Nasir, Roziani Mat Nashir @ Mohd
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Visual comparison of Rama’s and Rahwana’s characters in Javanese and Kelantanese wayang kulit Wibowo, Arif Ardy; Puspita, Ida; Nugroho, Aji Santoso; Nasir, Roziani Mat Nashir @ Mohd; Probosiwi, Probosiwi; Tur, Ajar Pradika Ananta
NOTION: Journal of Linguistics, Literature, and Culture Vol. 6 No. 1 (2024): NOTION: Journal of Linguistics, Literature, and Culture
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/notion.v6i1.10201

Abstract

Ramayana, a well-known tale originating from India, has been embraced across Southeast Asia. In regions like Yogyakarta, Indonesia, and Kelantan, Malaysia, local customs have influenced its portrayal, character representation leading to deviations in storyline and. The aim of this study to compare the visual depiction of key characters, particularly Rama and Rahwana, in Javanese and Kelantanese Wayang Kulit, symbolizing the protagonist and antagonist, respectively. This study intends to contribute by revealing the impact of local visual traditions on the enduring grandeur of the Ramayana tale. The method is comparative study, begin with defining data, collecting data from Yogyakarta and Kelantan master of puppets through interview and documentation, analyzing data, displaying data and draw conclusion. The result is found that there are visual similarities and differences related to Rama and Rahwana character. The common visual similarities such as crown, weapon, cloth and accessories. Meanwhile the difference shows that Javanese and Kelantanese is only about the detail of the cloth, the animal rides (Kelantan version), and the size of the Wayang Kulit. In Yogyakarta, Indonesia, and Kelantan, Malaysia, the story of Ramayana is depicted in unique ways, influenced by cultural variations. These distinctions manifest in the characters' looks, headgear, weapon characteristics, facial expressions, and facial coloring. Further investigation is necessary to delve into these differences and understand the puppeteers' role in conveying moral messages to the community.
Cultural and aesthetic influences in the formation of Kelantanese Wayang Kulit characters: a visual analysis Samsuddin, Mat Redhuan; Nasir, Roziani Mat Nashir @ Mohd; Ahmad, Nani Hartina; Wibowo, Arif Ardy
Masyarakat, Kebudayaan dan Politik Vol. 38 No. 3 (2025): Masyarakat, Kebudayaan dan Politik
Publisher : Faculty of Social and Political Science, Universitas Airlangga

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Abstract

Kelantan Wayang Kulit is a traditional art form that embodies the cultural, aesthetic, and symbolic values of the local Malay community. As a form of shadow theatre, it merges narrative, music, and visual aspects, serving as a significant channel for expressing cultural and ethical values. This research seeks to examine the impact of culture and aesthetics on the design development of key characters in Kelantan Wayang Kulit like Seri Rama, Siti Dewi, Maharaja Wana, and Pak Dogol. Employing a qualitative method via visual analysis and semi-structured interviews, this research explores design features like shapes, lines, colors, and motifs that represent the social status, moral values, and cultural identity of the Kelantan community. The results indicate that the character designs are shaped by multiple external factors, including Thai culture and Hindu-Buddhist epics, yet they have been adapted according to local values through dialects, natural motifs, and Malay-Islamic aesthetic principles. Characters like Pak Dogol embody the people’s wisdom through straightforward visual representation. This research highlights that Kelantan Wayang Kulit is more than a cultural heritage; it is also a vibrant and significant medium of visual communication. These results are significant in initiatives to protect and value traditional art, as well as to motivate modern visual art inspired by cultural heritage.