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KESULITAN BELAJAR ANAK USIA 5-6 TAHUN DI TK LAB MODEL MUHAMMADIYAH PONTIANAK KOTA Marwati, Sri; Yuniarni, Desni; Miranda, Dian
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 6, No 10 (2017): Oktober 2017
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (503.561 KB)

AbstractLearning difficulties are a disturbance in one or more of the basic psychological processes that include understanding and use of speech or writing language." In this respect, there is a learning difficulty experienced by kindergarten-age children, which will affect their ability in later classes. This study aims to describe the learning difficulties experienced by children aged 5-6 years in kindergarten Lab. Muhammadiyah Model. Specifically this study describes the difficulty of learning to read children aged 5-6 years, describe the difficulty of learning to write children aged 5-6 years, describe the difficulty of learning to count children aged 5-6 years. The method used is qualitative research method with case study approach. The data source consists of 2 teachers in groups of children aged 5-6 years, 3 parent case subjects, and 3 children who are guilty of learning difficulties which is the subject of the case in this study. After the data is collected, the data is presented for conclusion. Difficulty learning to read on troubled child in 5-6 years age group that is different, class writing process have difficulties, which influence in learning activity class, like inconsistent in the form of letter, when writing have bad writing. The class counting process has difficulties, which affect it in classroom learning activities, such as being able to arrange numbers, and difficulty with almost identical numbers. Based on the results of the study there are several suggestions that can be considered by the parties concerned in an effort to overcome the learning difficulties of children. The suggested suggestions are for teachers to be more familiar with the child's parents, for the kindergarten to be able to carry out joint evaluations on a regular basis, and for parents to be expected to pay attention to the child while at home.Â Kata kunci: kesulitan belajar, kesulitan membaca, kesulitan menulis, kesulitan berhitungÂ

Interpreting the Tri Mandala Concept on the Motif of Gringsing Wayang Kebo Woven Cloth Putriani, Nina Eka; Marwati, Sri; Mudra, I Wayan
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol 1 No 1 (2018): April
Publisher : Institut Seni Indonesia Denpasar

Gringsing wayang kebo woven cloth is one of specialty cloths owned by Tenganan Pegringsingan Village, Manggis Sub-district, Karangasem Regency, Bali. This research aims to interpreting the Tri Mandala concept on the motif of gringsing wayang kebo woven cloth. The approach of this research is descriptive qualitative. Techniques for collecting data are observation, interview, and documentation, data analysis is using interactive analysis model and the validity of the data will be confirmed with triangulation technique. The result of this research shows that the motif of gringsing wayang kebo follows the of Tri Mandala concept that consists of 3 parts, Main pattern, Center pattern, and edge pattern. The motifs consisted of each pattern are 1). The motif on the main pattern consists of the plus, swastika, building, and scorpion motif; 2). The motif on the center pattern consists of an animal motif, floral, mountain, wayang; and; 3). The motif on the edge pattern consists of plus sign (+) and sun.

PERAN SERTA PETANI DALAM PROGRAM ASURANSI USAHA TANI PADI DI KECAMATAN KAPAS KABUPATEN BOJONEGORO Rahmawati, Ika Farihatunnisa'; Irianto, Heru; Marwati, Sri
Agrifo : Jurnal Agribisnis Universitas Malikussaleh Vol. 9 No. 2 (2024): November 2024
Publisher : LPPM Universitas Malikussaleh - Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29103/ag.v9i2.16233

