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All Journal Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies ANUBHAVA: Jurnal Ilmu Komuniksi Hindu IPSSJ
I Wayan Sukabawa
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Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Public Health Social Sciences

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KOMUNIKASI TRANSENDENTAL NYENUK DALAM UPACARA NGENTEG LINGGIH DI PURA DESA, DESA PELAGA, KECAMATAN PETANG, KABUPATEN BADUNG I WAYAN RUSDIKA; I Wayan Wastawa; I Wayan Sukabawa
Anubhava: Jurnal Ilmu Komunikasi HIndu Vol. 2 No. 2 (2022): Media and Communication Strategies
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/anubhava.v2i2.1819

Abstract

Nyenuk transcendental communication is a series of ngenteg linggih ceremonies carried out by the community after the construction or restoration of the temple, as carried out by the Pelaga Indigenous Village community. The fun procession with sacred dialogue as a tangible form of transcendental communication shows its own uniqueness. 1) What is the form of transcendental communication in the ngenteg linggih ceremony?, 2) What is the function of transcendental communication in the ngenteg linggih ceremony?, 3) What is the meaning of the transcendental communication of nyenuk in the ngenteg linggih ceremony? The theories used to analyze the problem are (1) religious theory, 2) drama turgi theory, 3) structural functional theory. The researchers did in qualitative research. The results showed (1) the form of transcendental communication in nyenuk. The non-verbal process includes all the symbols used in the implementation of the nyenuk ceremony, such as banten, uparengga, the color of the clothes used by panyenuk guests and the motions of the Sidhakarya mask dance. While the verbal process includes all processes that use words and language both orally and in writing, such as sipping panyenukan, stava puja and singing aunt Rangda (2) The transcendental communication function of nyenuk includes religious functions, repetition functions, substance functions and complementary functions, while substance functions transcendental communication nyenuk is to replace abstract components such as angels and bhagawan messengers of the gods, the complementary function of transcendental communication enjoyment is to complement the communication that occurs. (3) The meaning of the transcendental communication of nyenuk in the ngenteg linggih ceremony includes the theological meaning is an effort to make the earth a haven for the gods so as to create world peace, the sociological meaning is to build harmonious relationships among human beings, the ecological meaning is to protect the universe and its contents and the educational meaning . is to mature humans to become better individuals.
THE WORK CULTURE INTEGRATION OF HINDU RELIGIOUS EXTENSION AGENTS WITH PARISADA IN COMMUNITY DEVELOPMENT IN TABANAN I Wayan Sukabawa; A.A. Made Putra Arsana
Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Vol 6 No 1 (2022)
Publisher : UHN I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/vidyottama.v6i1.806

Abstract

This study aimed to uncover, understand, describe, and analyze facts about the work cultureintegration of the Hindu Religious Extension Agent with Parisada in Community Development inTabanan. The work culture established by the Hindu institution between the Hindu ReligiousExtension Agents and Parisada intended to improve work ethics as a service to the people. This isimportant to do to improve a positive image as a religious institution for religious communitiesunder the Ministry of Religious Affairs in the community. The work culture has been agreed upon,which are the right and appropriate values to improve the state apparatus performance, namelyHindu Religious Extension Agents to provide excellent service to the community.
IMPLICATIONS OF HINDU-ISLAM WORSHIP PRACTICES AT PURA KRAMAT RATU MAS SAKTI MENGWI BADUNG I Wayan Sukabawa; I Wayan Artayasa; I Made Wirajana
Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Vol 7 No 1 (2023)
Publisher : UHN I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/vidyottama.v7i1.2389

Abstract

The discourse of religious moderation is important in Indonesia. The recent condition of the nation which is vulnerable to conflicts in the name of religion is the cause. Indonesia as a country with high diversity both in terms of religion, ethnicity and customs and race is allegedly vulnerable to division. Thus, the moderate path is the only way to ensure Indonesia's unity and unity. Descriptively this work tries to narrate forms of religious life which are full of tolerance, moderation and mutual respect at Kramat Ratu Mas Sakti Temple, Mengwi Badung. The unique thing that happens in this temple is that Hindu and Muslim communities carry out religious activities in the same place and simultaneously. They worship according to their beliefs but are in the same place. This condition makes them look after each other and respect each other. Harmonious life is a priority and a shared need, so they try to work together for it. This is a form that might be offered to the Indonesian people, namely if you want a life of moderation to go well, then the need for the importance of coexistence is highly recommended.  
THE SIAT YEH TRADITION IN THE TRADITIONAL VILLAGE OF JIMBARAN BADUNG REGENCY I Wayan Sukabawa; Ni Gusti Ayu Kartika
Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Vol 9 No 1 (2025)
Publisher : UHN I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/vidyottama.v9i1.4257

