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Fostering Children's Independence and Confidence Through Traditional Jajangkungan Games in The Kober Karima Environment Nurhasanah; Selamet; Saepul Millah
International Journal on Education Issues Vol. 1 No. 2 (2025): JULY
Publisher : CV Kalimasada Group

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59966/frayh012

Abstract

Purpose – This study aims to explore the role of traditional games, specifically Jajangkungan, in fostering independence and self-confidence among early childhood learners amid the decline of traditional play due to modernization and digital dominance. Design/Methodology/Approach – Employing a qualitative descriptive method with a case study design, this research was conducted at Kober Karima Early Childhood Center. Data were collected through semi-structured interviews with children, parents, and educators, supported by participatory observation and documentation. The data were analyzed using Miles and Huberman’s model of data reduction, presentation, and conclusion drawing. Findings – The findings reveal that Jajangkungan serves as an effective educational medium that integrates physical, psychological, and social development. Physically, it enhances motor coordination, balance, and body control. Psychosocially, the repetitive process of falling, standing, and mastering the game cultivates perseverance, independence, and confidence. Both educators and parents acknowledge its pedagogical value: teachers view it as a character-building tool, while parents regard it as a complementary means of holistic development. Originality/Value – The originality of this study lies in highlighting Jajangkungan as a culturally grounded learning model that harmonizes traditional values with modern educational objectives. By reviving traditional play as an alternative medium for early childhood education, this research offers a sustainable approach to character education that balances physical vitality, emotional resilience, and social awareness in the digital era.
Syair Tumitu wa Tuhyiyu Dalam Diwan al-Akhthal (Kajian Semiotika Riffaterre) Saepul Millah
Penaoq: Jurnal Sastra, Budaya dan Pariwisata Vol. 1 No. 1 (2020): Penaoq: Jurnal Sastra, Budaya dan Pariwisata
Publisher : Fakultas Sastra Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.1010/pwebt375

Abstract

Literary work does not only mean a word but behind the words contain very deep meaning. This research tries to explore the deepest meaning of one of the poems by al-Akhtal in his Diwan Book entitled "Tumitu wa Tuhyiyu" with Riffaterre's semiotic approach. The method used in this research is descriptive qualitative. The results of this study are in reading heuristics. The first verse, mentioning the beginning that causes death (unconsciousness) is drinking khamar, not only unconscious but also forgetting what has happened. The second line explains the conditions experienced by a group of people who drink khamar, that group of people who are unconscious (dead) for three days means that the effects caused after drinking the khamar have a major impact, so it is mentioned when they are aware that their breath has not returned completely. As the model is the first actualization of the matrix. The first actualization of this matrix is in the form of specific or poetic words or sentences. The specificity and poetry of the model is able to distinguish words or other sentences in the poem. In this case the poem above has a poetic sentence structure, that is, the first is in the sentence as follows فعد بنا إلى مثلها بالأمسand تميت وتحيي بعد مىتThese two models were chosen, because they represent the entire sound of the poetic text contained in eight verses. The eight verses of the poem reflect two points, first, about the actual condition of the drinker, that they were originally good, healthy, normal people like humans in general. Second, it emphasizes that the nature of the drinker shows the true state of being conscious (living), although then he experiences two conditions between turning on (conscious) and deadly (unconscious). The poetry matrix which is then obtained is the "mirage of pleasure".