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All Journal Ahmad Dahlan Journal of English Studies Channel : Jurnal Komunikasi Linguistics and Elt Journal NOTION: Journal of Linguistics, Literature, and Culture International Journal of Communication and Society Indonesian journal of teaching and learning Wacana: Journal of the Humanities of Indonesia IJAR : Indonesian Journal of Action Research
Ida Puspita
Universitas Ahmad Dahlan, Yogyakarta, Indonesia
Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Mathematics Social Sciences Other

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Voicing Change: A Comparative Reading of Selected Works by Pramoedya Ananta Toer and Katharina Susannah Prichard Puspita, Ida
Ahmad Dahlan Journal of English Studies Vol 2, No 2 (2015): September
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (336.292 KB) | DOI: 10.26555/adjes.v2i2.2982

Abstract

Although coming from different historical and political backgrounds, Indonesian Pramoedya Ananta Toer and Australian Katharina Susannah Prichard both have used their writing to rehearse their concerns with the social and political situations in their respective societies. In The Girl from the Coast (1987) and Coonardoo (1929), they create the setting for a staging of the effects of colonial, racial and gender ideologies on the lives of marginalised and oppressed individuals. Through the characters of The Girl and Coonardoo respectively Pramoedya and Prichard hold up a lens to an awakening concern with minorities in specific periods in Indonesian and Australian societies. The novels’ main female characters serve thus as spokespersons for an agenda of social and political change that characterise the work of Pramoedya and Prichard.   This paper will examine how these two novels depict marginalised groups in Indonesia and Australia and the significant role these groups play in both challenging and sustaining a national memory. To this extent it is concerned with how they are positioned as well as how they position themselves in the patriarchal and colonial societies of the late 19th and early 20th centuries. Pramoedya’s and Prichard’s shared perspectives on political and social matters lead to some comparable aspects in the way they depict the social dynamics in the texts. Readers are led to see the tensions between identity and class/race and family and nation through the eyes and the voices of the marginalised women characters. Keywords: comparative literature, voicing change, Pramoedya, Prichard
MENYAMBUT ERA PENYIARAN DIGITAL 2018 M.Hum, Umarino; Puspita, Ida; Fajri, Choirul; Fadillah, Dani
CHANNEL Jurnal Komunikasi Vol 6, No 1 (2018)
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (30.57 KB)

Abstract

IntisariRencana perpindahan penyiaran analog ke digital menyebabkan banyaknya implikasi pada industri penyiaran itu sendiri. Jika negara-negara di barat sudah semenjak lama mengimplementasikan adanya perpindahan media analog ke digital ini, maka Indonesia sendiri telah membuat master plan yakni pada tahun 2018 untuk melakukan switch off menuju penyiaran digital. Berbagai persoalan dilahirkan atas lahirnya kebijakan tersebut. Penelitian ini bertujuan untuk mengetahui bagaimana kesiapan media penyiaran di Indonesia dalam menyambut era penyiaran digital 2018. Hasil dan penelitian ini menunjukkan bahwa guna menyambut era penyiaran digital 2018, media lokal perlu memperhatikan beberapa aspek, seperti: proses, manajemen, sumber daya manusia, dan teknologi.Kata Kunci: Digitalisasi, Media, dan Penyiaran.
Women’s Representation and Resistance as Depicted in Josephine Chia’s Frog under a Coconut Shell and Arundhati Roy’s The God of Small Things: A Comparative Study Nurrahmawati, Nurrahmawati; Puspita, Ida
NOTION: Journal of Linguistics, Literature, and Culture Vol 3, No 1 (2021)
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/notion.v3i1.3787

