Pribadi, Kayla Zahra Prawoto
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An Analysis of Locutionary, Illocutionary, and Perlocutionary Acts in The Phantom of The Opera Pribadi, Kayla Zahra Prawoto; Muhammad Hasbi
International Journal of Business English and Communication Vol 3 No 2 (2025): April
Publisher : Bahasa Inggris Program Sarjana Terapan, Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/ijobec.v3i2.7375

Abstract

This research explores the employment of speech acts in The Phantom of the Opera by Gaston Leroux, including locutionary, illocutionary, and perlocutionary acts. Using speech act theory, which was proposed by J.L. Austin and further elaborated on by John Searle, the study looks at how language goes beyond its literal interpretation to convey purpose and elicit reactions within the narrative. A qualitative descriptive methodology is utilized to examine particular dialogues and interactions, unveiling the depths of significance in the characters' speech. The results show how the Phantom's words reveal his intricate feelings, Christine's reactions emphasize her inner struggle, and the story increases tension and compassion in the readers. This study emphasizes the significance of speech acts in reinforcing the novel's central themes of love, fear, and obsession by examining how they express intention, provoke reactions, and influence character relationships.
Alienation Through Language: A Socio-Linguistic Study of Identity and Marginalisation in Dazai Osamu’s No Longer Human Fauzi, S.S, M.Pd, Rizki; Pribadi, Kayla Zahra Prawoto; Mappaita, Suci Pole
ELITERATE : Journal of English Linguistics and Literature Studies Vol 4, No 3 (2025): ELITERATE : Journal of English Linguistics and Literature Studies
Publisher : Faculty of Languages and Literature, Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/eliterate.v4i3.76159

Abstract

The article explores the interface of linguistic action and social process from an applied linguistic perspective, taking Dazai Osamu's novel No Longer Human as a case study. This study discusses the extent to which linguistic representations mirror the psychological alienation, social exclusion, and disjunctive self-identity of the main protagonist. By using discourse analysis in conjunction with sociolinguistic theories, the article investigates language's function of constructing, reproducing, and unveiling the social alienation of individuals who are outsiders to social norms in post-war Japan.