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Drama Performance At Smak Kesuma Mataram Developing Creativity Through Dance Creation in the Musical Drama Mataram Harmoni at SMPN 9 Mataram Ayu Srihandayani, Ni Luh; Purwati, Duwi; Kurnia, Wahyu; Permana, Beny; Dwi Satria Ardiansyah, Lalu
International Journal of Social Sciences and Humanities Vol. 3 No. 2 (2025): International Journal of Social Sciences and Humanities
Publisher : LPPM Sekolah Tinggi Ilmu Ekonomi 45 Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/ijssh.v3i2.1418

Abstract

This research aims to: (1) determine the stages of the process of developing student creativity through dance creations in the musical drama performance Mataram Harmoni at SMPN 9 Mataram; and (2) understand the role of schools in increasing student creativity through the art of dance. The research uses a case study method with data collection techniques in the form of observation, interviews, documentation and questionnaires. Data analysis was carried out qualitatively through data reduction, presentation and verification.  The research results show that the dance creation process involves stages of observation, exploration, execution and evaluation, as well as physical exercise to develop students' focus and imagination. Creativity indicators such as curiosity, self-confidence, perseverance, independence, imagination and courage are achieved well. Schools play an active role through providing facilities, coordinating and promoting activities. Research recorded an 86% increase in student creativity, showing that this process is effective in developing artistic skills, character and collaboration, while maintaining cultural values.
Wayang Sasak As A Media For Dakwah Case Study Of Ki Dalang Buwana Sanggar H. Safwan, Ar In Batu Rimpang Dusun Badrain Village Narmada District, West Lombok Regency Sauri , Sopiyan; Kurnia, Wahyu; Permana, Beny; Junaidi, Junaidi; Subhan, Subhan; Taufiqqurrahman
International Journal of Social Sciences and Humanities Vol. 3 No. 2 (2025): International Journal of Social Sciences and Humanities
Publisher : LPPM Sekolah Tinggi Ilmu Ekonomi 45 Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/ijssh.v3i2.1421

Abstract

Shadow puppets is one of the most prominent highlights of Indonesian culture among other cultural. Puppets culture include acting, sound, music, literature, sculpture and symbolism. Puppets as a point of Sasak and Islamic cultural values is a very valuable momentum for the development of Sasak cultural treasures. Puppets for Sasak people are not only entertainment, but also a communication tool that can connect the will of the puppeteer through the storyline, so that dakwah can be embedded in a Sasak puppet performance. Based on this, the purpose of this study is to answer the question of how a puppeteer packages the delivery of messages (Dakwah) in puppet shows, especially in Sanggar Buwana Ki Dalang H. Safwan, AR, in Batu Rimpang, Badrain Village, Narmada District, West Lombok Regency. The methodology used is descriptive qualitative approach. Researchers do and try to collect, process and analyze qualitatively and embodied in the concept. While the data obtained by the researcher by means of observation, interviews, study documentation. The results of the research are the efforts of puppeteers in inserting dakwah messages in puppet shows, the approach in inserting dakwah messages through puppet media, has advantages that can be directly benefited by the community until now. In the staging or performance of puppets, it has a lot of influence on its fans. Because in the staging or performance of puppets contains a lot of philosophy of life and noble values. For the inhibiting factors in the process of puppet performances in carrying out the insertion of dakwah messages are the lack of publication to be spread outside the village so that the audience from outside the village is small, limited funding from the committee so that the puppeteer cannot add personnel which is one of the allures to attract the attention of the audience to watch until completion, and the love of puppets which is starting to decline, especially for the younger generation.
Wayang Sasak as a Media for Dakwah Case Study of Ki Dalang Buwana Sanggar H. Safwan, AR in Batu Rimpang Dusun Badrain Village Narmada District, West Lombok Regency Sauri, Sopiyan; Kurnia, Wahyu; Permana, Beny; Junaidi, Junaidi; Subhan, Subhan
Global Journal of Social Learning Vol. 1 No. 1 (2024): Global Journal of Social Learning
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/gjsl.v1i1.3