Abstract

This study is aimed to analyze the comparison between women’s representation and resistance in Josephine Chia’s novel Frog under a Coconut Shell from Singapore and The God of Small Things by Arundhati Roy from India. By using a comparative literature approach, the research focuses on the differences and similarities in women’s representation and resistance to get gender equality in Singaporean and Indian society. Chia’s novel tells the story of Soon Neo and her daughter, Josephine, who struggles to get their rights as women in the midst of patriarchal Peranakan culture in Singapore, and Roy’s novel tells the story of Ammu and her twins children, Rahel and Estha, who fight against the social rules in India that are discriminative against women and the Untouchable people (Paravan). The research employed a descriptive qualitative analysis method and the theory of liberal feminism. There are similarities in the representation of women who are considered as second class and become the objects both sexually and economically; and restrained by their patriarchal society and culture. The difference of both novels is in the caste system which regulates women's freedom only reflected in The God of Small Things. From the perspective of liberal feminism, the female characters in both novels show resistance in making decision, education, society, and economy. However, resisting inequality in economy is only reflected in Frog under a Coconut Shell while resisting inequality in society is only reflected in The God of Small Things. The direct resistance is demonstrated in verbal and non-verbal ways.
Women’s Representation and Resistance as Depicted in Josephine Chia’s Frog under a Coconut Shell and Arundhati Roy’s The God of Small Things: A Comparative Study Nurrahmawati Nurrahmawati; Ida Puspita
NOTION: Journal of Linguistics, Literature, and Culture Vol. 3 No. 1 (2021): NOTION: Journal of Linguistics, Literature, and Culture
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/notion.v3i1.3787

Abstract

This study is aimed to analyze the comparison between women’s representation and resistance in Josephine Chia’s novel Frog under a Coconut Shell from Singapore and The God of Small Things by Arundhati Roy from India. By using a comparative literature approach, the research focuses on the differences and similarities in women’s representation and resistance to get gender equality in Singaporean and Indian society. Chia’s novel tells the story of Soon Neo and her daughter, Josephine, who struggles to get their rights as women in the midst of patriarchal Peranakan culture in Singapore, and Roy’s novel tells the story of Ammu and her twins children, Rahel and Estha, who fight against the social rules in India that are discriminative against women and the Untouchable people (Paravan). The research employed a descriptive qualitative analysis method and the theory of liberal feminism. There are similarities in the representation of women who are considered as second class and become the objects both sexually and economically; and restrained by their patriarchal society and culture. The difference of both novels is in the caste system which regulates women's freedom only reflected in The God of Small Things. From the perspective of liberal feminism, the female characters in both novels show resistance in making decision, education, society, and economy. However, resisting inequality in economy is only reflected in Frog under a Coconut Shell while resisting inequality in society is only reflected in The God of Small Things. The direct resistance is demonstrated in verbal and non-verbal ways.
Voicing Change: A Comparative Reading of Selected Works by Pramoedya Ananta Toer and Katharina Susannah Prichard Ida Puspita
Ahmad Dahlan Journal of English Studies Vol 2, No 2 (2015): September
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (336.292 KB) | DOI: 10.26555/adjes.v2i2.2982

