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All Journal Jurnal ComunitA Servizio Calakan: Jurnal Sastra, Bahasa, dan Budaya DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Jejak digital: Jurnal Ilmiah Multidisiplin
Maya Sekartaji
Universitas Dian Nusantara
Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Library & Information Science Nursing Social Sciences Other

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KOMODIFIKASI TRAUMA DALAM PAST DUE (2023): INTERSEKSI PERSPEKTIF SKIZOANALISIS DAN REALISME KAPITALIS Maya Sekartaji
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 12 No. 1 (2025): JUNI
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v12i1.6962

Abstract

Tujuan penelitian ini adalah untuk mengkaji cerita pendek fiksi ilmiah Past Due karya Eric Fomley (2023) dengan menggunakan pendekatan Skizoanalisis yang diusung oleh Gilles Deleuze dan Felix Guattari serta Realisme Kapitalis Mark Fisher. Fiksi ilmiah biasanya berfungsi sebagai refleksi kritis terhadap isu humanisme dan masalah sosial, dan bahkan dianggap memiliki kapasitas profetik untuk meramalkan masa depan. Cerita fiksi Past Due menggambarkan bagaimana di masa depan peristiwa traumatis seperti duka dapat dikomodifikasi dan pilihan-pilihan atau keputusan yang diambil ditentukan oleh kemampuan ekonomi seseorang. Melalui metode kualitatif, peneliti mengumpulkan bukti dari pernyataan dan tindakan tokoh utama yang terdapat dalam cerita. Selain itu, peneliti berhasil mengidentifikasi dan menjabarkan permasalahan yang terjadi di dalam cerita dengan menerapkan teori-toeri yang sudah ditetapkan. Hasil dari penelitian menunjukkan bahwa teknologi hologram dalam cerita ini bertindak sebagai “desiring-machine” yang menjadi perangkap peristiwa traumatis protagonis ke dalam siklus waktu tanpa henti dari kapitalis. Berdasarkan hasil kajian yang dilakukan, simpulan dari penelitian ini adalah Past Due berfungsi sebagai narasi peringatan akan reterritorialisasi kapitalis serta batasan ideologis yang dihadirkannya pada imajinasi dan tindakan manusia. Meskipun terdapat kemungkinan tertentu yang dihadirkan oleh Body without Organ (BwO) dengan gagasan “jalur pelarian,” narasi ini secara tragis berpendapat bahwa tidak ada pembebasan dalam kerangka totaliter. Kata kunci: komodifikasi, realisme kapitalis, skizoanalisis, Body without Organ
Workshop dan Pendampingan Pemanfaatan Kecerdasan Buatan Untuk Meningkatkan Kemampuan Public Speaking Guru Yayasan Pendidikan Al-Chasanah, Jakarta Maya Sekartaji; Wahyu Budi; Irma Rahmawati
JURNAL Comunità Servizio : Jurnal Terkait Kegiatan Pengabdian kepada Masyarakat, terkhusus bidang Teknologi, Kewirausahaan dan Sosial Kemasyarakatan Vol. 8 No. 1 (2026): APRIL
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPM), Univesitas Kristen Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/cs.v8i1.8071

Abstract

This Community Service program focuses on improving the English public speaking skills of teachers at Yayasan Pendidikan Al-Chasanah in Jakarta through a workshop incorporating Artificial Intelligence (AI) technology. Conducted on December 13, 2025, the workshop involved 16 teachers from junior and senior high school levels. The training utilized a Micro-Learning and Immediate Feedback approach, consisting of five stages: a pre-training video, theory introduction, SpeechAce technology demonstration, performance practice, and self-assessment with SpeechAce. The PkM team gathered data from video recordings, AI scores from SpeechAce, and a CEFR-based speaking analysis. Results showed that all 16 participants completed performance recordings, overcoming psychological barriers to public speaking in English. Video analysis indicated a range of abilities from A1-A2 to B2-C1, with most participants at the B1 level. This program highlights the effectiveness of AI technology as a self-training tool for teachers looking to enhance their English communication skills. Keywords: artificial intelligence; public speaking, SpeechAce
Crenshaw's Intersectionality of Racial and Gender Discrimination of Black Women in The Six Triple Eight (2024) Welastiningsih Sihombing; Maya Sekartaji
Calakan : Jurnal Sastra, Bahasa, dan Budaya Vol. 4 No. 1 (2026): Maret
Publisher : PT. Alahyan Publisher Sukabumi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61492/calakan.v4i1.452

