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All Journal Proceedings of Jogjakarta Communication Conference (JCC) Proceeding of International Conference on Social Science and Humanity Jurnal Peurawi: Media Kajian Komunikasi Islam
Firly Annisa
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Agriculture, Biological Sciences & Forestry Earth & Planetary Sciences Economics, Econometrics & Finance Education Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Mechanical Engineering Public Health Social Sciences Other

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MISREPRESENTATION OF ISLAM IN MENTEGA TERBANG: A NARRATIVE ANALYSIS Mohd Sofian, Muhammad Raqib; Ahmad Sabri, Safiyyah; Mustafa, Muhamad Zaki; Firly Annisa; Frizki Yulianti Nurnisya
Proceeding of International Conference on Social Science and Humanity Vol. 2 No. 2 (2025): Proceeding of International Conference on Social Science and Humanity
Publisher : PT ANTIS INTERNATIONAL PUBLISHER

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61796/icossh.v2i2.52

Abstract

Objective: This study investigates the misrepresentation of Islam in the controversial Malaysian film Mentega Terbang through a detailed narrative analysis. The film, centered on a young Muslim girl's spiritual exploration and questioning of religious boundaries, has ignited significant public discourse and backlash, particularly within Muslim communities. The objective is to examine how Mentega Terbang portrays Islamic values, beliefs, and practices, and to identify elements within the narrative that may challenge or contradict mainstream Islamic teachings. Method: A qualitative narrative analysis was employed to examine the film’s storyline, character development, dialogue, and symbolism. This approach enabled the identification of underlying messages and potential misrepresentations related to Islamic principles. Results: The findings reveal that Mentega Terbang presents a complex and sometimes conflicting depiction of Islam, often deviating from established religious teachings. These portrayals may contribute to misunderstandings and reinforce negative perceptions among viewers. Novelty: This study offers a nuanced perspective on media representation of religion in Malaysia, highlighting how cinematic narratives can influence public perceptions of Islam. It contributes to media and religious studies by addressing the gap in understanding how fictional media shapes interfaith understanding in multicultural Muslim-majority societies. Recommendations are offered for responsible religious representation in film.
Women in Doubt: Women's Representation in K-Drama Series Search: WWW Tarisha Artya Andjani; Firly Annisa
Jogjakarta Communication Conference (JCC) Vol. 2 No. 1 (2024): The 5th Jogjakarta Communication Conference (JCC)
Publisher : Jogjakarta Communication Conference (JCC)

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Korean film and drama serve as powerful mediums of mass communication, capable of portraying and depicting the realities inherent in the cultural and social fabric of Korean society. "Search: WWW," a Korean drama released in 2019, delves into the conflicts, triumphs, and setbacks experienced by its female protagonists in the workplace. This study aims to examine the portrayal and representation of women in "Search: WWW." Employing a constructivist paradigm with a qualitative approach, the author seeks to identify and analyze signs of patriarchal culture manifested in the female characters using Roland Barthes' semiotic analysis method, encompassing denotation, connotation, and myth. The findings of this research underscore the significant role of media in shaping the perception of women in "Search: WWW." Despite featuring female characters with successful careers, characterized by self-reliance, intelligence, rationality, and determination, the study reveals underlying narratives cautioning women against certain pursuits, such as prioritizing independence and solitude, seeking divorce for freedom, and acquiescing to figures of greater power. Thus, the drama continues to reflect the patriarchal norms prevalent in Korean society.
Female Characters' Resistance to Domestication in the Netflix Film Gadis Kretek Series, Simone de Beauvoir's Feminism Studies Nur Annisa Miftachul Jannah; Firly Annisa
Jogjakarta Communication Conference (JCC) Vol. 2 No. 1 (2024): The 5th Jogjakarta Communication Conference (JCC)
Publisher : Jogjakarta Communication Conference (JCC)

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  The Gadis Kretek series on Netflix (2023) emerged as a phenomenal show upon its debut in November 2023. This series, an adaptation of Ratih Kumala's novel "Gadis Kretek" (2012), showcases the journey of the main character, Dasiyah, as she endeavors to break free from the constraints of patriarchy amidst the backdrop of 1960s Indonesian political turmoil. Dasiyah's character consistently challenges the societal norms that confine her as a woman. This research seeks to identify the various forms of resistance displayed by female characters against domestication, drawing upon Simone de Beauvoir's feminist theories. The primary source material for this study is the Netflix series "Gadis Kretek," analyzed through qualitative methods and cinematographic techniques. Findings reveal instances of social injustice perpetrated against female characters through domestication. Resistance among these characters manifests in rejecting arranged marriages, refusing subordination, pursuing employment, and boldly advocating for their romantic interests. Thus, this research contributes to understanding the imperative of resisting domestication, particularly for women.
Power Communication and the Production of Obedience in Animal Farm: A Critical Discourse Analysis Hana Restu Pratiwi; Firly Annisa
Jurnal Peurawi: Media Kajian Komunikasi Islam Vol. 9 No. 1 (2026): Jurnal Peurawi: Media Kajian Komunikasi Islam
Publisher : Universitas Islam Negeri Ar-Raniry Banda Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22373/s35tv741

Abstract

This study examines how power communication practices shape obedience and silence among subordinate groups through a critical discourse analysis of George Orwell’s Animal Farm. Grounded in a critical paradigm and qualitative approach, the study applies Critical Discourse Analysis by integrating Norman Fairclough’s and Teun A. van Dijk’s frameworks. The data consist of textual units including narrative structures, dialogues, slogans, and rule transformations within the novel. The findings reveal that domination in Animal Farm is not primarily sustained through physical coercion, but through symbolic communication practices that regulate meaning production, control collective memory, and normalize inequality. The consolidation of power operates through three main mechanisms: the construction of legitimacy, the normalization of inequality, and the production of obedience and silence. Obedience emerges not as mere absence of resistance, but as the outcome of value internalization and systematic restriction of critical articulation. These results underscore that the stability of domination largely depends on communication’s capacity to shape social consciousness and constrain collective thought.
Co-Authors Ahmad Sabri, Safiyyah Frizki Yulianti Nurnisya Hana Restu Pratiwi Mohd Sofian, Muhammad Raqib Mustafa, Muhamad Zaki Nur Annisa Miftachul Jannah Tarisha Artya Andjani