Abstract

Shadow puppets, a cultural gem of Indonesia, embody acting, sound, music, literature, sculpture, and symbolism. For the Sasak people, puppets hold deep significance as a medium of communication and entertainment, enabling the delivery of Islamic dakwah messages through their storylines. This study focuses on how puppeteer Ki Dalang H. Safwan, AR, of Sanggar Buwana in Batu Rimpang, West Lombok, conveys dakwah messages during puppet performances. Using a descriptive qualitative approach, data were collected via observation, interviews, and documentation. The findings highlight the puppeteer's efforts to integrate dakwah messages, which resonate with audiences by incorporating philosophy and noble values. Puppet performances significantly influence fans, offering life lessons in engaging ways. However, challenges persist: limited publicity restricts audiences to local villagers, funding constraints prevent adding personnel to attract more viewers, and younger generations show declining interest in puppetry. Despite these obstacles, shadow puppetry remains a culturally valuable and impactful tool for communication and education within Sasak society, bridging tradition and Islamic values for the community's benefit. The art form continues to be a reflection of cultural heritage and moral guidance.
The Existence of Bekayat Tradition in Sembung Village, Narmada Subdistrict, West Lombok Qirom, Syahrul; Permana, Beny; Subhan , Subhan
Global Journal of Social Learning Vol. 1 No. 1 (2024): Global Journal of Social Learning
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/gjsl.v1i1.6

Abstract

Traditional arts often face challenges in evolving with the times. The processes of inheritance and preservation become common diction and challenges in maintaining the existence of traditional arts. This is one of the issues faced by the traditional art group Bekayat in Sembung Village, Narmada Subdistrict, West Lombok Regency. Observing such a reality of tradition, researching the existence of the Bekayat tradition becomes an interesting topic. The goal is to understand the reality of the Bekayat tradition through the analysis of its form, function, and inheritance process in maintaining its existence. A descriptive qualitative method is used to address the issues, with data collection techniques including observation, interviews, and documentation. To test the validity of the data, the researcher uses triangulation techniques. The results show that the existence of the Bekayat tradition in Sembung Village, Narmada Subdistrict, West Lombok Regency has weakened. Several factors contribute to the weakening existence of this tradition, namely: 1) Political factors. 2) Economic factors. 3) Regeneration factors.
Effectiveness of Music as a Medium for Environmental Conservation and Awareness Among Children at Kampoeng Baca Pelangi in Mercekebon Village, Narmada Subdistrict, West Lombok Regency Yunan, Tegar La Nendar Amukti Prihatin; Permana, Beny; Junaidi, junaidi
Global Journal of Social Learning Vol. 1 No. 1 (2024): Global Journal of Social Learning
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/gjsl.v1i1.8

Abstract

This research is motivated by the effective use of music as a medium for environmental conservation and awareness. The works created by the children of Kampoeng Baca Pelangi have made efforts to voice the importance of environmental conservation and awareness. The focus of this research is to understand the effectiveness of music as a medium for character building in environmental awareness among the children of Kampoeng Baca Pelangi in Mercekebon Village, Narmada Subdistrict, West Lombok Regency. This research uses a descriptive qualitative approach, a method that provides an overview and description of all activities using music as a medium to convey messages to children to understand the importance of preserving the natural environment. The research consists of four stages: planning, observation, implementation, and reflection. The research was conducted over a period of three months, emphasizing music as an effective medium for the children in the Kampoeng Baca Pelangi community in Mercekebon Village, Narmada Subdistrict, West Lombok Regency. The results of the research show that music can be an effective medium for raising community awareness about the environment and nature. This has proven to be effective for the children of Kampoeng Baca Pelangi. This is evidenced by the observed changes in the children's discipline in maintaining the cleanliness of their surroundings, their habit of disposing of waste properly, and their growing understanding of the importance of preserving the environment and nature for their future.