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All Journal Jurnal Bastra (Bahasa dan Sastra)
Rima Listiawati
Universitas Veteran Bangun Nusantara
Education Languange, Linguistic, Communication & Media

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POTRET WAJAH SOSIAL POLITIK INDONESIA DALAM PUISI GUS MUS “NEGERI HAHA HIHI” Yheshinta Nabilla Navayanesty D.T; Rima Listiawati; Titik Sudiatmi
Jurnal Bastra (Bahasa dan Sastra) Vol. 10 No. 1 (2025): JURNAL BASTRA EDISI JANUARI 2025
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v10i1.691

Abstract

The author criticizes through literary works during the New Order period which was one of the downtrodden periods of the Indonesian people. The existence of the poem "The Land of Haha Hihi" by K.H Mustofa Bisri or known as Gus Mus was written as a form of resistance because the rights as the people were taken away and the people continued to experience oppression. The poem describing the socio-political situation during the transition period to the Reform era is considered a sharp social criticism of various problems that hit the country, such as corruption, social inequality, abuse of power, and moral crisis in this study in general aiming to find out how socio-political thinking on Gus Mus's thinking in poetry is studied. In principle, Mustofa Bisri's poem can be used as material in criticizing social and political problems in Indonesia both during the New Order period and today. Based on the study conducted on the poem "The Land of Haha Hihi", it can be seen that the socio-political element is very thick in the poem. The method used is a qualitative method with a review of literary sociology, based on the results of the analysis, it can be concluded that in the analysis there are elements of social and political criticism. The cause of social criticism is the existence of social disparities and social injustice. Meanwhile, the cause of political criticism is power. This is the focus of the author to find social and political criticism in this research.
ALEGORI DALAM LIRIK LAGU BERMAKNA RELIGIUSITAS GUNA MENINGKATKAN PEMAHAMAN Dwi Faradylla Nur Khasanah; Rima Listiawati; Khofifah Nur Khasanah; Titik Sudiatmi
Jurnal Bastra (Bahasa dan Sastra) Vol. 9 No. 4 (2024): JURNAL BASTRA EDISI OKTOBER 2024
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v9i4.737

Abstract

The use of language styles in a literary work, especially songs, aims to increase the aesthetic effect or beauty so that it gives the impression of attracting someone's attention to reading or listening. This paper aims to describe the meaning of religious songs through the use of allegorical language. Qualitative descriptive methods were used as this research method. The three song objects used in this study were taken through YouTube media in 2024, including a song by Saujana titled “Sepohon Kayu”, Chrisye's song “Ketika Tangan dan Kaki Berkata”, and a song by Fatin Shidqia titled “Oh Tuhan”. This data was used to investigate the meaning of religiosity in song lyrics. Researchers use documentation techniques in collecting research materials which are of course valid. Apart from that, researchers also use listening techniques, recording techniques, and data analysis techniques. After research, this study shows the use of allegorical language styles in these songs and proves an understanding of the meaning of religiosity in them. Through this research, it can provide a better understanding and become a powerful tool for conveying spiritual or religious messages in songs that have a meaning of religiosity.
Co-Authors Dwi Faradylla Nur Khasanah Khofifah Nur Khasanah Titik Sudiatmi Yheshinta Nabilla Navayanesty D.T