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All Journal Toba: Journal of Tourism, Hospitality, and Destination Sanggitarupa
Azmy Hanif
Institut Seni Indonesia Surakarta
Arts Social Sciences

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Dampak Lokawisata Baturraden terhadap Kondisi Sosial dan Budaya Masyarakat Desa Karangmangu, Kecamatan Baturraden Kabupaten Banyumas Arina Nindyar Saraswati; Hardiman Hardiman; Zamzam Masrurun; Eki Melina Widanti; Azmy Hanif
TOBA: Journal of Tourism, Hospitality, and Destination Vol. 5 No. 1 (2026): Februari 2026
Publisher : Yayasan Literasi Sains Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55123/toba.v5i1.6770

Abstract

The Baturraden tourist attraction is nature tourism located in Karangmangu Village, Baturraden District, Banyumas Regency. The Baturraden tourist attraction is leading nature tourism because it has won various awards in the last ten year. This is supported by exciting objects to be visited such as natural scenery from the Mount Slamet hillside, waterfalls, Pancuran Telu, Pancuran Pitu, suspension bridges, Baturraden natural theater, and swimming pools. Based on statistical data, the Baturraden tourist attraction is ranked first with the most visitors.This research was conducted to determine the impact of the Baturraden tourist attraction on the social and cultural conditions of the people of Karangmangu Village as a tourism support village. The impacts were examined by observation, interviews, and literature study.The results of the study show that the Baturraden tourist attraction impacts the social condition that occur in society are increased quality of life, building of new communities, and the emergence of crime. Other impacts are in the form of cultural impacts such as tourist visits affecting the existence of local culture, the commercialization of cultural arts, and open behavior of the community towards tourists. Due to the positive and negative impacts that occurred in the Karangmangu Village community, social and cultural impact management strategy was formulated. The steps taken in community-based tourism impact management are determining the participation role of local communities involved, mapping the impact of tourism, making decisions on managing social and cultural impacts, making efforts to educate the community, monitoring and evaluation.
One Piece Symbols in Journalistic Photography of the 2025 Madagascar Protests: A Visual Culture Analysis through Participatory Culture Febrian Putra; Aninditya Ardhana Riswari; I Putu Adi Putra Wiwana; Galih Apriliyanto; Azmy Hanif
Sanggitarupa Vol. 6 No. 1 (2026): Sanggitarupa
Publisher : Institut Seni Indonesia Surakarta

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Abstract

Journalistic photography in contemporary visual culture no longer functions merely as a medium for documenting events, but also as a site of meaning production that represents social identity, ideology, and the cultural practices of the digital generation. This article aims to analyze the photograph “Madagascar’s Gen Z Protests” by Luis Tato through the perspectives of visual culture and Henry Jenkins’ theory of participatory culture. This study employs a qualitative approach using visual analysis methods focusing on photographic elements such as composition, framing, body gestures, visual artifacts, and the relationship between subjects and protest space. The analysis interprets the use of popular culture symbols, particularly the Jolly Roger from the manga One Piece, within the context of the 2025 student protests in Madagascar. The findings reveal that the One Piece symbol in the photograph represents the appropriation of transnational popular culture as a visual language of Gen Z resistance. Through the concept of participatory culture, the photograph demonstrates practices of global community affiliation, creative expression, symbolic digital circulation, collaborative problem-solving, and connections between fictional narratives and political realities. Luis Tato’s photograph not only documents a student protest but also captures the transformation of visual culture among digital generation, in which popular culture symbols function as instruments of contemporary political articulation. This study argues that contemporary journalistic photography can be understood as a visual cultural practice actively shaping the production of social meaning within the global media ecosystem.
Co-Authors Aninditya Ardhana Riswari Arina Nindyar Saraswati Eki Melina Widanti Febrian Putra Galih Apriliyanto Hardiman Hardiman I Putu Adi Putra Wiwana Zamzam Masrurun