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All Journal Ghancaran: Jurnal Pendidikan Bahasa dan Sastra Indonesia Multiverse: Open Multidisciplinary Journal
Farah Nazifa
Universitas Islam Negeri Sultanah Nahrasiyah Lhokseumawe
Religion Arts Humanities Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Medicine & Pharmacology Physics

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Representasi Maskulinitas pada Tokoh Utama dalam Novel Cut Nyak Dien Karya Sayf Muhammad Isa Isfiana Nursari; Nina Eka Putri; Al Furqan; Farah Nazifa; Wardiana
GHANCARAN: Jurnal Pendidikan Bahasa dan Sastra Indonesia SPECIAL EDITION: LALONGET VI
Publisher : Tadris Bahasa Indonesia, Fakultas Tarbiyah, Institut Agama Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/ghancaran.vi.21668

Abstract

This study aims to reveal the forms of masculinity and their underlying factors as represented through the main character in the novel Cut Nyak Dien by Sayf Muhammad Isa. The research employs a descriptive qualitative approach, grounded in the masculinity theories of Bem as well as Lerner and Spanier, combined with a literary psychology perspective. The findings indicate a total of 14 data excerpts that represent five forms of masculinity: competitiveness (2 data), independence (3 data), decisiveness (3 data), self-confidence (3 data), and risk-taking (3 data). In addition, 9 data excerpts identify three causal factors of masculinity: cultural (3 data), social (3 data), and personal (3 data) influences. These findings demonstrate that masculinity is not exclusively tied to male characters but can be strongly embodied by female figures, especially within the context of struggle and local cultural values. This study is expected to enrich gender studies in literature and offer new interpretations of female roles and identity in Indonesian literary narratives.
Representasi Budaya Patriarki dalam Film Gadis Kretek: Kajian Semiotika Roland Barthes Farah Nazifa; Wardiana Wardiana; Lina Sundana; Razali Razali
Multiverse: Open Multidisciplinary Journal Vol. 5 No. 1 (2026)
Publisher : Medan Resource Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.57251/multiverse.v5i1.2183

Abstract

Patriarchal culture remains a significant social issue frequently represented in cinematic narratives, reflecting unequal gender relations and the marginalization of women within cultural and familial structures. This study aims to examine how patriarchal culture is represented in the 2023 film Gadis Kretek by addressing the question of how signs and meanings construct patriarchal ideology through Roland Barthes’ semiotic framework. The research employed a qualitative descriptive approach, with data collected through systematic observation, dialogue transcription, and scene documentation from the film. Data were analyzed using Barthes’ concepts of denotation, connotation, and myth to interpret the symbolic meanings embedded in characters, dialogues, and visual representations. The findings identified 11 significant representations of patriarchal culture that reveal the normalization of male dominance, gender-based power relations, restrictions on women's autonomy, and the perpetuation of traditional gender roles within family and social institutions. The study concludes that Gadis Kretek not only portrays patriarchal practices as cultural realities but also critically exposes the ideological mechanisms through which patriarchal values are reproduced and legitimized in society, highlighting the film's role as a medium for social reflection and cultural critique.
Representasi Maskulinitas pada Tokoh Utama dalam Novel Cut Nyak Dien Karya Sayf Muhammad Isa Isfiana Nursari; Nina Eka Putri; Al Furqan; Farah Nazifa; Wardiana
GHANCARAN: Jurnal Pendidikan Bahasa dan Sastra Indonesia SPECIAL EDITION: LALONGET VI
Publisher : Tadris Bahasa Indonesia, Fakultas Tarbiyah, Institut Agama Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/ghancaran.vi.21668

Abstract

This study aims to reveal the forms of masculinity and their underlying factors as represented through the main character in the novel Cut Nyak Dien by Sayf Muhammad Isa. The research employs a descriptive qualitative approach, grounded in the masculinity theories of Bem as well as Lerner and Spanier, combined with a literary psychology perspective. The findings indicate a total of 14 data excerpts that represent five forms of masculinity: competitiveness (2 data), independence (3 data), decisiveness (3 data), self-confidence (3 data), and risk-taking (3 data). In addition, 9 data excerpts identify three causal factors of masculinity: cultural (3 data), social (3 data), and personal (3 data) influences. These findings demonstrate that masculinity is not exclusively tied to male characters but can be strongly embodied by female figures, especially within the context of struggle and local cultural values. This study is expected to enrich gender studies in literature and offer new interpretations of female roles and identity in Indonesian literary narratives.
Co-Authors Al Furqan Isfiana Nursari Isfiana Nursari Lina Sundana Nina Eka Putri Razali Razali Wardiana Wardiana Wardiana