Shinta Fitria Utami
UIN Sulthan Thaha Saifuddin Jambi

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THE TRANSLATOR’S VOICE AS A READER’S RESPONSE IN THE ARABIC TRANSLATION NOVEL OF 'LASKAR PELANGI' Shinta Fitria Utami
Leksema: Jurnal Bahasa dan Sastra Vol. 9 No. 2 (2024)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/ljbs.v9i2.9263

Abstract

This article aims to trace the translator’s voice as a response to the novel Laskar Pelangi through its translation entitled Asākiru Qawsi Quzah. This research adopts a descriptive qualitative approach. The research data consist of words, phrases, and sentences from the novel in the source language, which is Laskar Pelangi and the novel in the target language, which is Asākiru Qawsi Quzah. Data collection is carried out through non-participant observation and note-taking methods. Units of the source language are compared with units of the target language. Then, the recently generated narrative segments by the translator are analyzed using literary reception theory, through intertextual method, as a reference to uncover the translator’s response, as a reader, to the novel Laskar Pelangi. Furthermore, data are presented using both formal and informal techniques. The research findings indicate that the translator responds to the novel by emphasizing poverty disparities represented by SD Muhammadiyah Gantong, its teachers, and students. SD Muhammadiyyah Gantong lacks adequate facilities, knowledge, and human resources.
MASCULINITY PROTEST: REVEALING INFERIORITY IN MEN THROUGH NIZAR QABBANI’S ASYHADU ALLA IMRA’ATAN ILLA ANTI Shinta Fitria Utami; Hindun Hindun; Taufik Amin Nur Wijaya
Afshaha: Jurnal Bahasa dan Sastra Arab Vol 5, No 1 (2026): Afshaha: Jurnal Bahasa dan Sastra Arab
Publisher : Faculty of Humanities UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/afshaha.v5i1.37855

Abstract

Nizar Qabbani, a distinguished Arab poet from Syria, is widely recognized for his writing style, which, despite its linguistic simplicity, conveys profound meaning. Owing to this characteristic, his poetic works have garnered considerable scholarly attention within the field of Arabic literary studies. One of his notable poems, Asyhadu Alla Imra’atan Illa Anti, has frequently been examined for its thematic portrayal of love and womanhood. However, previous research has predominantly focused on the poem’s content, with limited attention given to the narrative voice—specifically, the first-person pronoun “I”—through which the poem’s message is articulated. This narrative persona, interpreted as a representation of the male subject, is portrayed as occupying a position of inferiority. This study aims to investigate the depiction of male inferiority within the poem. Employing a qualitative method, the research analyzes the text by collecting words, phrases, and sentences through note-taking techniques. The data are subsequently examined using a semiotic approach and content analysis, informed by Adlerian psychoanalytic theory. The findings suggest that the manifestation of male inferiority in the poem is closely linked to societal expectations imposed on men, particularly within the framework of patriarchal cultural structures.