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All Journal JOGED Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang
Supadma, Supadma
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Arts Humanities

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Pengembangan Mamaca di Pamekasan Madura sebagai Penguatan Harmoni Kehidupan Sosial Supadma, Supadma; Dana, I Wayan
Dance and Theatre Review Vol 4, No 2: November 2021
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2281.999 KB) | DOI: 10.24821/dtr.v4i2.6454

Abstract

The Development of Mamaca in Pamekasan Madura as Strengthening Harmony of Social Life. This study aims to develop one of the traditional performing arts, namely Mamaca in Pamekasan Regency, Madura Island, which is abandoned, especially by the local younger generation. Mamaca, which emphasizes the nobility of values and norms in its form and implementation, is capable of strengthening the nation’s character and the harmony of social life. Thus, this research is an effort to reconstruct local cultural and community values. Seeing its essential role, this research on Mamaca will be carried out in three years. Mamaca presents the values of local wisdom and uses the hermeneutic approach. The reinforcement is designed in the form of new Mamaca choreography according to the spirit of the times. It also reflects the will of the supporting community but still does not leave its primary source. The design of the form of presentation is based on an emic and ethical point of view, namely using a choreographic approach by involving the ideas of local artists or actors. The “new” Mamaca choreography was introduced to students of several elementary schools, as well as to existing performing arts groups. By introducing and teaching it to young children, it is hoped that the stronger and longer roots will be planted for growth. Its introduction and application are followed up by contesting it to motivate others in arts and to promote it to a broader audience, Mamaca can be developed outside its original area, but with similar traditional performing arts. Based on this plan, further development of choreography is also designed to be taught to children and adapted to their distribution area.Keywords: mamaca; Pamekasan Madura; local wisdom; national character;social harmony
PROSES KREATIF PENCIPTAAN TARI BEHUMA KARYA RITAWATI Baharuddin, Baharuddin; Winarti, Tutik; Supadma, Supadma
Joged Vol 25, No 1 (2026): APRIL 2026
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/joged.v25i1.19863

Abstract

ABSTRAKPenelitian ini berfokus pada proses kreatif penciptaan tari Behuma karya Ritawati yang diciptakan pada tahun 2013. Ide penciptaan tari Behuma terinspirasi dari elemen bentuk yang ada pada tari Jepen yaitu gerak, busana dan properti. Ritawati menyadari bahwa elemen-elemen tersebut memiliki potensi dan peluang untuk dikembangkan menjadi produk tari yang baru dan menarik. Proses kreatif penciptaan tari Behuma menggunakan kerangka pikir 4P dari Rhodes untuk melihat kreativitas yang ada di dalam penciptaan tari Behuma karya Ritawati. Untuk mendeskripsikan proses yang dilalui dalam menciptakan tari Behuma digunakan konsep penciptaan yang dikemukakan Alma Hawkins. Konsep tersebut berdasarkan pengamatan peneliti, pada kenyataannya diterapkan oleh Ritawati dalam mencipta tari. Penciptaan tari Behuma sebagai upaya dalam melestarikan dan mengenalkan kembali tari tradisional kepada generasi muda dalam bentuk tari yang lebih baru, terstruktur dan orisinal. Penelitian ini diharapkan dapat memberikan informasi sebagai sumbangan wawasan, pemikiran, dan pengetahuan kepada pembaca mengenai proses kreatif penciptaan tari Behuma karya Ritawati.ABSTRACTCreative Process of Behuma Dance Creation by Ritawati. This research focuses on the creative process of creating the Behuma dance by Ritawati in 2013. The idea for creating Behuma was inspired by the elements of movement, costumes, and props found in the Jepen dance. Ritawati recognized the potential and opportunities to develop these elements into a new and captivating dance production. The creative process of creating Behuma utilizes Rhodes' 4P framework to explore the creativity within Ritawati's work. The concept of creation proposed by Alma Hawkins is employed to describe the process undergone in creating Behuma, which was observed by the researcher to be implemented by Ritawati. The creation of Behuma serves as an effort to preserve and reintroduce traditional dance to the younger generation in a newer, structured, and original form. This research aims to provide insights, thoughts, and knowledge about the creative process of creating Behuma by Ritawati, contributing to the reader's understanding and awareness.
Co-Authors Baharuddin Baharuddin I Wayan Dana Tutik Winarti