Article Per Year (5 Year)
p-Index From 2020 - 2025
0.408
P-Index
This Author published in this journals
All Journal Jurnal Ilmiah Bahasa dan Sastra ELS Journal on Interdisciplinary Studies in Humanities
Adya Wijaya, Naufal
Unknown Affiliation
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
Hegemony of Power in the Film “Cairo Conspiracy” by Tarik Saleh (Antonio Gramsci’s Theory of Hegemony) Adya Wijaya, Naufal; Rohanda, Rohanda; Solihin, Ihin
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 2 (2025): JUNE
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i2.44621

Abstract

This research analyzes the representation of hegemony of power in Tarik Saleh's 2022 film "Cairo Conspiracy". This film offers a complex narrative that highlights the dynamics of power, religion and Egyptian politics. Through qualitative analysis using Antonio Gramsci's theory of hegemony of power, this research aims to reveal how the film depicts an unbalanced power relationship between the state, religious institutions, and individuals. Based on his consent and coercion, the analysis focuses on a young man named Adam, who comes from the village of Manzala, and how the hegemony of state power manipulates religious institutions to maintain its dominance. Using the descriptive analytical method, this research concludes that the film "Cairo Conspiracy" exposes the practice of hegemony of power in Egypt's religious political system. The results of this research will be in the form of several points of consent or coercion, namely agreement on domination or coercion, and in this research, there are 13 data that have been analyzed, one example of which is political hegemony which in this film is coercive or forced.
REPRESENTASI KONFLIK SOSIAL DALAM FILM OMAR 2013 KARYA HANY ABU-ASSAD (SOSIOLOGI SASTRA) Adya Wijaya, Naufal; Ainusyamsi, Fadlil Yani; Rohanda, Rohanda
(JIBS) JURNAL ILMIAH BAHASA DAN SASTRA Vol. 12 No. 1 (2025): JIBS (Jurnal Ilmiah Bahasa dan Sastra)
Publisher : Fakultas Bahasa dan Sastra Universitas PGRI Kanjuruhan Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research analyzes the representation of social conflict in the film "Omar" (2013) by Hany Abu-Assad through a literary sociology approach. This film depicts the life of a young Palestinian who is trapped between his personal aspirations and the political realities that limit him. Using qualitative analysis methods, this research explores the main themes that emerge in the narrative, characters and settings that reflect social and political dynamics in conflict zones. This study finds that “Omar” not only tells an individual story but also reflects the collective experience of the Palestinian community oppressed by the occupation. Through complex characters, the film depicts shifting identities, loyalties, and the struggle for freedom. These findings demonstrate that “Omar” serves as an effective medium for understanding and reflecting on deep social conflicts, as well as the challenges individuals face in a broader context. Therefore, this research contributes to the field of literary sociology by highlighting how art can provide a deeper understanding of social and political reality.
Co-Authors Fadlil Yani Ainusyamsi, Fadlil Yani Rohanda Rohanda, Rohanda Solihin, Ihin