Abstract

The Siat Yeh tradition is a cultural heritage rich in local wisdom values in the Jimbaran Traditional Village, Badung Regency. This village is unique in carrying out a traditional ceremony called Siat Yeh, a spiritual ritual that involves the community together. This ceremony was held as a form of gratitude to Sang Hyang Widhi Wasa for the blessings and abundance given to the village. Apart from the religious aspect, Siat Yeh also has an important role in maintaining the sustainability of local culture. The younger generation is actively involved in carrying out this ceremony, observing and practicing the noble values inherited from their ancestors. Through Siat Yeh, Jimbaran Traditional Village is able to maintain its cultural identity amidst the ever-growing flow of modernization. This research aims to document and analyze in more depth the meaning and role of the Siat Yeh Tradition in the lives of the people of Jimbaran Traditional Village. Through a qualitative approach, this research will reveal the cultural values, philosophy and social impacts of implementing Siat Yeh. It is hoped that the research results can make a positive contribution to our understanding of cultural diversity in Indonesia and efforts to preserve local traditions amidst globalization.
KOMUNIKASI SIMBOLIK PADA TRADISI TARI BARIS BABUANG DI DESA PENGOTAN KECAMATAN BANGLI, KABUPATEN BANGLI I Dewa Agung Gede Setiawan; I Wayan Sukabawa; I Made Gde Puasa
Integrative Perspectives of Social and Science Journal Vol. 3 No. 06 Juni (2026): Integrative Perspectives of Social and Science Journal
Publisher : PT Wahana Global Education

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Abstract

Tari Baris Babuang merupakan salah satu tari sakral yang hidup dan berkembang di Desa Pengotan, Kecamatan Bangli, Kabupaten Bangli. Tarian ini tidak hanya berfungsi sebagai bagian dari ritual keagamaan Hindu, tetapi juga mengandung berbagai simbol yang merepresentasikan nilai-nilai spiritual, sosial, dan budaya masyarakat setempat. Di tengah arus modernisasi dan globalisasi, pemahaman terhadap makna simbolik yang terkandung dalam Tari Baris Babuang mulai mengalami pergeseran, terutama di kalangan generasi muda. Oleh karena itu, penelitian ini bertujuan untuk menganalisis bentuk, fungsi, dan makna komunikasi simbolik yang terdapat dalam Tradisi Tari Baris Babuang di Desa Pengotan. Penelitian ini menggunakan pendekatan kualitatif dengan metode deskriptif interpretatif. Teknik pengumpulan data dilakukan melalui observasi, wawancara, studi kepustakaan, dan dokumentasi. Analisis data dilakukan secara kualitatif dengan menggunakan teori Interaksionisme Simbolik, Teori Religi, dan Teori Semiotika sebagai pisau analisis. Hasil penelitian menunjukkan bahwa bentuk komunikasi simbolik dalam Tari Baris Babuang tercermin melalui gerakan tari, penggunaan papah biu (pelepah pisang) sebagai properti utama, kostum, formasi penari, iringan gamelan selonding dan gambang, serta prosesi ritual yang menyertainya. Dengan demikian, Tari Baris Babuang tidak hanya menjadi ekspresi seni pertunjukan, tetapi juga merupakan media komunikasi simbolik yang berperan penting dalam menjaga identitas budaya dan spiritual masyarakat Desa Pengotan.
Co-Authors A.A. Made Putra Arsana I Dewa Agung Gede Setiawan I Made Gde Puasa I Made Wirajana I Wayan Artayasa I WAYAN RUSDIKA I Wayan Wastawa Ni Gusti Ayu Kartika