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DEGRADASI PUITIKA DALAM KONTESTASI LITERASI CERITA KKN DI DESA PENARI Muhammad Lutfi Dwi Kurniawan; Hadi Prasetyo; Aditya Wicaksono; Fian Ulumul Akmal
POETIKA Vol 7, No 2 (2019): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v7i2.51571

Abstract

Cerita KKN di Desa Penari merupakan sebuah sastra siber yang populer karya Simpleman dengan genre horor. Kepopuleran tersebut tidak terlepas dari strategi puitika dan pengaruh media yang digunakan. Dalam cerita horor KKN di Desa Penari, strategi puitika akan ditinjau dari kepenuhperistiwaan cerita yang membentuk sensitivitas-konteks di dalam teks, sedangkan pengaruh media akan dilihat dari transformasi sastra siber ke sastra cetak yang berimplikasi pada konsekuensi-konsekuensi teks dalam tatanan literasi. Melalui hal tersebut, penelitian ini bertujuan menganalisis strategi puitika sebagai pembangunan eventfulness dan melihat praktik transformasi media yang berimbas pada intensitas puitika. Adapun temuan penelitian ini adalah sebagai berikut. Pertama, sebagai cerita horor, KKN di Desa Penari menawarkan beberapa strategi puitika dalam meleburkan paradigma fiksi dan fakta. Hal tersebut dicapai melalui evaluative device, berupa refleksi karakter, repetisi peristiwa, dan disnarasi yang menciptakan eventfulness sehingga terbentuk sensitivitas-konteks. Kedua, praktik transformasi media mengakibatkan perubahan bentuk teks dari nonliterasi menuju literasi. Melalui hal tersebut, cerita horor KKN di Desa Penari menerima konsekuensi berupa formalisasi bahasa karena standardisasi media. Selain itu, keterlibatan cerita horor KKN di Desa Penari ke dalam zona literasi merupakan kendali kekuasaan dari agenda kapitalisme dalam bentuk print-capitalism. Dengan demikian, dapat ditarik muara analisis bahwa cerita horor KKN di Desa Penari yang terlibat ke dalam zona literasi justru dihadapkan pada degradasi puitika. Kata Kunci: horor, literasi, puitika, transformasi media The story of KKN di Desa Penari is a popular cyber literacy by Simpleman which horror genre. It popularity can’t be separated from poetics and media that used. The story of KKN di Desa Penari's poetical strategy will be seen from eventfulness that shapes context-sensitivity on the text, at the same time, media will be seen as a transformation from cyber literacy into print-literacy that has implified the text consequences from the construction of literacy. Through that, this research aims to analyze the poetical strategy as an eventfulness development and see the practice of media transformation which has an impact on poetical intensity. The discovery of this research is as follows. First, as a horror story, KKN di Desa Penari offer a few poetical strategy to immersed fictional and factual paradigm. This was achieved through evaluative device, that is character reflection, repetition of events, and the disnarrative that creates eventfulness thus developing context-sensitivity. Second, the practice of media transformation inflict the transliteration of text from nonliteration to literacy. Through this, the horror story of KKN di Desa Penari received the consequence of formalization of language inflicted by media standardization. Moreover, the involvement the horror story of KKN di Desa Penari into the literacy zone was a power control over the capitalism agenda in the form of print-capitalism. Therefore, this analysis comes down the horror story of KKN di Desa Penari that was involved in the literacy zone was exposed to poetical degradation. Keywords: horror, literacy, poetics, media transformation 
VISI KOSMOPOLITANISME DALAM NOVEL PERJALANAN SELIMUT DEBU KARYA AGUSTINUS WIBOWO Prasetyo, Hadi; Safitri, Fajar Diana; Febrianto, Anggit
Fon : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 21 No 1 (2025): Fon: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/fon.v21i1.10949

Abstract

In Indonesia, travel writing has experienced quite rapid development and has become the subject of many studies in literary research. However, of the various previous studies that have been conducted, there has been no research that has attempted to examine travel writing using Debbie Lisle's theory. In general, the theory used in various previous studies is the travel writing theory initiated by Carl Thompson. In this research, the author will try to investigate the cosmopolitan vision in the novel Selimut Debu by Agustinus Wibowo using Debbie Lisle's travel writing theory. This research uses qualitative method. The data collection technique was carried out using the literature study method, namely by carefully and thoroughly reading linguistic units in the form of dialogue, monologue and narrative contained in the novel Selimut Debu. The data that has been collected will then be analyzed using Debbie Lisle's Travel Writing Theory. The results of this research show that the novel Selimut Debu contains several characteristics of cosmopolitanism, namely: first, this novel displays an acceptance of the celebration of differences; second, Agustinus frames each encounter in a constructive way that often displays empathy and sympathy; third, Agustinus continues to move, moving from one space to another to show the uniqueness of the differences he encounters and each space he visits becomes a means to celebrate differences in identity; and fourth, highlighting cultural traditions is an important element in the novel Selimut Debu.