Article Per Year (5 Year)
p-Index From 2021 - 2026
0.444
P-Index
This Author published in this journals
All Journal Mamangan Social Science Journal
Simanjuntak, Hendrik L
Unknown Affiliation
Humanities Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
Instrumental Dominance In Bands: a Study of Player Subjectivity Manalu, Kartini R.M.; Simanjuntak, Hendrik L; Waruwu, Happy Majesty; Sagala, Yeremia Yosephina Van; Siahaan, Thessa Angelica
Jurnal Ilmu Sosial Mamangan Vol 12, No 3 (2025): Jurnal Ilmu Sosial Mamangan Accredited 2 (SK Dirjen Ristek Dikti No. 0173/C3/DT
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/mamangan.v12i3.9203

Abstract

This research opens up a space for discourse on the existence of various perspectives of musicians and the community regarding the dominance of instruments. They believe that there is one instrument that has a higher 'value' than other instruments. In this case, ‘value’ can be interpreted as dominance, tendency, ‘primacy’, ‘existence’ and ‘position’ within a band or musical ensemble. The urgency of this research is to see to what extent this dominance is interpreted in a musical performance by musicians, the general public, and how this is connected to the concept of 'equality' from an instrumentation perspective. Something that becomes ‘blurry’ when an instrument is debated without a ‘balanced’ indicator or is diminuted from the character of the instrument.
Hope and Disappointment By Trisutji Kamal: Analysis Vocal and Piano Music Composition Manalu, Kartini R. M.; Simanjuntak, Hendrik L; Waruwu, Happy Majesty; Simanjuntak, Octavia Indri
Jurnal Mamangan Vol 12, No 2 (2023): Special Issue
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/mamangan.v12i2.9669

Abstract

Trisutji Kamal is the first Indonesian female composer to work in the field of 'Indonesian classical music', and her works have become part of the repertoire of various musical performances, concerts, and recitals both domestically and internationally. His compositions are manifestations of personal experience, identity, nationalism, love and beauty, developed using various compositional techniques connected to various trajectories of Western music history. In this position, the author sees Trisutji Kamal as having entered a phase of providing novelty in composition, namely by discussing a 'new' compositional form. This 'new' compositional form has directly opened up a space for discussion regarding aesthetics, appropriateness, temporality, and also interpretation. The Cycle: Hope and Disappointment is a different cycle from those of Schubert and Schumann. Trisutji Kamal presents different times within the cycle and various themes, thus creating a distinct continuity. This certainly impacts the performance and the way the text is conveyed to the audience. According to the author, this is one of Trisutji Kamal's compositional strengths that has not been widely discussed in scholarly discussions and previous research. Through a qualitative approach, this research opens up space to see the relationship between Trisutji Kamal's work and Schubert and Schumann and to discuss different things as part of 'newness' in composition.
Co-Authors Kartini Ruth Maduma Manalu Manalu, Kartini R. M. Sagala, Yeremia Yosephina Van Siahaan, Thessa Angelica Simanjuntak, Octavia Indri Waruwu, Happy Majesty