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All Journal Fon: Jurnal Pendidikan Bahasa dan Sastra Indonesia AlphabetAlphabet: A Biannual Academic Journal on Language, Literary, and Cultural Studies Bahterasia : Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia Gurindam: Jurnal Bahasa dan Sastra
Fajar Diana Safitri
Universitas Negeri Yogyakarta
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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How the Subaltern Speaks in Iksaka Banu’s “Di Ujung Belati” : A Postcolonial Study Fajar Diana Safitri; Ine Wulandari; Hairini Nur Hanifah
Alphabet: A Biannual Academic Journal on Language, Literary, and Cultural Studies Vol 5, No 1 (2022)
Publisher : Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.alphabet.2022.05.01.05

Abstract

Iksaka Banu’s “Di Ujung Belati is a short story set in the colonial era. The social class system established by the Dutch government at that time makes the natives difficult to speak in various spheres of life. In this study, the short story was discussed using the perspective of subalternity introduced by Spivak. The method used was the literature review method. Based on the discussion, it can be seen that the Dutch put the natives in a subaltern position in terms of gender, economy, and culture. The oppression perceived by the subaltern gives rise to resistance in the form of rebellion and betrayal towards the Dutch government. That rebellion and betrayal is the way the subaltern speaks. Even though they have succeeded in overthrowing the Dutch, the natives are under the domination of another Western power, which is Britain. This shows that the natives are not completely successful in fighting Western hegemony. In relation to the current context of globalization, “Di Ujung Belati” short story can be a form of raising public awareness of the existence of neocolonialism after colonialism is abolished.
VISI KOSMOPOLITANISME DALAM NOVEL PERJALANAN SELIMUT DEBU KARYA AGUSTINUS WIBOWO Prasetyo, Hadi; Safitri, Fajar Diana; Febrianto, Anggit
Fon : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 21 No 1 (2025): Fon: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/fon.v21i1.10949

Abstract

In Indonesia, travel writing has experienced quite rapid development and has become the subject of many studies in literary research. However, of the various previous studies that have been conducted, there has been no research that has attempted to examine travel writing using Debbie Lisle's theory. In general, the theory used in various previous studies is the travel writing theory initiated by Carl Thompson. In this research, the author will try to investigate the cosmopolitan vision in the novel Selimut Debu by Agustinus Wibowo using Debbie Lisle's travel writing theory. This research uses qualitative method. The data collection technique was carried out using the literature study method, namely by carefully and thoroughly reading linguistic units in the form of dialogue, monologue and narrative contained in the novel Selimut Debu. The data that has been collected will then be analyzed using Debbie Lisle's Travel Writing Theory. The results of this research show that the novel Selimut Debu contains several characteristics of cosmopolitanism, namely: first, this novel displays an acceptance of the celebration of differences; second, Agustinus frames each encounter in a constructive way that often displays empathy and sympathy; third, Agustinus continues to move, moving from one space to another to show the uniqueness of the differences he encounters and each space he visits becomes a means to celebrate differences in identity; and fourth, highlighting cultural traditions is an important element in the novel Selimut Debu.
Kritik Sosial dalam Cerpen “Maskapai Liong Mabur” Karya Sujiwo Tejo Safitri, Fajar Diana; Nabila, Atika Silma; Fakhrunnisa, Ritma; Edwar, Valentina Edellwiz
Bahterasia : Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia Vol 6, No 2 (2025): Agustus
Publisher : Program Studi Pendidikan Bahasa Indonesia FKIP UMSU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30596/jpbsi.v6i2.24304

Abstract

Penelitian ini mengkaji kritik sosial yang terdapat dalam cerpen "Maskapai Liong Mabur" karya Sujiwo Tejo. Cerpen tersebut merupakan bentuk transformasi dari teks hipogram yang terdapat dalam lakon wayang Gatotkaca Winisuda. Berdasarkan analisis, Sujiwo Tejo meneruskan dan melakukan penyimpangan terhadap naskah hipogram. Penerusan dan penyimpangan teks tersebut digunakan sebagai sarana untuk menyampaikan kritik sosial kepada pemuda Indonesia. Sujiwo Tejo menjadikan Gatutkaca sebagai sosok idealis bagi pemuda Indonesia. Hal tersebut karena tokoh Gatutkaca diciptakan oleh penyair Jawa secara sempurna sebagai pribadi yang kuat, sukses, dan produktif. Selain itu, melalui sudut pandang tokoh Gatutkaca yang hidup di zaman kerajaan dan zaman modern, Sujiwo Tejo melakukan kritik sosial kepada masyarakat. Sujiwo Tejo menyayangkan sikap masyarakat Indonesia yang latah terhadap tren/isu, terlalu santai dalam menghadapi perubahan, dan mulai melupakan ilmu bertahan hidup di alam karena kecanggihan teknologi.
Reflection of Religious Practices of Indonesian Society in Joko Pinurbo’s Poetry Edwar, Valentina Edellwiz; Fakhrunnisa, Ritma; Safitri, Fajar Diana; Nabila, Atika Silma
Gurindam: Jurnal Bahasa dan Sastra Vol 5, No 2 (2025): DECEMBER
Publisher : Universitas Islam Negeri Sultan Syarif Kasim Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24014/gjbs.v5i2.38557

Abstract

This study aims to analyze the empty space in Joko Pinurbo’s poetries with Iser's reception theory, especially the concept of unbesthimmheit (empty space), which can be filled by interpreting the text based on the reader's repertoire. The research method is descriptive qualitative. The analysis is carried out by identifying the repertoire, empty space, filling the empty space, actualizing meaning, and interpreting the aesthetic effect. The results of the study are: 1) visual form, titimangsa, and diction are clues that refer to the repertoire, namely religious practices in Indonesia in 2015-2016, 2) empty space in the form of metaphorical ambiguity and the absence of explanation of causal relations in the text, 3) empty space is filled with SARA conflicts and identity polarization, especially the case of Ahok and Meiliana as defendants in blasphemy, 4) aesthetic interpretation in the form of reflection on religious practices that are trapped in rituals so that they are vulnerable to intolerance, the solution is the actualization of love for others.
Co-Authors Atika Silma Nabila Febrianto, Anggit Hadi Prasetyo Hairini Nur Hanifah Ine Wulandari Ritma Fakhrunnisa Valentina Edellwiz Edwar