Kecamatan Kapas merupakan kecamatan dengan peserta Asuransi Usaha Tani Padi (AUTP) tertinggi di Kabupaten Bojonegoro. Studi ini mengkaji tingkat peran serta dan faktorfaktor yang memengaruhi peran serta petani dalam Program AUTP di Kecamatan Kapas. Responden berjumlah 50 petani peserta AUTP, teknik pengambilan sampel menggunakan simple random sampling, data dianalisis menggunakan Imetode Ideskriptif kuantitatif. Untuk mengetahui tingkat peran serta petani dalam Program AUTP menggunakan Skala Likert, sedangkan untuk mengetahui faktor-faktor yang memengaruhi peran serta petani dalam Program AUTP menggunakan analisis regresi linier berganda. Hasil analisis menunjukkan bahwa rata-rata tingkat peran serta petani dalam tahap sosialisasi, pelaksanaan, dan evaluasi Program AUTP masuk dalam kategori sangat sering, yaitu sebesar 83,40%. Peran serta petani tertinggi berada pada tahap pelaksanaan, yaitu sebesar 85,60%. Terdapat tiga faktor yang memengaruhi peran serta petani dalam Program AUTP yaitu lama menempuh pendidikan formal, pengalaman usaha tani padi dan intensitas keikutsertaan penyuluhan. Faktor paling memengaruhi peran serta petani dalam Program AUTP adalah intensitas keikutsetaan penyuluhan.

PENCIPTAAN MOTIF BATIK UNTUK SERAGAM(UNIFORM) CIVITAS AKADEMIKA ISI SURAKARTA SEBAGAI UPAYA PENCITRAAN INSTITUSI YANG BERKARAKTER Marwati, Sri
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Batik is one of the Indonesianâ€™s prides. The government, batik craftsman, and people have tried many efforts to preserve batik. We have to be proud of for based on the decision of the United Nations Educational, Scientific, and Cultural Organization (UNESCO) it is decided that batik Indonesia is considered to be an intangible cultural Heritage of Humanity. Batik as a uniform of a community or an institution is actually able, psychologically, to bring it to the sense of kinship, togetherness, and solidarity. Batik as a uniform is also able to form peopleâ€™s brand image toward the community or institution. It means that, indirectly, imaging of a certain community or institution can be built up by the uniform adjusted to its vision and mission. One of the efforts is through â€œPenciptaan Motif Batik Untuk Seragam (Uniform) Civitas Akademika ISI Surakarta Sebagai Upaya Pencitraan Institusi Yang Berkarakterâ€ (Creating A Batik Motive for Uniform of All Staffs in ISI Surakarta as An Effort to the Imaging of A Characteristic Institution). The motives that can be created have some elements that are motives of logo ISI Surakarta, the gate of ISI Surakarta, Pendapa (grand hall), book and lotus flower as well as plants â€œlungâ€. The motive elements are held together to be the symbol of ISI Surakarta as a home for togetherness in reaching the highest ideals in the field of science, art and culture including education, research, and workmanships, as well as community services by upheld the sustainable honesty and integrity. The color of purple represents greatness. Keywords: character, batik motive, imaging

VISUALISASI TIGA DIMENSIONAL MOTIF BATIK PADA MEDIA KAYU Prabowo, Rahayu Adi; Marwati, Sri
Acintya Vol. 12 No. 1 (2020)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v12i1.3149

