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“RESISTENSI TOKOH ANI TERHADAP DOMINASI PATRIARKI DALAM NASKAH BUNGA RUMAH MAKAN KARYA UTUY TATANG SONTANI: KAJIAN FEMINISME TENTANG OTONOMI PEREMPUAN DAN PEMBEBASAN DIRI.” Ahlan Romadhona; Muhammad Afif Ardiansyah; Kartika Auliyah; Wawan Hermawan
Jurnal Padamu Negeri Vol. 3 No. 2 (2026): April : Jurnal Padamu Negeri (JPN)
Publisher : CV. Denasya Smart Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69714/13ds2972

Abstract

This study is motivated by the persistence of patriarchal structures in society that limit women’s roles, life choices, and autonomy, which are also represented in literary works. One work that reflects this condition is the drama script Bunga Rumah Makan by Utuy Tatang Sontani. This study aims to describe the forms of patriarchal domination experienced by the character Ani and to reveal the forms of resistance and self-liberation she undertakes. The research employs a qualitative descriptive method with a textual analysis approach. The research data consist of dialogues and stage directions in the drama script that illustrate power relations between male and female characters. The data are analyzed through the stages of data reduction, data presentation, and conclusion drawing using a feminist perspective. The findings show that the character Ani experiences various forms of patriarchal domination, including subordination, gender stereotyping, objectification, restriction of mobility, and verbal violence. This study concludes that Bunga Rumah Makan represents women as agents of self-liberation who struggle to break free from patriarchal structures, thereby positioning literary works as a medium of social and gender critique.  
NILAI-NILAI SOSIAL PADA NASKAH DRAMA (HANYA SATU KALI) DI KANAL YOUTUBE TEATER LANGIT BIRU SMAN 1 SOOKO : KAJIAN SOSIOLOGI SASTRA Ahlan Romadhona; M. Afif Ardiansyah; Kartika Auliyah; Akhmad Fatoni
Jurnal Padamu Negeri Vol. 3 No. 2 (2026): April : Jurnal Padamu Negeri (JPN)
Publisher : CV. Denasya Smart Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69714/awt0vr43

Abstract

This study aims to describe the social and religious values contained in the drama script Hanya Satu Kali performed by Teater Langit Biru SMAN 1 Sooko. Using a qualitative descriptive method and a sociology of literature approach, data were collected through repeated reading and note-taking of dialogues and scenes reflecting social and religious aspects. The results show that the drama strongly presents social values such as solidarity, empathy, responsibility, and sacrifice, which shape character interactions and drive the plot. Furthermore, religious values, including patience, sincerity, and spiritual awareness, emerge dominantly through the main character's inner conflict when facing life and death. The integration of these two dimensions offers profound moral and spiritual messages. This study concludes that Hanya Satu Kali is a literary work relevant for character education and can be utilized as an effective medium for literature learning in schools.  
Co-Authors Ahlan Romadhona Fatoni, Akhmad M. Afif Ardiansyah Muhammad Afif Ardiansyah Wawan Hermawan