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All Journal TRANSFORMATIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Lingua Technica: Journal of Digital Literary Studies Mabasan
Rinda Widya Ikomah
Universitas Mataram
Arts Humanities Computer Science & IT Education Languange, Linguistic, Communication & Media Other

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Text mining and semantic modeling of literary corpora: a machine learning–based study of Indonesian fiction Rinda Widya Ikomah; Zohaib Hassan Sain
Lingua Technica: Journal of Digital Literary Studies Vol. 2 No. 1 (2026): Literature and computation: mapping, modeling, and mediation
Publisher : Asosiasi Relawan dan Pengelola Jurnal LPTNU (ARJUNU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64595/lingtech.v2i1.133

Abstract

Background: The large-scale digitization of Indonesian literary works has produced extensive textual corpora that challenge conventional close-reading approaches and call for systematic, data-driven methods capable of capturing thematic, semantic, and affective patterns in fiction. Objective: This study aims to examine how text mining and semantic modeling can reveal lexical salience, intertextual relations, and narrative emotion in Indonesian fiction across different thematic orientations. Method: Using a quantitative corpus-based design, the study analyzes 36 Indonesian literary texts published between 1980 and 2022 through TF–IDF–based lexical analysis, document-level semantic embeddings with cosine similarity and clustering, and sentence-level sentiment analysis. Results: The findings show distinct lexical signatures that differentiate thematic clusters, coherent semantic groupings reflecting intertextual proximity, and sentiment trajectories dominated by neutral-to-negative polarity with strategically placed affective peaks across narrative progression. Implication: These results demonstrate that computational methods can empirically support literary analysis without displacing interpretive criticism. Novelty: The study integrates lexical, semantic, and affective modeling within a unified framework for Indonesian fiction, offering a scalable and replicable approach to digital literary studies.
Pembuktian Satir dalam Antologi Lengkap Cerpen A.A. Navis Aliurridha; Rinda Widya Ikomah
MABASAN Vol. 19 No. 1 (2025): Mabasan 19 (1)
Publisher : Balai Bahasa Nusa Tenggara Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62107/mab.v19i1.1024

Abstract

A.A. Navis telah lama dikenal sebagai pengarang yang mengaplikasikan satir dalam karya-karyanya. Bahkan, sayembara kritik sastra Dewan Kesenian Jakarta (DKJ) mengambil “Satirisme Navis” sebagai tema yang kemungkinan besar disebabkan mode komunikasi yang diartikulasikan Navis dalam bersusastra. Sayangnya, sampai saat ini belum ada satu pun temuan akademis yang membuktikan kebenaran satir dalam karya-karya Navis. Penelitian ini bertujuan untuk menguji kebenaran satir dalam Antologi Lengkap Cerpen A.A. Navis yang merangkum karir kepengarangan Navis dalam kurun waktu 1955—2002. Dengan terlebih dahulu membangun kerangka teoretis, penelitian ini berupaya menjawab pertanyaan akademis yang sebelumnya diterima, tanpa dipertanyakan kembali, sebagai sebuah kebenaran. Data dalam penelitian ini berupa 68 cerpen yang terangkum dalam antologi ini. Analisis data menggunakan metode pembacaan dekat yang diperkaya dengan analisis isi. Hasil penelitian mengungkap cerpen-cerpen Navis terbagi dalam kategori satir sebagai genre, satir sebagai mode atau satir yang lemah, dan satir yang tidak terlihat seperti satir. Namun, lebih banyak dari setiap kategori di atas adalah cerpen realis serius, yang kurang tepat jika diklasifikasikan sebagai satir.
Transformasi Subjek dalam Monolog Balada Sumarah: Perspektif Teori Slavoj Žižek : Subject Transformation in the Monologue of Balada Sumarah: The Perspective of Slavoj Žižek's Theory Rinda Widya Ikomah; Aliurridha Aliurridha; Rahmin Meilani Putri
Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 9 No. 4 (2025): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v9i4.3266

