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All Journal Mimbar Ilmu INFOKUM Jurnal Pengabdian kepada Masyarakat Jurnal Pendidikan dan Penciptaan Seni Jurnal Mebang Cerdika: Jurnal Ilmiah Indonesia Ulil Albab
Yoe Anto Ginting
Etnomusikologi, Universitas Sumatera Utara, Medan, Indonesia
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Public Health Social Sciences Other

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Deskripsi Kajian Organologi Teknik Pembuatan dan Teknik Permainan Alat Musik Uyup-uyup Yosia Manik; Fadlin Fadlin; Yoe Anto Ginting
Jurnal Pendidikan dan Penciptaan Seni Vol 6, No 1 (2026): Jurnal Pendidikan dan Penciptaan Seni - Mei
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v6i1.998

Abstract

Uyup-uyup merupakan alat musik tradisional warisan budaya masyarakat Mandailing yang dibuat dari batang padi (batang ni eme) dengan lilitan daun kelapa muda berbentuk kerucut sebagai resonator. Instrumen ini berfungsi sebagai hiburan bagi para petani saat beristirahat di sawah pada masa panen. Penelitian ini bertujuan untuk mendeskripsikan proses pembuatan serta teknik permainan uyup-uyup. Metode yang digunakan adalah deskriptif kualitatif melalui observasi, kerja lapangan, wawancara, dokumentasi, dan kerja laboratorium. Landasan teori mengacu pada pendekatan struktural dan fungsional Khasima Susumu, serta klasifikasi alat musik berdasarkan sumber bunyi menurut Curt Sach dan Horn Bostel. Proses pembuatan meliputi pemilihan bahan, penggunaan alat, pengukuran komponen, pembentukan, hingga tahap penyelesaian (finishing) untuk menghasilkan instrumen yang presisi. Teknik dasar permainannya mencakup tiupan mulut untuk menghasilkan bunyi serta teknik penjarian dengan membuka dan menutup lubang resonator guna mengatur nada. 
Kajian Organologi dan Teknik Permainan Slompret Jawa Oleh Abah Tetimo di Kota Binjai Indra Yosia Surbakti; Yoe Anto Ginting; Rahmatika Luthfiana Sholikhah
Jurnal Pendidikan dan Penciptaan Seni Vol 6, No 1 (2026): Jurnal Pendidikan dan Penciptaan Seni - Mei
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v6i1.1145

Abstract

This study aims to describe the organology of the slompret used by Abah Tetimo and to analyze the playing techniques he employs in Binjai City. This study employs a qualitative method with a descriptive-analytical and ethnomusicological approach. Data were collected through participatory observation, in-depth interviews, and audio-visual documentation. The findings reveal that: (1) the slompret is classified as an aerophone under the Hornbostel-Sachs system (423.121, end-blown flute), constructed from bamboo, wood, stainless steel, and coconut shell or lontar palm, measuring 60–80 cm with five tone holes producing a loud and penetrative sound; (2) Abah Tetimo's playing technique encompasses five integrated dimensions: body posture with 30–60 degree elevation; diaphragmatic breath control including circular breathing; embouchure with 2–5 mm lip aperture; five-hole fingering with overblowing; and articulation comprising single tonguing, double tonguing, and legato.
Kajian Organologi Genderang Sisibah Buatan Bapak Atur Pandapotan Solin Rodo Andreas Panjaitan; Heristina Dewi; Yoe Anto Ginting; Rithaony Hutajulu; Hubari Gulo
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 6 No. 1 (2026)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v6i1.239

Abstract

This study describes the technique of making the traditional musical instrument Sisibah Drum preserved by Mr. Atur Pandapotan Solin at the Ninanola Studio, Sukaramai Village, Pakpak Bharat Regency. Sisibah Drum is a traditional musical instrument originating from the Pakpak tribe. This musical instrument is classified as a struck membranophone (a musical instrument whose sound source comes from skin or membrane that is played by being hit). Sisibah Drum has spiritual value and social function in carrying out traditional ceremonies such as Kerja Mbaik and Kerja Njahat. This study aims to examine and describe in depth the process of making Sisibah Drum, including its physical structure, materials and tools used, and the role of this music in the cultural life of the Pakpak people. The method used is a descriptive qualitative approach with data collection techniques through participatory observation, in-depth interviews, and visual documentation. The theoretical framework includes the organological theory of Sushumu Kashima to examine the physical and structural aspects of the instrument, the Sachs-Hornbostel classification used in classifying instrument types, and the theory of musical function according to A.P. Merriam. The results of this study indicate that the Sisibah Drum is still made using traditional methods and techniques that are still used today. Local materials used in the Sisibah Drum making process consist of several types, such as Mbrabas wood, coffee wood, and animal skin. The stages used start from material selection, forming the instrument body, installing the membrane, and tuning the sound. In addition to being a musical instrument, the Sisibah Drum also functions as a means of spiritual communication and a symbol of the Pakpak tribe's cultural identity. The Ninanola Studio plays an active role in  preserving the Sisibah Drum musical instrument to this day.
Dissemination and Documentation of Pakpak Traditional Music for the Preservation and Development of Cultural Values Irfan Simatupang; Lister Berutu; Yoe Anto Ginting; Nurbani Nurbani
INFOKUM Vol. 14 No. 01 (2026): Infokum, January - February 2026
Publisher : Sean Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58471/infokum.v14i01.3065

