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All Journal Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, Dan Sosial Humaniora Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris
Meisya Audreyanna
Unknown Affiliation
Religion Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media

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Feminism in Disney’s Snow White Live-Action Movie Dinda Rahmadani; Meisya Audreyanna; Naya Islah Nabilah; Syamsul Bahri
Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris Vol. 3 No. 2 (2025): June: Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/fonologi.v3i2.1711

Abstract

Feminism is a movement that fights for equality between men and women in all aspects of life, including social, political, and cultural. As one of the most influential media producers, Disney has long been criticized for presenting female characters in traditional and passive roles. The purpose of this study is to identify and analyze the feminist elements found in the film and how they reflect the development of gender equality values. This study uses a qualitative descriptive method with data taken directly from the 2025 live-action film Snow White. The analysis is supported by library research and based on Rosemarie Tong’s (2009) feminist theory, which categorizes feminism into eight types. The data is taken from several pictures, dialogues, monologues from Snow White (2025) movie and then analysis done contextually and theoretically. The findings show that the film most strongly reflects liberal feminism (35%), followed by radical and psychoanalytic feminism (24% each), with smaller portions of socialist, existentialist, and ecofeminism. The film presents Snow White not as a passive princess, but as a thoughtful and independent character who questions gender expectations and asserts her own values.
Hate Speech Discourse on Platform X (Twitter): A Critical Discourse Analysis Nurdelia Nasution; Intan Nia Salsabila; Meisya Audreyanna; Saralena Manik; Christy Aulia Simanjuntak; Muhammad Natsir
Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, dan Sosial Humaniora Vol. 4 No. 2 (2026): Mei: Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, dan Sosial Huma
Publisher : Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/atmosfer.v4i2.1676

Abstract

The phenomenon of hate speech on social media, particularly on platform X, has intensified alongside the increasing level of public interaction within open and largely unregulated digital spaces. This condition not only generates communicative conflicts but also shapes complex social experiences for individuals, particularly in relation to identity, emotion, and power relations. This study aims to gain an in-depth understanding of how hate speech is constructed, interpreted, and negotiated by users within the context of digital interaction. Employing a qualitative approach with a Critical Discourse Analysis (CDA) design, data were collected through in-depth interviews, non-participant observation, and digital document analysis involving 10–15 active users of platform X who have experienced hate speech. Data were analyzed thematically by identifying patterns of meaning emerging from participants’ experiences. The findings reveal three major themes: hate speech as a lingering yet normalized emotional experience; discourse as a site for the reproduction of power and identity delegitimization; and self-negotiation strategies employed by participants to survive within digital spaces. These findings indicate that hate speech operates not only at the linguistic level but also in shaping users’ social and psychological realities. Theoretically, this study reinforces Critical Discourse Analysis by emphasizing the importance of subjective experience in interpreting discursive practices. Practically, it contributes to the development of digital literacy, content moderation policies, and efforts to create more inclusive and reflective communication spaces in the digital era.
Co-Authors Christy Aulia Simanjuntak Dinda Rahmadani Intan Nia Salsabila Muhammad Natsir Naya Islah Nabilah Nurdelia Nasution Saralena Manik Syamsul Bahri