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All Journal Pendas : Jurnah Ilmiah Pendidikan Dasar Kode : Jurnal Bahasa
Maman Abdul Djaliel
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Education Languange, Linguistic, Communication & Media Other

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Harmonisasi Rima Ritme Syair Lamiyyah dan Efek Fonologis Diwan Imru’ Al-Qays Andini Setia Wati; Maman Abdul Djaliel; Nurlinah Nurlinah
Kode : Jurnal Bahasa Vol. 15 No. 2 (2026): Kode: Edisi Juni 2026
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/g38ag714

Abstract

Imru’ al-Qays dipandang sebagai salah satu penyair besar dengan kemampuan tinggi dalam membangun estetika bahasa dalam syairnya. Akan tetapi, dalam struktur syair ini terdapat berbagai persoalan berupa perubahan metrum dan adanya variasi nada pada ujung bait yang di sebut uyub/cacat qafiyah. Keberadaan fenomena tersebut menunjukkan bahwa asfek kebahasaan dalam syair klasik tetap memiliki karakteristik yang dapat dikaji secara ilmiah. Penelitian ini bertujuan untuk menganalisis rima ritme seta efek fonologis dalam syair Imru’ al Qays melalui kajian arudh qawafi serta fonologi. Penelitian ini menggunakan metode kualitatif dengan pendekatan deskriptif analisis. Data penelitian berupa syair lamiyyah yang dianalisis melalui teknik kepustakaan (library research) dengan mengidentifikasi pola bahar, variasi qafiyah serta unsur bunyi yang mempengaruhi. Hasil penelitian menunjukkan bahwa syair menggunakan pola Bahar Thawil dengan perubahan umum berupa zihaf qabdh dan khabn pada bagian tertentu. Selain itu, pada asfek qafiyah ditemukan penggunaan rawi mutlaq yang konsisten serta adanya bentuk uyub qafiyah berupa itha’ pada beberapa bait. Analisis fonologis menunjukkan bahwa bunyi dalam syair juga berperan sebagai unsur keserasian bunyi akhir dan memperkuat makna melalui karakter bunyi tertentu yang mendukung suasan dan memperkuat makna yang ingin disampaikan penyair. Kata Kunci: Imru’ al-Qays, arudh, qawafi, fonologi
MAKNA DENOTATIF DAN KONOTATIF DALAM PUISI RAʾAYTU ʿALĀ LAWḤI AL-KHAYĀLI YATĪMAH KARYA AHMAD SYAUQI: PENDEKATAN SEMANTIK معاني الظاهرة و الضمنية في قصيدة ”رأيت على لوح الخيالي ياتيمة“ لأحمد شوقي: الدراسة الدلاليّة Aeni Lukviati Urbah; Yayan Rahtikawati; Maman Abdul Djaliel
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 02 (2026): Volume 11 Nomor 02, Juni 2026 Published
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i02.57355

Abstract

This study aims to identify the diction that undergoes a transformation from denotative to connotative meaning and to describe the process of meaning formation in the poem Raaytu ala Lawhi al-Khayali Yatimah by Ahmad Shawqi. The study is motivated by the nature of poetic language, which conveys meaning not only through lexical references but also through poetic context, association, symbolism, and cultural experience, thereby generating complex connotative meanings. This research employed a qualitative approach with a descriptive method. The data consisted of lexical items containing denotative and connotative meanings found in the poem Raaytu ala Lawhi al-Khayali Yatimah. Data were collected through reading and note-taking techniques and analyzed using the translational equivalent method and the distributional method employing Immediate Constituent Analysis, substitution, and expansion techniques. The analysis was grounded in Geoffrey Leech's semantic theory, particularly his classification of denotative and connotative meanings, and was further supported by the Arabic semantic concepts of dalalah lafziyyah (lexical meaning) and dalalah ihaiyyah (connotative meaning) to explain the relationship between lexical and contextual meanings. The findings reveal 14 lexical items that undergo a shift from denotative to connotative meaning. The meaning formation includes transformations from concrete to abstract concepts, objects into symbols, sensory experiences into emotional experiences, body parts into symbols of protection or destruction, and physical actions into representations of humanitarian values. Four lexical items produce positive connotations, whereas ten generate negative connotations. The predominance of negative connotations demonstrates that Ahmad Shawqi employs diction not merely as an aesthetic element but also as a humanitarian medium to portray the suffering of orphans caused by war and to evoke readers' empathy toward social tragedy.
Co-Authors Aeni Lukviati Urbah Andini Setia Wati Nurlinah Nurlinah Yayan Rahtikawati