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All Journal Dharmas Education Journal (DE_Journal) Mamangan Social Science Journal
Manalu, Kartini R. M.
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Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Other

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SEQUENCER SEBAGAI MEDIA KREATIVITAS PADA MUSIK IRINGAN IBADAH GEREJA KARISMATIK DI KOTA MEDAN Simanjuntak, Hendrik Leonard; Manalu, Kartini R. M.; Sihombing, J. Pectrik Bonzales; Nainggolan, Samuel Agustinus; Waruwu, Happy Majesty
Dharmas Education Journal (DE_Journal) Vol 4 No 3 (2024): DE_Journal
Publisher : Fakultas Keguruan dan Ilmu Pendidikan Univesitas Dharmas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56667/dejournal.v4i3.348

Abstract

Sequencer merupakan program aplikasi yang memiliki kemampuan untuk merekam, mengedit dan memutar kembali data yang sudah masuk berbentuk MIDI ataupun audio. Alat-alat yang harus dipersiapkan dalam menunjang penggunaan sequencer adalah laptop, sound card, MIDI controller, speaker monitor, headphone dan alat-alat musik yang ingin dimasukkan ke dalam layer sequencer. Musisi gereja dapat mengoptimalkan penggunaan sequencer dalam hal; (1) media kreatif; (2) iringan musik; (3) menciptakan suasana musik dalam ibadah; (4) sebagai layer tambahan atau sebagai backing layer; dan (5) sebagai acuan tempo atau metronome
Hope and Disappointment By Trisutji Kamal: Analysis Vocal and Piano Music Composition Manalu, Kartini R. M.; Simanjuntak, Hendrik L; Waruwu, Happy Majesty; Simanjuntak, Octavia Indri
Jurnal Mamangan Vol 12, No 2 (2023): Special Issue
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/mamangan.v12i2.9669

Abstract

Trisutji Kamal is the first Indonesian female composer to work in the field of 'Indonesian classical music', and her works have become part of the repertoire of various musical performances, concerts, and recitals both domestically and internationally. His compositions are manifestations of personal experience, identity, nationalism, love and beauty, developed using various compositional techniques connected to various trajectories of Western music history. In this position, the author sees Trisutji Kamal as having entered a phase of providing novelty in composition, namely by discussing a 'new' compositional form. This 'new' compositional form has directly opened up a space for discussion regarding aesthetics, appropriateness, temporality, and also interpretation. The Cycle: Hope and Disappointment is a different cycle from those of Schubert and Schumann. Trisutji Kamal presents different times within the cycle and various themes, thus creating a distinct continuity. This certainly impacts the performance and the way the text is conveyed to the audience. According to the author, this is one of Trisutji Kamal's compositional strengths that has not been widely discussed in scholarly discussions and previous research. Through a qualitative approach, this research opens up space to see the relationship between Trisutji Kamal's work and Schubert and Schumann and to discuss different things as part of 'newness' in composition.
Co-Authors Nainggolan, Samuel Agustinus Sihombing, J. Pectrik Bonzales Simanjuntak, Hendrik L Simanjuntak, Hendrik Leonard Simanjuntak, Octavia Indri Waruwu, Happy Majesty