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All Journal Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris Blaze: Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Pengembangan
Dinda Rahmadani
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Arts Humanities Education Languange, Linguistic, Communication & Media

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Feminism in Disney’s Snow White Live-Action Movie Dinda Rahmadani; Meisya Audreyanna; Naya Islah Nabilah; Syamsul Bahri
Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris Vol. 3 No. 2 (2025): June: Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/fonologi.v3i2.1711

Abstract

Feminism is a movement that fights for equality between men and women in all aspects of life, including social, political, and cultural. As one of the most influential media producers, Disney has long been criticized for presenting female characters in traditional and passive roles. The purpose of this study is to identify and analyze the feminist elements found in the film and how they reflect the development of gender equality values. This study uses a qualitative descriptive method with data taken directly from the 2025 live-action film Snow White. The analysis is supported by library research and based on Rosemarie Tong’s (2009) feminist theory, which categorizes feminism into eight types. The data is taken from several pictures, dialogues, monologues from Snow White (2025) movie and then analysis done contextually and theoretically. The findings show that the film most strongly reflects liberal feminism (35%), followed by radical and psychoanalytic feminism (24% each), with smaller portions of socialist, existentialist, and ecofeminism. The film presents Snow White not as a passive princess, but as a thoughtful and independent character who questions gender expectations and asserts her own values.
Narcissism in William Shakespeare’s Drama Coriolanus Dinda Rahmadani; Meisya Audreyanna Azzahra; Yosi Evelyn Tondang; Naya Islah Nabilah; Syamsul Bahri
BLAZE : Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Pengembangan Vol. 3 No. 4 (2025): November: BLAZE : Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Peng
Publisher : STIKes Ibnu Sina Ajibarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59841/blaze.v3i4.3501

Abstract

Human behavior and psychological conflict often become central elements in literary works, especially in drama, where characters are shaped through tension, pride, emotion, and social expectation. Shakespeare’s Coriolanus presents a character whose sense of pride, identity, and honor creates ongoing conflict with the society around him. This study aims to analyze the forms of narcissism expressed by Coriolanus using Otto Kernberg’s fourfold theory: healthy, grandiose, vulnerable, and malignant. A qualitative descriptive method was applied through textual analysis and library research, focusing on key scenes that reveal his psychological development. The results show that grandiose narcissism is the most dominant type (36%), as seen in scenes where Coriolanus belittles the plebeians and rejects their approval, reflecting his rigid superiority as a Roman patrician. Healthy narcissism appears least (10%), found only in early moments such as his genuine pride after the battle at Corioles before political pressure intensifies his arrogance. Meanwhile, vulnerable and malignant narcissism each appear at 27%, shown when he collapses into shame after public rejection and later seeks revenge by joining Aufidius. These findings illustrate that Coriolanus’s downfall is shaped by the progression of his narcissism from pride to contempt, fragility, and destruction.
Co-Authors Meisya Audreyanna Meisya Audreyanna Azzahra Naya Islah Nabilah Syamsul Bahri Yosi Evelyn Tondang