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Hadis Misoginis Tentang Peran Domestik Perempuan: Telaah Kritis dalam Membangun Pemahaman yang Adil dan Setara Putri, Adelia; Muhajirin; Hedhri Nadhiran; Mugiono; Nurchalidin
Ta’wiluna: Jurnal Ilmu Al-Qur'an, Tafsir dan Pemikiran Islam Vol. 6 No. 3 (2025): Ta’wiluna: Jurnal Ilmu Al-Qur’an, Tafsir dan Pemikiran Islam
Publisher : Lembaga Penelitian, Penerbitan dan Pengabdian kepada Masyarakat (LP3M) IAIFA Kediri

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Abstract

This article examines a number of prophetic traditions (hadiths) that are commonly categorized as misogynistic, namely those perceived as degrading women or reflecting gender bias. Through an analytical–critical approach combined with contextual and historical interpretation, this study demonstrates that misogynistic understandings do not originate from Islamic teachings, but rather from patriarchal cultural constructions, mythologies of female creation found in Judeo–Christian traditions, and religious interpretations that overlook the moral and social contexts of the hadiths. The analysis explores several key narrations, including the command for wives to obey their husbands, the creation of women from a rib, women as the majority inhabitants of Hell, and the issue of female leadership. Findings indicate that these hadiths contain ethical messages, relational values, and principles of mutual responsibility rather than serving as instruments of discrimination. Reception analysis further reveals that literal readings detached from context often give rise to gender bias. In essence, Islam elevates the dignity of women, granting them access to education, social participation, and self-actualization. This article emphasizes the importance of interpreting hadith comprehensively—integrating historical analysis, maqāṣid al-sharī‘ah, and gender hermeneutics—so that Islamic teachings on justice, equality, and human dignity can be understood proportionally.
The Phenomenon of Haters’ Behavior on Social Media from the Perspective of Hadith Rahim, Abdullah; Muhajirin; Nurchalidin
Al-Bukhari : Jurnal Ilmu Hadis Vol 8 No 2 (2025): Al-Bukhari: Jurnal Ilmu Hadis
Publisher : Program Studi Ilmu Hadis Fakultas Ushuluddin Adab dan Dakwah IAIN Langsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32505/al-bukhari.v8i2.12591

Abstract

Analisis Ma’Anil Hadis Tasyabbuh dalam Batasan Qaza’ Pada Rambut Laki-Laki: Telaah Kritis terhadap Pemaknaan dan Konteks Pratama, Ridho; Mugiyono; Nurchalidin
Jurnal Diskursus Islam Vol 14 No 1 (2026): Jurnal Diskursus Islam
Publisher : Program Pascasarjana, UIN Alauddin Makassar

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Abstract

A study of hadiths regarding tasyabbuh and the prohibition of qaza’ is relevant amid the rising trend of men’s hairstyles influenced by global popular culture. This study aims to analyze the meaning of hadiths on tasyabbuh within the context of qaza’ through the ma‘ānī al-ḥadīṡ approach by examining the text (matan), chain of transmission (sanad), historical context, and its relevance today. The method used is a qualitative approach based on library research, with the primary source being the hadith narrated by al-Bukhari, supplemented by references to classical commentaries and contemporary scholarly studies. The results of the study indicate that the hadith prohibiting qaza’ is authentic and emerged from a concrete social context as a guideline for ethical appearance. Linguistically, qaza’ means trimming part of the hair while leaving the rest, reflecting an aesthetic imbalance. Scholars classify it as makruh tanzīh, not haram, as it is not accompanied by a threat of punishment. The wisdom behind the prohibition includes neatness, preventing imitation of non-Muslims, and avoiding ostentation. In the modern context, hairstyles are no longer symbols of a specific religious identity; therefore, the interpretation of the hadith must be conducted contextually through the approaches of fiqh al-awlawiyyāt and maqāṣid al-syarī‘ah. Thus, the hadith on qaza’ is understood as a guideline for ethical appearance that emphasizes balance, simplicity, and a proportionate Muslim identity, rather than an absolute restriction on hairstyle creativity.