Subrata, Nengah
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Penciptaan Instrumen Iringan Tari “Vagishwari Guna Paraga” Subrata, Nengah; Intaran, I Made; Armayani, Ni Made Ria Taurisia
Widya Sundaram : Jurnal Pendidikan Seni Dan Budaya Vol 3 No 2 (2025): September 2025
Publisher : Institut Agama Hindu Negeri Gde Pudja Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53977/jws.v3i2.1924

Abstract

This research aims to describe the process of creating the work "Wagiswari Guna Paraga", the structure of the dance accompaniment created by "Wagiswari Guna Paraga" and the media used in the composition of the work "Wagiswari Guna Paraga". The development of this work of art involves three stages: exploration, improvisation, and formation. The results of this research are as follows: First, the process of creating Wagisvasri Guna Para's creative dance percussion consists of several stages, namely: in the first part, which is called pengawit, it can be started by playing the preret, jegogan, jublag and gong instruments, alternately. Second, the structure of the dance accompaniment created by "Wagisvari Guna Paraga" namely: 1) Kawitan; 2) Pepeso; 3) Pengawak; 4) Pengecet; 5) Pakaad. Third: In the composition of the dance accompaniment created by Wagiswari Guna Paraga, the gamelan gong kebyar barungan is used as a medium of expression.