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All Journal Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris Jurnal Intelek Insan Cendikia Blaze: Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Pengembangan
Yosi Evelyn Tondang
Unknown Affiliation
Religion Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Masculinity in Stephen Graham & Jack Thorne’s Film Adolescence Yosi Evelyn Tondang; Nabila Shaini Putri; Annisa Ananda; Syamsul Bahri
Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris Vol. 3 No. 2 (2025): June: Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/fonologi.v3i2.1735

Abstract

From past to present, masculinity has continuously shaped how men are expected to behave in society, especially in adolescence. The television series Adolescence highlights these expectations by portraying different male characters in their daily interactions, reflecting how masculinity operates in real life. This study aims to explore the types of masculinity displayed in the series based on R.W. Connell’s theory (2005), which classifies masculinity into hegemonic, complicit, subordinate, and marginalized types. The research applies a qualitative descriptive method to examine social realities through selected dialogues and scenes. The findings reveal that hegemonic masculinity (64%) is the most frequently represented form, where dominance, toughness, and emotional restraint are highlighted as masculine ideals. Subordinate masculinity (27%) follows, showing that expressions such as emotional openness or queerness are still viewed as less masculine. Marginalized masculinity (9%) appears in contexts involving race and class, while complicit masculinity (5%) is rarely shown, suggesting that most characters either fully embody or struggle against dominant norms. The data shows how the media continues to uphold hegemonic masculinity while only subtly acknowledging its alternatives, offering insight into the gender dynamics experienced by teenage boys today.
The Role of Anecdotal Humor in Indonesian Stand-Up Comedy: A Study of "Lapor Pak" Fadillah Fauziah Putri; Jovan Morientes Nigel Manihuruk; Meisya Audreyanna Azzahra; Putri Pratiwi; Yosi Evelyn Tondang
Jurnal Intelek Insan Cendikia Vol. 1 No. 8 (2024): Oktober 2024
Publisher : PT. Intelek Cendikiawan Nusantara

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Abstract

This study explores the role of anecdotal humor in Indonesian stand-up comedy, with a focus on the YouTube talk show Lapor Pak. Using qualitative analysis, the research examines how comedians employ relatable anecdotes to address contemporary social issues, crafting engaging and humorous stories that connect with viewers. The study highlights the key elements of anecdotal text including Abstract, Orientation, Crisis, Reaction, and Coda, and illustrates how these components are applied in Lapor Pak to convey messages and critique societal norms. The findings underscore the importance of stand-up comedy as a tool for social commentary and cultural reflection, showcasing the comedians' ability to create witty reactions that propel the comedic narrative. This research enhances the understanding of stand-up comedy as a powerful medium for both education and social critique in Indonesian culture
Narcissism in William Shakespeare’s Drama Coriolanus Dinda Rahmadani; Meisya Audreyanna Azzahra; Yosi Evelyn Tondang; Naya Islah Nabilah; Syamsul Bahri
BLAZE : Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Pengembangan Vol. 3 No. 4 (2025): November: BLAZE : Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Peng
Publisher : STIKes Ibnu Sina Ajibarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59841/blaze.v3i4.3501

Abstract

Human behavior and psychological conflict often become central elements in literary works, especially in drama, where characters are shaped through tension, pride, emotion, and social expectation. Shakespeare’s Coriolanus presents a character whose sense of pride, identity, and honor creates ongoing conflict with the society around him. This study aims to analyze the forms of narcissism expressed by Coriolanus using Otto Kernberg’s fourfold theory: healthy, grandiose, vulnerable, and malignant. A qualitative descriptive method was applied through textual analysis and library research, focusing on key scenes that reveal his psychological development. The results show that grandiose narcissism is the most dominant type (36%), as seen in scenes where Coriolanus belittles the plebeians and rejects their approval, reflecting his rigid superiority as a Roman patrician. Healthy narcissism appears least (10%), found only in early moments such as his genuine pride after the battle at Corioles before political pressure intensifies his arrogance. Meanwhile, vulnerable and malignant narcissism each appear at 27%, shown when he collapses into shame after public rejection and later seeks revenge by joining Aufidius. These findings illustrate that Coriolanus’s downfall is shaped by the progression of his narcissism from pride to contempt, fragility, and destruction.
Co-Authors Annisa Ananda Dinda Rahmadani Fadillah Fauziah Putri Jovan Morientes Nigel Manihuruk Meisya Audreyanna Azzahra Nabila Shaini Putri Naya Islah Nabilah Putri Pratiwi Syamsul Bahri