Abstract

This study examines the transformation of the character Sumarah in the monologue Balada Sumarah by Tentrem Lestari, drawing on Slavoj Žižek's theory. The main focus of this study is to analyze external factors, moments of emptiness, and radical actions that occur in the process of changing the symbolic order experienced by Sumarah. The purpose of this study is to understand how external events, such as the social stigma and rejection she faces, shape her awareness and radical actions as an effort to liberate herself. The method used is a qualitative approach with literary analysis, which connects Žižek's theory on the symbolic order, emptiness, and the radicalization of the subject. The results of the study show that the change in the symbolic order experienced by Sumarah is influenced not only by external factors but also by moments of emptiness that give rise to a deep awareness that drives radical actions. In conclusion, the murder committed by Sumarah is a form of self-liberation from an oppressive social order. Recommendations for further research include exploring the application of Žižek's theory to literary characters, especially monologues, and the social implications of radical actions in a literary context.
Konseptualisasi Metafora Bentuk Fisik Ideal dan Tidak Ideal dalam Bahasa Sumbawa: Conceptualization of Ideal and non-Ideal Physical Form Metaphors in the Sumbawa Language Elya Febriani; Hani Agustina; Rinda Widya Ikomah
Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 10 No. 2 (2026): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v10i2.3846

Abstract

This study examines conceptual metaphors in the Sumbawa language that reflect the ideal and non-ideal physical forms of its people. Using a qualitative-descriptive approach, data were collected from 12 informants by interviews and corroborated with other sources including dictionaries, other online sources, and confirmation from native speakers. This method was used because it allows the identification and classification of metaphors used to reflect or conceptualize the views of the Sumbawa people. The analysis results show that shape metaphors in the Sumbawa language function not only as rhetorical tools, but also as cognitive and cultural mechanisms in shaping physical form standards in Sumbawa society. Data identification shows the most dominant source domains such as food, flora, cosmos, animals, nature, objects, humans, and even mystical things. Meanwhile, the most dominant target domains projecting metaphors of ideal and non-ideal physical forms include parts of the face, body parts, and the body as a whole. These source and target domains were then mapped to conceptualize ideal and non-ideal physical forms in the Sumbawa language. For example, in the expressions “batata bulan satangal” (crescent forehead) and “mara bulan buntar subuh” (like a full moon at dawn). In the data, the moon is understood as a symbol of beauty, light, and perfection, thus mapping it to the human body, which is considered ideal. Conversely, mystical domains, such as the expressions "yam serusu" (like a sleep-disturbing genie) and "yam bura Labu" (like a Labu's magic), are used to describe bodies considered sub-ideal, disproportionate, and unsightly. Thus, this study demonstrates that conceptualization of the body in Sumbawa society is influenced not only by physical experience but also by local cultural belief systems. This research is expected to contribute to the development of cognitive linguistics studies by presenting empirical data from regional languages ​​that have previously been underexplored.
Tindakan Radikal sebagai Bentuk Penolakan Politik Seksual dalam Naskah Drama Re-: Radical Action as a Form of Rejection of Sexual Politics in the Drama Script “Re-” Rinda Widya Ikomah; Ismail Marzuki; Mustakim Saleh
Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 10 No. 1 (2026): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v10i1.3861

Abstract

This study highlights the patriarchal power relations in Fachri Mahayupa's drama script Re- and the radical actions of female characters to eliminate sexual politics that place women in a subordinate position. The problem studied is how male domination is embedded in social structures and dramatic practices, as well as women's strategies to challenge it. The purpose of this study is to understand the radical actions of female characters in dismantling patriarchal power relations and upholding gender equality. The research method is qualitative descriptive-analytical, using dramatic text analysis to examine dialogues, monologues, narratives, and symbols that depict patriarchal domination and women's responses to it, within the framework of Kate Millett's sexual politics theory and radical feminism. The results show that female characters in the script systematically take over masculine roles, build courage, and instill anti-domination values, including efforts to completely eliminate male power through symbolic and dramatic actions, although their radical actions are not entirely successful. Another finding, the Re- manuscript emphasizes the importance of the concept of androgynous humans who integrate positive masculine and feminine traits, as an effort to create gender equality and social harmony, while also emphasizing that resistance to patriarchy is not only challenging male dominance, but also building balance and autonomy for all individuals.
Co-Authors Aliurridha Aliurridha Aliurridha Febriani, Elya Hani Agustina Ismail Marzuki Mustakim Saleh Rahmin Meilani Putri Zohaib Hassan Sain