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All Journal Jurnal Pendidikan dan Penciptaan Seni Formosa Journal of Science and Technology (FJST) Cerdika: Jurnal Ilmiah Indonesia
Ginting, Yoe Anto
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Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Health Professions Industrial & Manufacturing Engineering Public Health Social Sciences Other

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The Meaning and Values Contained in the Traditional Music Performing Art of Gendang Guro-Guro Aron in Singa Village, Tiga Panah, Karo District Gulo, Hubari; Ginting, Yoe Anto; Naiborhu, Torang
Formosa Journal of Science and Technology Vol. 2 No. 12 (2023): December 2023
Publisher : PT FORMOSA CENDEKIA GLOBAL

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55927/fjst.v2i12.7148

Abstract

The traditional musical performance art Gendang Guro-Guro Aron Aron is an important part of the culture and identity of the people of Singa Village, Tiga Panah District, Karo Regency. This research aims to explore the meaning an d values contained in the performing arts. The research method used is a qualitative method with an interactive model. Data collection using participant observation, interviews, and literature study to holistically understand the Guro-Guro Aron Gendang. The research results show that the Guro-Guro Aron Gendang is not only entertainment but also contains religious, historical, and social meanings. This traditional music is a medium for conveying moral messages and local wisdom values that have been passed down from generation to generation. This research provides a deeper understanding of the rich culture and values that live in the traditional musical performance art Gendang Guro-Guro Aron.
Cultural Values and Preservation Efforts of the Karo Ethnic Ndikkar Dance in Lingga Village, Simpang Empat District Ginting, Yoe Anto; Gulo, Hubari
Formosa Journal of Science and Technology Vol. 2 No. 12 (2023): December 2023
Publisher : PT FORMOSA CENDEKIA GLOBAL

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55927/fjst.v2i12.7149

Abstract

The Ndikkar dance is a rich and valuable cultural heritage of the Karo tribe in Lingga Village, Simpang Empat District. This dance reflects deep cultural values and is an important part of the Karo ethnic identity. Social changes and the influence of modernization can threaten this dance's sustainability. This research aims to identify and analyze the cultural values of the Ndikkar dance and develop effective preservation strategies to maintain cultural continuity. The research method used is a qualitative method with an interactive model. Data collection using participant observation, interviews, and literature study to holistically understand the Ndikkar dance and its cultural context. The research results show that the Ndikkar dance contains various cultural values, including religious, social, and aesthetic values. There are various challenges, such as the changing values of the younger generation and a lack of institutional support, that could threaten the survival of this dance. Holistic conservation efforts involving community participation, strengthening cultural values in education, and collaboration between the government and the community are important keys to preserving the Ndikkar dance and Karo tribal culture as a whole.
Kajian Organologi Alat Musik Taganing Batak Toba Simanjuntak, Ruth Naradhea; Purba, Mauly; Ginting, Yoe Anto
Cerdika: Jurnal Ilmiah Indonesia Vol. 5 No. 8 (2025): Cerdika: Jurnal Ilmiah Indonesia
Publisher : Publikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59141/cerdika.v5i8.2787

Abstract

Taganing merupakan  alat musik yang berasal dari Sumatera Utara Batak Toba. Alat musik ini masuk dalam klasifikasi Membranofon (alat musik yang sumber bunyinya dari membran atau kulit hewan). Penelitian ini bertujuan untuk menganalisis organologi alat musik tradisional Taganing Batak Toba dari aspek struktural dan fungsional. Masalah penelitian difokuskan pada pemahaman komprehensif mengenai struktur fisik, bahan baku, fungsi, dan teknik penyetelan (tuning) alat musik Taganing yang masih belum terdokumentasi secara akademis. Metode penelitian menggunakan pendekatan kualitatif dengan teknik wawancara mendalam dan dokumentasi terhadap pengrajin dan praktisi musik Batak Toba. Hasil penelitian menunjukkan bahwa Taganing merupakan alat musik membranofon yang terdiri dari enam komponen utama dengan lima buah gendang berukuran berbeda (odap-odap, Paidua Opdap, Painonga, Paidua Ting-Ting, dan Ting-Ting) serta satu gendang besar (Gordang). Bahan utama pembuatan menggunakan kayu nangka tua dengan membran kulit lembu atau kerbau. Sistem tuning dimulai dari Ting-ting sebagai nada dasar yang diselaraskan dengan Ogung Ihutan, mencerminkan filosofi "Marguru tu Taganing" dalam budaya Batak Toba. Implikasi penelitian ini memberikan kontribusi pada dokumentasi warisan budaya musik tradisional Indonesia dan dapat dijadikan referensi untuk pelestarian serta pengembangan alat musik tradisional Nusantara.
Lobat Pakpak: Kajian Organologi, Ritual, dan Teknik Permainan Pasaribu, Andika pranata; Fadlin, Fadlin; Ginting, Yoe Anto
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.991

Abstract

This study explores the ritual of making and the playing techniques of the Lobat Pakpak in Sukaramai Village, Kerajaan District, Pakpak Bharat Regency. The background of the research lies in the significance of the Lobat, which functions not only as a musical instrument but also as a medium of spirituality and cultural identity for the Pakpak community. The objectives are to describe the ritual process of crafting the Lobat, explain its playing techniques, and analyze the musical structure of its repertoire. The fieldwork was conducted over a one-week period starting on June 12 until completion, involving six key informants, including instrument makers, traditional players, and cultural leaders. The data were collected through participant observation, in-depth interviews, audio-visual recordings, and musical transcription. A qualitative method with an ethnographic approach was applied. Dhavamony’s theory was employed to examine ritual aspects, Kashima Susumu’s theory for organological study, and Malm and Prier’s theories for musical analysis. The findings reveal that the making of the Lobat combines technical craftsmanship with sacred rituals, while its performance emphasizes breath control, simple fingering, and pentatonic melodic patterns. Thus, the Lobat represents an intangible cultural heritage reflecting spirituality, local wisdom, and the identity of the Pakpak people.
Co-Authors Fadlin Fadlin Gulo, Hubari Mauly Purba, Mauly Pasaribu, Andika pranata Simanjuntak, Ruth Naradhea Torang Naiborhu