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All Journal Saksama: Jurnal Sastra Jejak digital: Jurnal Ilmiah Multidisiplin
Fathan Fadhlullah, Muhammad Sayyid
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Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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Hemat ke Hikmah: Transformasi Frugal Living menjadi Praktik Tasawuf dalam Kehidupan Mahasiswa Fathan Fadhlullah, Muhammad Sayyid; Putri Baheransyah, Zahwa Bilbina; Dadan Firdaus
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 1 No. 5 (2025): SEPTEMBER
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/9tfcmn59

Abstract

Fenomena frugal living atau gaya hidup hemat semakin marak di kalangan mahasiswa generasi Z, terutama sebagai respons terhadap tekanan ekonomi pascapandemi. Penelitian ini bertujuan mengeksplorasi potensi transformasi frugal living menjadi praktik tasawuf melalui internalisasi nilai zuhud dan qana’ah. Dengan pendekatan kualitatif-deskriptif berbasis metode fenomenologi dan studi pustaka, penelitian ini melibatkan 20 mahasiswa semester enam dengan rata-rata usia 21 tahun yang menjalani frugal living. Hasil penelitian menunjukkan bahwa meskipun gaya hidup hemat awalnya dimotivasi oleh keterbatasan ekonomi, mayoritas responden merasakan ketenangan batin, serta menunjukkan keterbukaan terhadap pemaknaan spiritual. Sebanyak 15 dari 20 mahasiswa tertarik memahami frugal living dalam kerangka tasawuf, dan setengahnya telah mengenal konsep zuhud dan qana’ah. Dengan demikian, frugal living dapat ditransformasikan menjadi praktik sufistik jika disertai kesadaran ruhaniah dan niat ikhlas. Transformasi ini mencerminkan pergeseran dari strategi bertahan hidup menuju pembentukan karakter spiritual.
SOLVING THE FORMULA: AN ANALYSIS OF MYSTERY STRUCTURE ON MURDER ON THE ORIENT EXPRESS Fathan Fadhlullah, Muhammad Sayyid; Baheransyah, Zahwa Bilbina Putri; Nugroho, Agung Dwi
Saksama: Jurnal Sastra Vol. 4 No. 2 (2025): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v4i2.47309

Abstract

This article discusses Kenneth Branagh's film Murder on the Orient Express (2017) through John G. Cawelti's popular formula theory, particularly in the context of the mystery genre. This study aims to examine how the narrative structure typical of the detective genre—consisting of the stages of crime, investigation, and resolution—is adapted in the medium of film. By utilizing Cawelti's theory, which emphasizes the combination of convention and innovation, this analysis shows that the film retains the main elements of the mystery formula while introducing aesthetic and moral variations that reflect contemporary values. The use of cinematic techniques such as temporal manipulation, limited perspective, and mise-en-scène enhances the audience's experience in following the investigation. Additionally, the film's theme of alternative justice adds a complex ethical dimension to Agatha Christie's classic narrative. This study confirms that Murder on the Orient Express is not merely a passive adaptation but a critical and relevant reinterpretation of the genre formula within the context of modern popular culture.
Co-Authors Agung Dwi Nugroho, Agung Dwi Baheransyah, Zahwa Bilbina Putri Dadan Firdaus Putri Baheransyah, Zahwa Bilbina