ABSTRACT The beauty of batik as one form of visual culture in Indonesia is one of the priceless inheritance which has a philosophical symbolic meaning that regulates the social relationship between human and the human relationships with the God. The history of batik never revealed when batik began to exist and who created it. Batik in Indonesia has been known since the era of the Majapahit Kingdom and continues to grow until the emergence of the next kingdoms. Exploration of visual culture in Indonesia becomes a challenge in its learning and its realization. The reason is that every culture has its own social norm / custom that is very strong and influences the people's lives.The diverse application of batik motifs on various products greatly influences the strength of the existence of batik as one form of art in Indonesia which, of course, can also move the economic side of the creation of creativity that always emerges and develops in society. This artistic research of batik motifs richness that is applied into a wood carving motif is proposed to support the development of batik. This research uses a method of motifs exploration by bringing up traditional batik motifs that are packaged in a semi relief wood carving by applying a new motif patterned in accordance to the wood carving techniques. This method conveys traditional batik motifs with a three-dimensional style and in different size in order to bring up the three-dimensional style. Keywords: Exploration, Batik Motifs, Wood Carving. ABSTRAK Keindahan batik sebagai salah satu wujud budaya rupa di Indonesia adalah merupakan salah satu warisan tak ternilai harganya, yang mempunyai kandungan makna simbolis filsafati yang mengatur hubungan sosial antar manusia serta hubungan manusia dengan Dzat Yang Maha Agung. Dalam kesejarahan tentang keberadaan batik tidak pernah diungkap kapan kali pertama muncul dan siapa yang menciptakannya. Namun batik di Indonesia telah dikenal sejak zaman Kerajaan Majapahit dan terus berkembang hingga munculnya kerajaan-kerajaan berikutnya. Ekplorasi sebuah kekayaan budaya rupa di Indonesia merupakan sebuah tantangan dalam hal pembelajaran dan perwujudannya. Hal tersebut dikarenakan setiap kekayaan budaya diiringi sebuah norma/adat sosial yang sangat kuat dan berpengaruh dalam sendi kehidupan masyarakat. Aplikasi motif batik yang beragam pada berbagai produk ini sangat mempengaruhi kekuatan keberadaan batik sebagai salah satu wujud seni rupa di Indonesia, yang tentunya juga dapat mengerakkan sisi ekonomi dari terciptanya kreativitas yang selalu muncul dan berkembang di masyarakat. Sebagai salah satu dukungan dalam perkembangan wujud seni batik ini, maka diusulkan sebuah penelitian kekaryaan (artistik) tentang kekayaan motif batik yang mengaplikasikan ke dalam sebuah motif ukir kayu yang selama ini belum pernah dilakukan. Sajian penelitian ini menggunakan metode eksplorasi motif, yaitu memunculkan motif-motif batik tradisi yang dikemas dalam tampilan ukir kayu semi relief dengan mengaplikasikan pola motif garapan baru sesuai dengan ranah teknik ukir kayu. Metode ini menuangkan motif batik tradisi namun dengan gaya tiga dimensi yang terdapat sedikit gubahan ukuran sebagai upaya memunculkan kekuatan tiga dimensionalnya. Kata Kunci : Ekplorasi, Motif Batik, Ukir Kayu.

PERGELARAN VICOLMING WAYANG BEBER 4 KOTA SEBAGAI SOLUSI DAMPAK COVID-19 Sugihartono, Ranang Agung; Rianto, Jaka; Marwati, Sri
Acintya Vol. 13 No. 1 (2021)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v13i1.3823

The Covid-19 pandemic changed all the aspects of life, including the arts. Traditional artists were badly affected. They do not have any requests for art performances at all, because the performances will definitely gather the masses, including the beber puppet (wayang beber). For that, it is necessary to find a solution to overcome this condition. Through this artistic research, the researcher created a model for presenting the beber wayang show using multi-platform technology, namely the integration of video conferencing and live streaming, abbreviated as Vicolming. This artistic research uses a type of practice-based research with a ‘Multi-Method’ approach with stages including information gathering, selection, preparation, analysis, evaluation, presentation, and communication. The results show that the wayang beber show performed with multi-platform technology can produce offerings or performance that are not only online but interesting, creative, interactive, collaborative, and can be watched from anywhere live and on demand. The results of this research are expected to become an online performance model that can be applied to other traditional performing arts.Keywords: Vicolming, multi-platform, wayang beber, and Covid-19

ILUSTRASI KONSEP ASTABRATA DALAM NASKAH PAKUALAMAN Marwati, Sri
Acintya Vol. 14 No. 1 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v14i1.4324

ABSTRAKTujuan dari penelitian ini untuk mendeskripsikan ilustrasi dalam naskah pakualaman yang memuat konsep Astabrata. Penelitian ini merupakan kajian pustaka, data diperoleh dari naskah dan buku yang berkaitan dengan subyek penelitian. Pendekatan kualitatif dilakukan dengan cara analisis dekriptif dan hermeneutik. Hasil studi bahwa ilustrasi konsep Astabrata dalam naskah Pakualaman dalam Sestra Ageng Adidarma menggunakan tokoh-tokoh dalam pewayangan dalam mengilustrasikannya. Bentuk dan karakter ilustrasi yang disajikan memiliki ikonografi dalam pewayangan. Setradisuhul mengulas konsep Astabrata dalam bentuk teks terutama karakter dan sifat tokoh-tokoh dalam konsep Astabrata. Sehingga kedua naskah tersebut saling terkait, saling mendukung dalam memperkokoh ilustrasi konsep Astabrata khas Pakualaman.