Abstract

The representation of marginalized groups, particularly women and Black communities, has long been a central concern in social and cultural studies. This study examines the intersectionality of racial and gender discrimination experienced by Black women as depicted in The Six Triple Eight (2024), directed by Tyler Perry. Using a qualitative descriptive method within an interpretative film analysis framework, the research investigates how intersecting identities, specifically race, gender, and class; are constructed and represented through the film’s narrative and character development. Drawing on Kimberlé Crenshaw’s theory of intersectionality, the analysis focuses on selected scenes, dialogues, and character interactions involving members of the 6888th Central Postal Directory Battalion, the only all-Black, all-female military unit deployed overseas during World War II. The findings reveal key themes, including layered racial and gender discrimination, the resilience of Black women in confronting oppressive systems, collective solidarity among unit members, and the historical invisibility of their contributions. Furthermore, the study demonstrates how the film contributes to broader discussions on intersectional identity and the representation of marginalized groups. Overall, the findings suggest that The Six Triple Eight not only brings attention to the historically overlooked role of Black women in military history but also functions as a cinematic medium for reclaiming and preserving historical memory.
Negotiating Race and Gender: An Intersectional of Hidden Figures (2016) Ratria Inca Ristiyaningsih; Maya Sekartaji
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 2 (2026): MARET 2026
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/v58nqc97

Abstract

This article examines how race and gender intersect to shape the lived experiences of African American women in Hidden Figures (2016), focusing on the strategies of negotiation and resistance employed within institutional constraints. Using qualitative textual analysis, this study applies Kimberlé Crenshaw’s Intersectionality Theory as the primary analytical framework, highlighting how systemic discrimination operates through organizational structures, social norms, and cultural expectations. The findings reveal that the female protagonists exercise agency through professional competence, intellectual problem-solving, and collective solidarity, which allow them to challenge exclusionary practices and assert visibility in a historically segregated workplace. By emphasizing the dynamics of negotiation and resistance, this study contributes to feminist, race, and cultural studies, demonstrating how intersectionality can illuminate both oppression and the strategies marginalized women employ to navigate and contest structural inequalities.
DRAG AS RESISTANCE: GENDER PERFORMATIVITY AND THE SUBVERSION OF HETERONORMATIVITY IN HURRICANE BIANCA (2016) Juana Handayani Suryanto; Maya Sekartaji
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 13 No. 1 (2026): JUNI
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v13i1.8479

Abstract

In this research paper, the representation of gender performativity in Hurricane Bianca (2016) film will be analyzed from the point of view of how drag helps construct and resist identities in an institutional context dominated by heteronormativity. Through qualitative textual and visual analysis, Judith Butler’s concepts of gender performativity, citationality and iterability will be applied to examine how drag serves as both an arena for constructing gendered identities and a form of resistance to the institutional power of heteronormativity. Findings indicate that the gender identity of the drag queen Bianca Del Rio is neither essential nor fixed since it is created through multiple performative acts such as dressing, speaking, gesturing and naming oneself that cannot be explained by means of an essentialist concept of gender. Her resistance is performed through citationality, professionalism and taking up spaces in an institution, which allows her to deconstruct the heteronormative power that had previously excluded her and create a new definition of her position in the school's organizational structure. The current research paper reveals that Hurricane Bianca operates as a cultural text that uses drag as a political resistance act while pointing out the fragility of heteronormative conventions and their dependency on constant repetition
THE DYNAMIC OF POWER RELATION IN SHAPING JEMIMA STARLING SUBJECTIVITY IN THE STARLING GIRL 2023 THROUGH FOUCAULDIAN THEORY Nur Qomariah; Maya Sekartaji
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 13 No. 1 (2026): JUNI
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v13i1.8480

Abstract

This research analyzes the dynamic of power relations depicted in The Starling Girl (2023) through the lens Power Relations theory by Michel Foucault. This research aimed to identify how discourse, disciplinary power, pastoral power, panopticon and resistance operates as a foundational control mechanism and shaping Jemima’s subjectivity within Christian Conservative Community. The result of the study describes five mechanisms of power relation in the film that are operated in the religious communities that constructed the main character’s subjectivity from the obedient girl becoming a sinner and forgiven subject until resistant subject.
Co-Authors Irma Rahmawati Juana Handayani Suryanto Nur Qomariah Ratria Inca Ristiyaningsih Wahyu Budi Welastiningsih Sihombing