wayang beber in Solo. Moreover, in the midst of the increasingly modern era. He is worried that in the future the wayang beber culture will be destroyed. Through his studio, Joko can share knowledge about wayang beber to anyone, both visitors and students. For that, there needs to be revitalization to prepare the regeneration of both painters and puppeteers of wayang beber itself as a form and effort to preserve wayang beber so that it does not become extinct.  Keywords: revitalization; Wayang Beber, regeneration
Co-Authors Nurnani, Dewi Rosalina , Neni Nurul Sri Marwati