Abstract

Although coming from different historical and political backgrounds, Indonesian Pramoedya Ananta Toer and Australian Katharina Susannah Prichard both have used their writing to rehearse their concerns with the social and political situations in their respective societies. In The Girl from the Coast (1987) and Coonardoo (1929), they create the setting for a staging of the effects of colonial, racial and gender ideologies on the lives of marginalised and oppressed individuals. Through the characters of The Girl and Coonardoo respectively Pramoedya and Prichard hold up a lens to an awakening concern with minorities in specific periods in Indonesian and Australian societies. The novels’ main female characters serve thus as spokespersons for an agenda of social and political change that characterise the work of Pramoedya and Prichard.   This paper will examine how these two novels depict marginalised groups in Indonesia and Australia and the significant role these groups play in both challenging and sustaining a national memory. To this extent it is concerned with how they are positioned as well as how they position themselves in the patriarchal and colonial societies of the late 19th and early 20th centuries. Pramoedya’s and Prichard’s shared perspectives on political and social matters lead to some comparable aspects in the way they depict the social dynamics in the texts. Readers are led to see the tensions between identity and class/race and family and nation through the eyes and the voices of the marginalised women characters. Keywords: comparative literature, voicing change, Pramoedya, Prichard
Depiction restoring women’s power through eatery names Ananta Tur, Ajar Pradika; Sabrina, Arini; Noor, Azelin Mohamed; Farahsani, Yashinta; Puspita, Ida; Kurniawan, Muhammad Hafiz
Wacana, Journal of the Humanities of Indonesia Vol. 24, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Empowering women entails bolstering their mentality and state of mind, as patriarchy is founded not only on sexuality. Addressing a married woman with the name of her husband or first son is claimed to be a sign of respect. Woman’s public inclusion is also still considered undervalued, which is shown in the way they name eateries. This study, which unfolds eatery names in Yogyakarta Municipality in Indonesia and Malacca in Malaysia, two places with identical historical backgrounds, analysed women’s efforts to increase their bargaining position in society through the naming of their eateries. Although two eateries do place women in a strong position, many of them still struggle to achieve women’s positionalities and social respect.
Reclaiming Women‟s power by eatery names in two multicultural cities Ajar Pradika Ananta Tur; Arini Sabrina; Azelin Mohammed Noor; Yashinta Farahsani; Ida Puspita; Muhammad Hafiz Kurniawan
International Journal of Communication and Society Vol 5, No 1: June 2023
Publisher : Association for Scientific Computing Electrical and Engineering (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/ijcs.v5i1.791

Abstract

As patriarchy is not solely based on sexuality, energizing women requires enhancing their intellect and state of mind. It is considered a gesture of respect to refer to a married woman by the name of her husband or eldest son. Women's public participation is still deemed devalued, as evidenced by the naming of restaurants. This study examines eatery names in Yogyakarta, Indonesia, and Malacca, Malaysia, two cities with similar historical backgrounds. It aims to investigate women's efforts to improve their negotiating position in society by naming their eateries. Although two restaurants place women in powerful positions, many still need help to attain women's positions and social respect.
Peningkatan Motivasi dan Prestasi Belajar Siswa dalam Pembelajaran Fisika pada Materi Arus Listrik DC Melalui Metode Group Investigation Puspita, Ida
Indonesian Journal of Teaching and Learning Vol. 3 No. 1 (2024)
Publisher : Edupedia Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56855/intel.v3i1.944

Abstract

Tujuan penelitian adalah untuk meningkatkan motivasi dan prestasi belajar siswa melalui penerapan pembelajaran kooperatif tipe Group Investigation di kelas XIIMIPA1 MAN 2 Yogyakarta Materi Arus Listrik Searah DC. Penelitian ini merupakan Penelitian Tindakan Kelas (PTK) yang terdiri dari 3 (tiga) siklus. Setiap siklus meliputi 4 (tahapan). Subjek penelitian ini adalah siswa kelas XIIMIPA1 MAN 2 Yogyakarta semester genap tahun pelajaran 2019/2020 yang berjumlah 25 orang siswa, terdiri dari 10 siswa laki-laki dan 15 siswi perempuan. Hasil penelitian ini menunjukkan terjadinya peningkatan nilai rata-rata setiap pengamatan siklus. Penilaian motivasi belajar mengalami peningkatan rata- rata skor kelas dari siklus I adalah 1.68 predikat C (Cukup), siklus II adalah 2.82 predikat B (Baik) dan siklus III adalah 2.87 predikat B (Baik) dan untuk penilaian rata-rata kelas uji kompetensi I diperoleh 45.53, uji kompetensi II diperoleh 79.46, dan uji kompetensi III 81.85. Dari hasil wawancara dengan guru dan siswa juga mengatakan proses pembelajaran dengan menggunakan Group Investigation lebih menyenangkan. Setelah melaksanakan penelitian tindakan kelas, disimpulkan bahwa model pembelajaran Group Investigation, dapat meningkatkan motivasi belajar dan prestasi belajar Fisika siswa kelas XII MIPA 1.
Implementasi Proyek Karya Tulis Ilmiah Berbantuan LKPD Terstruktur: Peningkatan Kompetensi Literasi pada Kelas Khusus Olah Raga Puspita, Ida
Indonesian Journal of Action Research Vol. 2 No. 2 (2023)
Publisher : Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ijar.2023.22-06

