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Pengembangan Bahan Ajar Menulis Berita Straight News dan Feature dengan Pendekatan Jurnalisme Profetik Herdiana, Aan; Abineri, Reza
Jurnal Kridatama Sains dan Teknologi Vol 7 No 01 (2025): Jurnal Kridatama Sains dan Teknologi
Publisher : Universitas Ma'arif Nahdlatul Ulama Kebumen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53863/kst.v7i01.1518

Abstract

This study aims to (1) develop a module for writing straight news and feature articles using a prophetic journalism approach, and (2) assess the feasibility of the module. The research method used is research and development (R&D) with the 4D model (Define, Design, Develop, and Disseminate) by Thiagarajan. The instruments used in this study include validation sheets for experts in content, language, and media. Data were collected through observation, interviews, documentation, and questionnaires. The results of this development research indicate that the developed product meets the validation criteria, with expert validation reaching 87.9%, broken down as follows: content expert 89%, language expert 84.7%, media expert 90.25%, and student response questionnaires reaching 83%. Based on these results, it can be concluded that the developed module for writing straight news and feature articles with a prophetic journalism approach is valid and suitable for use in learning
Analisis Semiotika Roland Barthes: Representasi Disonansi Kognitif Tokoh Kiran dalam Film Tuhan, Izinkan Aku Berdosa Syifaur Rahmah; Abineri, Reza; Angely, Nasya Puspa; Risqi, Girinda Fatihu
MUKASI: Jurnal Ilmu Komunikasi Vol. 4 No. 3 (2025): Agustus 2025
Publisher : Yayasan Pendidikan Penelitian Pengabdian Algero

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54259/mukasi.v4i3.5444

Abstract

This study aims to analyze the form of cognitive dissonance experienced by the character Kiran and examine the representation of social myths related to women and morality in the film Tuhan, Izinkan Aku Berdosa directed by Hanung Bramantyo. Employing a qualitative approach grounded in critical paradigm, the analysis is conducted through Roland Barthes' semiotics (denotation, connotation, myth) and Leon Festinger's cognitive dissonance framework, focusing on cinematic signs. The findings reveal Kiran's cognitive dissonance to be highly complex, primarily triggered by betrayal and the profound conflict between her deeply held beliefs and harsh reality. She attempts to reduce this dissonance through a radical cognitive shift, transforming her profession into a deliberate tool for revenge against perceived hypocrisy, even extending to a defiance of God. Nevertheless, her inner discomfort remains notably unresolved. Semiologically, the film powerfully debunks prevailing myths that link female morality to outward appearance or environment, alongside myths of religious hypocrisy and female purity that clash starkly with behavior. Moreover, it actively challenges myths of absolute obedience and divine justice. This research enriches the fields of film semiotics and communication psychology, providing profound insights into individual internal conflict and highlighting cinema's potential as a potent medium for social critique, fostering critical reflection on rigid moral standards and societal hypocrisy.