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All Journal Jurnal Bastra (Bahasa dan Sastra)
Dwi Faradylla Nur Khasanah
Universitas Veteran Bangun Nusantara
Education Languange, Linguistic, Communication & Media

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PERGULATAN BATIN SASANA DALAM NOVEL PASUNG JIWA KARYA OKKY MADASARI: KAJIAN PSIKOLOGI SASTRA Dwi Faradylla Nur Khasanah; Dwi Mei Murtini; Titik Sudiatmi
Jurnal Bastra (Bahasa dan Sastra) Vol. 10 No. 1 (2025): JURNAL BASTRA EDISI JANUARI 2025
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v10i1.671

Abstract

This research examines the inner struggle in the novel "Pasung Jiwa" by Okky Madasari using a literary psychology approach. This novel tells the story of Sasana's life journey, which experiences deep inner conflict due to dissatisfaction with her identity and freedom. Sasana, who was born as a man, feels trapped in societal norms and expectations that shackle the expression of his identity. The analysis shows that Sasana experienced an identity crisis which led to the search for individual freedom, passing through various stages of the hierarchy of needs. Data collection in this research used reading, listening and note-taking techniques. The results of this research explain that the character Sasana in the novel "Pasung Jiwa" by Okky Madasari, which was studied using literary psychology, has psychological deviation factors, causes of deviation, and sociocultural factors. The psychological deviation factors experienced by Sasana include depression, anxiety and dissociative disorders. This research also reveals that Sasana deviation is influenced by cognitive and sociocultural factors that suppress individual freedom. In a sociocultural context, this novel reflects criticism of social norms that are rigid and do not provide space for the expression of individuality. The novel "Pasung Jiwa" not only offers a personal narrative but also a deep social reflection. Through a literary psychology approach, this research provides insight into the complexity of the human mind and the importance of individual freedom in a broader social context.
ALEGORI DALAM LIRIK LAGU BERMAKNA RELIGIUSITAS GUNA MENINGKATKAN PEMAHAMAN Dwi Faradylla Nur Khasanah; Rima Listiawati; Khofifah Nur Khasanah; Titik Sudiatmi
Jurnal Bastra (Bahasa dan Sastra) Vol. 9 No. 4 (2024): JURNAL BASTRA EDISI OKTOBER 2024
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v9i4.737

Abstract

The use of language styles in a literary work, especially songs, aims to increase the aesthetic effect or beauty so that it gives the impression of attracting someone's attention to reading or listening. This paper aims to describe the meaning of religious songs through the use of allegorical language. Qualitative descriptive methods were used as this research method. The three song objects used in this study were taken through YouTube media in 2024, including a song by Saujana titled “Sepohon Kayu”, Chrisye's song “Ketika Tangan dan Kaki Berkata”, and a song by Fatin Shidqia titled “Oh Tuhan”. This data was used to investigate the meaning of religiosity in song lyrics. Researchers use documentation techniques in collecting research materials which are of course valid. Apart from that, researchers also use listening techniques, recording techniques, and data analysis techniques. After research, this study shows the use of allegorical language styles in these songs and proves an understanding of the meaning of religiosity in them. Through this research, it can provide a better understanding and become a powerful tool for conveying spiritual or religious messages in songs that have a meaning of religiosity.
Co-Authors Dwi Mei Murtini Khofifah Nur Khasanah Rima Listiawati Titik Sudiatmi