TRUCKS AS INSPIRATION FOR BABY BED CREATION Triana, Agus; Marwati, Sri
ARTISTIC : International Journal of Creation and Innovation Vol. 1 No. 2 (2020)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v1i2.3302

Baby bed is one type of furniture which the existence is very necessary to meet the needs of the community, especially in family groups who have children / babies. The idea of creating the work is divided into two problem formulations, namely, how to design a baby bed in the form of a truck with decorative elements of Punakawan and how to visualize the design into works of art. The approach used is Dewitt H. Parker's aesthetic theory. The method of creation includes 3 stages, namely: the exploration stage, the design stage, and the embodiment stage. The baby bed produced in this artistic research is a work that has functional and aesthetic values with reference to the character of Punakawan. The symbolic value contains the exemplary teachings of Punakawan become a substance in this baby bed artwork. These baby beds are created creatively and innovatively for the renewal of baby bed shapes.

DESIGNING PARTY DRESS WITH WIJAYAKUSUMA BATIK MOTIF Nafisah, Siti; Marwati, Sri
ARTISTIC : International Journal of Creation and Innovation Vol. 3 No. 1 (2022)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v3i1.4453

Wijayakusuma flower is a unique and rare flower that only blooms once at night and after that it will wither and not bloom again. This uniqueness is an attraction to make it an inspiration for batik art work. The formulation of the studdy in this creation is how to visualize the Wijayakusuma flower in the form of a batik motif and implement it into party dresses. This artistic research uses three stages, namely exploration, design and visualization. The results of this study are the creation of the Wijayakusuma batik motif, the application of the Wijayakusuma floral batik motif to the party dresses, and the realization of the Wijayakusuma batik patterned party dress. The works of this party dress are entitled Selene, Amaris, Luna, and Neoma.

PENCIPTAAN MOTIF BATIK UNTUK SERAGAM(UNIFORM) CIVITAS AKADEMIKA ISI SURAKARTA SEBAGAI UPAYA PENCITRAAN INSTITUSI YANG BERKARAKTER Marwati, Sri
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v2i2.169

Batik is one of the Indonesianâ€™s prides. The government, batik craftsman, and people have tried many efforts to preserve batik. We have to be proud of for based on the decision of the United Nations Educational, Scientific, and Cultural Organization (UNESCO) it is decided that batik Indonesia is considered to be an intangible cultural Heritage of Humanity. Batik as a uniform of a community or an institution is actually able, psychologically, to bring it to the sense of kinship, togetherness, and solidarity. Batik as a uniform is also able to form peopleâ€™s brand image toward the community or institution. It means that, indirectly, imaging of a certain community or institution can be built up by the uniform adjusted to its vision and mission. One of the efforts is through â€œPenciptaan Motif Batik Untuk Seragam (Uniform) Civitas Akademika ISI Surakarta Sebagai Upaya Pencitraan Institusi Yang Berkarakterâ€ (Creating A Batik Motive for Uniform of All Staffs in ISI Surakarta as An Effort to the Imaging of A Characteristic Institution). The motives that can be created have some elements that are motives of logo ISI Surakarta, the gate of ISI Surakarta, Pendapa (grand hall), book and lotus flower as well as plants â€œlungâ€. The motive elements are held together to be the symbol of ISI Surakarta as a home for togetherness in reaching the highest ideals in the field of science, art and culture including education, research, and workmanships, as well as community services by upheld the sustainable honesty and integrity. The color of purple represents greatness. Keywords: character, batik motive, imaging

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