Abstract

Tujuan – Tujuan dari penelitian ini adalah untuk mengevaluasi efektivitas implementasi Proyek Karya Tulis Ilmiah sebagai bagian dari Kurikulum Merdeka Belajar dalam memperkuat profil pemuda Pancasila dan Rahmatan Lil Alamin, serta meningkatkan kompetensi literasi peserta didik di Kelas Khusus Olah Raga (KKO), MAN 2 Yogyakarta. Metode – Metodologi penelitian ini berbasis deskriptif kualitatif, dilakukan pada semester gasal tahun pelajaran 2022/2023. Data dikumpulkan melalui teknik observasi, wawancara, dan analisis dokumen, kemudian dianalisis secara kualitatif. Hasil – Hasil penelitian menunjukkan bahwa 100% peserta didik berhasil menyusun Karya Tulis Ilmiah (KTI) dengan bantuan Lembar Kerja Peserta Didik (LKPD) terstruktur. Ini menandakan keberhasilan dalam implementasi Kurikulum Merdeka Belajar dan penguatan kompetensi literasi. Penelitian ini memiliki implikasi signifikan dalam konteks pendidikan, khususnya dalam implementasi Kurikulum Merdeka Belajar dan penguatan kompetensi literasi, serta membuka akses untuk penelitian lebih lanjut. Keterbatasan dan rekomendasi untuk penelitian lebih lanjut juga dibahas.
Visual comparison of Rama’s and Rahwana’s characters in Javanese and Kelantanese wayang kulit Wibowo, Arif Ardy; Puspita, Ida; Nugroho, Aji Santoso; Nasir, Roziani Mat Nashir @ Mohd; Probosiwi, Probosiwi; Tur, Ajar Pradika Ananta
NOTION: Journal of Linguistics, Literature, and Culture Vol. 6 No. 1 (2024): NOTION: Journal of Linguistics, Literature, and Culture
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/notion.v6i1.10201

Abstract

Ramayana, a well-known tale originating from India, has been embraced across Southeast Asia. In regions like Yogyakarta, Indonesia, and Kelantan, Malaysia, local customs have influenced its portrayal, character representation leading to deviations in storyline and. The aim of this study to compare the visual depiction of key characters, particularly Rama and Rahwana, in Javanese and Kelantanese Wayang Kulit, symbolizing the protagonist and antagonist, respectively. This study intends to contribute by revealing the impact of local visual traditions on the enduring grandeur of the Ramayana tale. The method is comparative study, begin with defining data, collecting data from Yogyakarta and Kelantan master of puppets through interview and documentation, analyzing data, displaying data and draw conclusion. The result is found that there are visual similarities and differences related to Rama and Rahwana character. The common visual similarities such as crown, weapon, cloth and accessories. Meanwhile the difference shows that Javanese and Kelantanese is only about the detail of the cloth, the animal rides (Kelantan version), and the size of the Wayang Kulit. In Yogyakarta, Indonesia, and Kelantan, Malaysia, the story of Ramayana is depicted in unique ways, influenced by cultural variations. These distinctions manifest in the characters' looks, headgear, weapon characteristics, facial expressions, and facial coloring. Further investigation is necessary to delve into these differences and understand the puppeteers' role in conveying moral messages to the community.
Co-Authors Ajar Pradika Ananta Tur Arini Sabrina, Arini Azelin Mohammed Noor Choirul Fajri Dani Fadillah Farahsani, Yashinta Kurniawan, Muhammad Hafiz M.Hum, Umarino Muhammad Hafiz Kurniawan Nasir, Roziani Mat Nashir @ Mohd Noor, Azelin Mohamed Nugroho, Aji Santoso Nurrahmawati Nurrahmawati Nurrahmawati Pramudya, Muh. Priyono, Ahmad Probosiwi, Probosiwi Wibowo, Arif Ardy Yashinta Farahsani