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Rahmawati, Handini
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Arts Humanities Education Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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Beauty In South Korean Tv Series Drama Based On The Study Of Elements Television Artistic On The The ‘True Beauty’ Series Rahmawati, Handini; Suhartami, Wiwik; Irawanto, Budi
Journal of Urban Society's Arts Vol 10, No 2 (2023): October 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i2.8212

Abstract

Beauty In South Korean Tv Series Drama Based On The Study Of Elements Television Artistic On The The ‘True Beauty’  Series. Beauty standards in South Korea have gone global, including in Indonesia. South Korean beauty standards enter Indonesia through the South Korean entertainment industry, such as serial dramas, K-pop, which is often referred to as the hallyu industry. Beauty is often a social issue used in a South Korean drama series. One of the South Korean drama series that raises about beauty standards in South Korea entitled 'True Beauty'. This drama series is about how beautiful standards in South Korea are acceptable when interacting socially. This drama also has an impact to Indonesia, which is now can be reference for beauty. After this drama, there were many Indonesian beauty vloggers who created content related to beauty which was shown in the drama series 'True Beauty'. By using the  of artistic elements of television, this research will see how the picture of beauty in the drama series 'True Beauty'. This research results in how the artistic elements of television are applied in the depiction of beauty in the South Korean tv series drama 'True Beauty'. This study also produces a picture of beauty based on the perspective of the role of other characters when interacting socially with the main character who is not physically beautiful and beautiful because of make-up, which results in three points of view, namely the meaning of beauty, beautiful self-assessment and beautiful judgment of others.
Negosiasi Ideologi Dalam Cerpen Kurik Karya Hasan Al Banna: Kajian Hegemoni Gramsci Dalam Pembelajaran Psikologi Sastra Try Annisa Lestari; Harisah Fitri; Rizki Akbar Mustopa; Rahmawati, Handini
NUSRA : Jurnal Penelitian dan Ilmu Pendidikan Vol. 6 No. 4 (2025): NUSRA: Jurnal Penelitian dan Ilmu Pendidikan, November 2025
Publisher : LPPM Institut Pendidikan Nusantara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/nusra.v6i4.4145

Abstract

Setiap orang memiliki hak untuk melakukan banyak hal sesuai kehendaknya, memiliki pandangan hidupnya masing-masing, namun situasi tersebut tidak dapat diperoleh karena setiap orang dalam konteks ini adalah masyarakat terperangkap oleh ideologi-ideologi besar yang berkuasa (mendominasi). Sastra sebagai alat pemersatu kekuatan-kekuatan sosial dan pertarungan kelompok subordinat (kaum bawah) untuk melakukan perlawanan terhadap tindakan politik yang menawarkan ideologi-ideologi tertentu. Dengan demikian, tujuan penelitian ini adalah menjelaskan ideologi-ideologi yang hidup di masyarakat, termasuk ideologi dominan, yang berkaitan dengan pola pikir dan pola perilaku masyarakat dalam karya sastra. Penelitian ini menggunakan metode deskriptif kualitatif yang berfokus pada analisis isi dengan menggunakan teori hegemoni Gramsci. Hasil penelitian ini adalah tokoh Sapar bukan counter-hegemonik atas ideologi kapitalisme (berkuasa), tetapi melalui Sapar, Hasan mencoba untuk menegosiasikan agar ideologi kapitalisme menjadi ideologi kapitalisme yang sosialis dan humanis, yaitu kapitalis yang memandang manusia sebagai makhluk bermartabat dan makhluk sosial, berhak mendapatkan hak-hak yang seharusnya diperoleh.
Co-Authors Budi Irawanto Harisah Fitri Rizki Akbar Mustopa Suhartami, Wiwik Try Annisa Lestari