Aeni Lukviati Urbah
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EKSPLORASI MAKNA CINTA DALAM SYA'IR "الحب الصادق" KARYA IMAM SYAFI'I: KAJIAN HERMENEUTIKA BOUMAN Aeni Lukviati Urbah; Allisya Rizky Islami; Aura Nasywa Azzahra, Maman Abdul Djaliel
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 10 No. 04 (2025): Volume 10 No. 04 Desember 2025 Terbit
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v10i04.35240

Abstract

This study aims to reveal the meaning of true love (al-mahabbah al-ṣādiqah) in Imam Syafi'i's poem al-ḥubb al-ṣādiq through Bouman's hermeneutic approach. In the modern context marked by a crisis of values and emotional alienation, classical Islamic literature offers spiritual reflections that are relevant to the formation of ethical and humanitarian awareness. This study uses qualitative methods with literature study techniques, focusing on semantic and hermeneutic analysis of classical Arabic texts and their translations. The analysis was conducted by tracing the relationship between the author, the text, and the reader to find dynamic contextual meanings. The results of the study show that sya'ir al-ḥubb al-ṣādiq describes true love as a unity between words, actions, and moral consciousness. Imam Shafi'i emphasizes that sincere love requires obedience, gratitude, and responsibility towards the beloved. Through Bouman's framework, this text is understood not merely as a religious expression, but as a universal reflection on integrity and honesty in love. This finding enriches the study of Islamic literature and hermeneutics by offering a contextual perspective on the transcendental and humanistic value of love.
MAKNA DENOTATIF DAN KONOTATIF DALAM PUISI RAʾAYTU ʿALĀ LAWḤI AL-KHAYĀLI YATĪMAH KARYA AHMAD SYAUQI: PENDEKATAN SEMANTIK معاني الظاهرة و الضمنية في قصيدة ”رأيت على لوح الخيالي ياتيمة“ لأحمد شوقي: الدراسة الدلاليّة Aeni Lukviati Urbah; Yayan Rahtikawati; Maman Abdul Djaliel
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 02 (2026): Volume 11 Nomor 02, Juni 2026 Published
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i02.57355

Abstract

This study aims to identify the diction that undergoes a transformation from denotative to connotative meaning and to describe the process of meaning formation in the poem Raaytu ala Lawhi al-Khayali Yatimah by Ahmad Shawqi. The study is motivated by the nature of poetic language, which conveys meaning not only through lexical references but also through poetic context, association, symbolism, and cultural experience, thereby generating complex connotative meanings. This research employed a qualitative approach with a descriptive method. The data consisted of lexical items containing denotative and connotative meanings found in the poem Raaytu ala Lawhi al-Khayali Yatimah. Data were collected through reading and note-taking techniques and analyzed using the translational equivalent method and the distributional method employing Immediate Constituent Analysis, substitution, and expansion techniques. The analysis was grounded in Geoffrey Leech's semantic theory, particularly his classification of denotative and connotative meanings, and was further supported by the Arabic semantic concepts of dalalah lafziyyah (lexical meaning) and dalalah ihaiyyah (connotative meaning) to explain the relationship between lexical and contextual meanings. The findings reveal 14 lexical items that undergo a shift from denotative to connotative meaning. The meaning formation includes transformations from concrete to abstract concepts, objects into symbols, sensory experiences into emotional experiences, body parts into symbols of protection or destruction, and physical actions into representations of humanitarian values. Four lexical items produce positive connotations, whereas ten generate negative connotations. The predominance of negative connotations demonstrates that Ahmad Shawqi employs diction not merely as an aesthetic element but also as a humanitarian medium to portray the suffering of orphans caused by war and to evoke readers' empathy toward social tragedy.