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Putra, Ariefin Alham Jaya
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KARYA TARI POLEMEO : KONFLIK BATIN ATAS PERNIKAHAN TURUN RANJANG DALAM TRADISI MASYARAKAT DURI RIAU Gustia, Regina; Putra, Ariefin Alham Jaya; Wahida Wahyuni; Kurniadi Ilham
EZRA SCIENCE BULLETIN Vol. 3 No. 2 (2025): July-December 2025
Publisher : Kirana Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/ezrasciencebulletin.v3i2.394

Abstract

Karya Polemeo Batin terinspirasi dari sebuah tradisi yaitu tradisi turun ranjang di Duri, Riau. Karya tari Polemeo Batin merupakan karya tari kontemporer yang ditarikan secara berkelompok dengan tipe abstrak, bertema sosial yang dikolaborasikan dengan teknik-teknik dan dinamika gerak. Karya tari ini menceritakan tentang konflik batin dan batasan yang terjadi pada seorang perempuan karena adanya seuah tradisi turun ranjang tersebut. Karya tari ini memberikan pesan kepada perempuan bahwa kita memiliki hak dalam memilih jalan hidup dan ada kalanya kita harus mendengarkan dan memilih diri sendiri dan berani untuk menolak sesuatu yang tidak sejalan.
Karya Tari “Kabakato” Penafsiran Bentuk Komunikasi Dari Tradisi Alu Katentong Di Nagari Padang Laweh Kecamatan Sungai Tarab Kabupaten Tanah Datar A’in, Nurul; Rovylendes, Adjuoktoza; Syahril; Putra, Ariefin Alham Jaya
JURNAL ILMIAH NUSANTARA Vol. 2 No. 6 (2025): Jurnal Ilmiah Nusantara
Publisher : CV. KAMPUS AKADEMIK PUBLISING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jinu.v2i6.6217

Abstract

The dance work "KabaKato" is inspired by the traditional art of Alu Katentong, which is found in Nagari Padang Laweh, Sungai Tarab District, Tanah Datar Regency. This traditional art is performed by women as a means of communication in the community to signal the occurrence of traditional ceremonies, such as weddings, turun mandi (baby's first bath), batagak pangulu (traditional leadership ceremony), and the construction of Rumah Gadang (traditional house). Based on this phenomenon, the choreographer translates it into a group choreography that is performed at the Adam Auditorium of the Indonesian Institute of Arts in Padangpanjang. This work is divided into three parts and is performed by ten dancers. The makeup and costume used are stage makeup for male dancers, while the costume used is a kuruang shirt and loose pants, and a creative taluaak balango shirt for men. The method used in creating this work is data collection or field observation, data processing, literature study, exploration, movement arrangement, improvisation, formation, and evaluation.
Co-Authors A’in, Nurul Gustia, Regina Kurniadi Ilham Rovylendes, Adjuoktoza Syahril Wahida Wahyuni