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Konfrontasi Psikis Tokoh Utama pada Film Pulang Sutradara Azhar Kinol Lubis: Analisis Psikologi Sastra Septarianto, Tomi Wahyu; Arianti, Ristiana Sukma; Palupi, Muncar Tyas; Arwansyah, Yanuar Bagas
Proceedings Series on Social Sciences & Humanities Vol. 20 (2024): Prosiding Pertemuan Ilmiah Bahasa & Sastra Indonesia (PIBSI XLVI) Universitas Muhamm
Publisher : UM Purwokerto Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30595/pssh.v20i.1460

Abstract

Penelitian ini bertujuan untuk mengetahui konfrontasi psikis tokoh utama pada film pulang sutradara Azhar Kinoi Lubis. Penelitian dilakukan untuk mengetahui struktur pembangun pada film Pulang sutradara Azhar Kinoi Lubis dan menganalisis koherensi psikis tokoh utama film Pulang sutradara Azhar Kinoi Lubis. Penelitian ini menggunakan metode deskriptif kualitatif. Teknik pengumpulan data dalam penelitian ini menggunakan teknik dokumentasi, observasi, dan pustaka. Teknik analisis data dilakukan dengan menyimak, mengelompokkan, menganalisis, dan menarik kesimpulan. Hasil penelitian menunjukkan bahwa analisis konfrontasi psikis tokoh utama pada film Pulang sutradara Azhar Kinoi Lubis yang meliputi watak tokoh utama pada film pulang, konfrontasi psikis tokoh utama pada film pulang yang meliputi aspek id, aspek ego, dan super ego pada tiap tokohnya.
KONFRONTASI PSIKIS TOKOH UTAMA PADA FILM PULANG SUTRADARA AZHAR KINOL LUBIS: ANALISIS PSIKOLOGI SASTRA Arwansyah, Yanuar Bagas; Arianti, Ristiana Sukma; Septarianto, Tomi Wahyu
JURNAL SKRIPTA Vol 10 No 2 (2024): SKRIPTA NOVEMBER 2024
Publisher : UNIVERSITAS PGRI YOGYAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31316/skripta.v10i2.7692

Abstract

This research aims to determine the psychological confrontation of the main character in the film Pulang, directed by Azhar Kinoi Lubis, including: 1) What is the building structure in the film Pulang, directed by Azhar Kinoi Lubis? 2) What is the psychic coherence of the main character in the film Pulang, directed by Azhar Kinoi Lubis? This research uses a qualitative descriptive method, because the data obtained and the analysis used in this research are qualitative. Data collection techniques in this research used documentation, observation and previous research techniques. The data analysis techniques used in this research are listening, grouping, analyzing and drawing conclusions. The results of the research show that the analysis of the psychological confrontation of the main character in the film Pulang, directed by Azhar Kinoi Lubis, is: 1) the character of the main character in the film Pulang 2) the psychological confrontation of the main character in the film Pulang which includes the id, ego and super ego aspects of each character.
KONFRONTASI PSIKIS TOKOH UTAMA PADA FILM PULANG SUTRADARA AZHAR KINOL LUBIS: ANALISIS PSIKOLOGI SASTRA Arwansyah, Yanuar Bagas; Arianti, Ristiana Sukma; Septarianto, Tomi Wahyu
JURNAL SKRIPTA Vol 10 No 2 (2024): SKRIPTA NOVEMBER 2024
Publisher : UNIVERSITAS PGRI YOGYAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31316/skripta.v10i2.7692

Abstract

This research aims to determine the psychological confrontation of the main character in the film Pulang, directed by Azhar Kinoi Lubis, including: 1) What is the building structure in the film Pulang, directed by Azhar Kinoi Lubis? 2) What is the psychic coherence of the main character in the film Pulang, directed by Azhar Kinoi Lubis? This research uses a qualitative descriptive method, because the data obtained and the analysis used in this research are qualitative. Data collection techniques in this research used documentation, observation and previous research techniques. The data analysis techniques used in this research are listening, grouping, analyzing and drawing conclusions. The results of the research show that the analysis of the psychological confrontation of the main character in the film Pulang, directed by Azhar Kinoi Lubis, is: 1) the character of the main character in the film Pulang 2) the psychological confrontation of the main character in the film Pulang which includes the id, ego and super ego aspects of each character.