Olivedia Justin Wijaya
Universitas Kristen Maranatha

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VISUALISASI KONDISI SOSIAL MASYARAKAT MODERN PADA KARYA LUKIS YUE MINJUN Olivedia Justin Wijaya; Callula Manika Syaffiya; Diva Graciella Augusta Nafi; Laurens Enrico Djenmakani; Karen Christl Wen
BEGIBUNG: Jurnal Penelitian Multidisiplin Vol. 3 No. 3 (2025): BEGIBUNG: Jurnal Penelitian Multidisiplin, Juli 2025
Publisher : Lembaga Berugak Baca

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62667/begibung.v3i3.175

Abstract

Pada tahun 2000-an, China mengalami polemik dalam politik yang mengakibatkan perdagangan internasional memanas sehingga relasi antara negara China dan negara lainnya menjadi buruk. Salah satu pasar yang terkena dampaknya adalah seni. Seniman mulai menyuarakan pendapatnya melalui karya seni yang diciptakan. Salah satu seniman asal China yang menyuarakan pendapatnya melalui karya lukisnya adalah Yue Minjun. Karya Yue Minjun menceritakan tentang kegelisahan politik, pengalaman pribadi, ejekan sosial, dan perjuangan bagi individu yang tertindas. Dengan figur manusia berkulit merah muda dan tersenyum, Yue Minjun berhasil menarik perhatian publik dan menyuarakan pendapatnya tentang politik China.
Eksplorasi Visual Flora dan Fauna dalam Ilustrasi Kontemporer Berbasis Medium Gutta Tamarind Diatas Kain Armani Olivedia Justin Wijaya; Diva Graciella Augusta Nafi; Laurens Enrico Djenmakani; Basituasi Baene; Karen Christl Wen; Wawan Suryana
Ideas: Jurnal Pendidikan, Sosial dan Budaya Vol 11 No 4 (2025): Ideas: Pendidikan, Sosial, dan Budaya (November)
Publisher : Ideas Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32884/ideas.v11i4.2388

Abstract

This study discusses the visual exploration of flora and fauna in contemporary illustrations based on Armani fabric using the gutta tamarind technique. The purpose of this study is to identify the visual advantages of natural organic forms when processed through a creative experimental approach in textile painting courses. The method used is a creative experimental method with an artistic approach that includes four stages, namely visual exploration, creation of works, analysis of works, and conclusions. Visual exploration is carried out through visual observation, data collection, and literature studies with relevant sources. The creation stage focuses on the application of the gutta tamarind cold wax technique and the exploration of natural and pastel colors. The use of cold wax includes the stages of line formation, coloring, drying, and repeated washing within a period of one to two weeks. The analysis of the work emphasizes that the combination of the entire process can create imaginative visuals. The results of this study confirm that the gutta tamarind technique on Armani fabric has the potential to produce distinctive and unique visual qualities through a combination of lines, motifs, shapes, textures, and colors. Although the gutta tamarind technique is not yet widely used, the findings of this study can be a source of information that can be used and developed further by the community in the process of community development and art practice