Abstract

Pakpak traditional music is an integral part of the cultural heritage of the Pakpak ethnic community in North Sumatra, Indonesia. However, rapid social change, globalization, and declining intergenerational transmission have posed serious challenges to its sustainability. This study aims to disseminate and document Pakpak traditional music as a strategic effort to preserve and develop its cultural values. The activities were conducted through field observations, audio-visual documentation, interviews with traditional musicians and cultural leaders, and community-based workshops involving local youth and cultural practitioners. The documentation process focused on musical instruments, performance structures, symbolic meanings, and the social functions of Pakpak traditional music within community rituals and daily life. The results indicate that systematic dissemination through digital media and educational activities significantly increases community awareness and appreciation of Pakpak traditional music. Moreover, the documentation serves as an important cultural archive that supports cultural education, research, and future revitalization efforts. This study concludes that dissemination and documentation are essential approaches for sustaining Pakpak traditional music and strengthening local cultural identity in the face of modern cultural transformations.
Kajian Organologi Alat Musik Taganing Batak Toba Ruth Naradhea Simanjuntak; Mauly Purba; Yoe Anto Ginting
Cerdika: Jurnal Ilmiah Indonesia Vol. 5 No. 8 (2025): Cerdika: Jurnal Ilmiah Indonesia
Publisher : Publikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59141/cerdika.v5i8.2787

Abstract

Taganing merupakan  alat musik yang berasal dari Sumatera Utara Batak Toba. Alat musik ini masuk dalam klasifikasi Membranofon (alat musik yang sumber bunyinya dari membran atau kulit hewan). Penelitian ini bertujuan untuk menganalisis organologi alat musik tradisional Taganing Batak Toba dari aspek struktural dan fungsional. Masalah penelitian difokuskan pada pemahaman komprehensif mengenai struktur fisik, bahan baku, fungsi, dan teknik penyetelan (tuning) alat musik Taganing yang masih belum terdokumentasi secara akademis. Metode penelitian menggunakan pendekatan kualitatif dengan teknik wawancara mendalam dan dokumentasi terhadap pengrajin dan praktisi musik Batak Toba. Hasil penelitian menunjukkan bahwa Taganing merupakan alat musik membranofon yang terdiri dari enam komponen utama dengan lima buah gendang berukuran berbeda (odap-odap, Paidua Opdap, Painonga, Paidua Ting-Ting, dan Ting-Ting) serta satu gendang besar (Gordang). Bahan utama pembuatan menggunakan kayu nangka tua dengan membran kulit lembu atau kerbau. Sistem tuning dimulai dari Ting-ting sebagai nada dasar yang diselaraskan dengan Ogung Ihutan, mencerminkan filosofi "Marguru tu Taganing" dalam budaya Batak Toba. Implikasi penelitian ini memberikan kontribusi pada dokumentasi warisan budaya musik tradisional Indonesia dan dapat dijadikan referensi untuk pelestarian serta pengembangan alat musik tradisional Nusantara.
Kajian Musik Pengiring pada Tari Zapin Bengkalis sebagai Identitas Budaya Melayu Riau Gina Yessica Br Simanjuntak; Yoe Anto Ginting; Rahmatika Luthfiana Sholikhah
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 5 No. 9: Agustus 2026
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v5i9.18838

Abstract

Penelitian ini membahas musik pengiring Tari Zapin Bengkalis sebagai bagian dari identitas budaya Melayu di Riau pada Sanggar Rumah Seni Balai Proco Pekanbaru. Penelitian ini bertujuan untuk mendeskripsikan bentuk penyajian musik pengiring dan menganalisis fungsinya dalam pertunjukan Tari Zapin Bengkalis. Penelitian ini menggunakan metode kualitatif deskriptif dengan teknik pengumpulan data yang terdiri dari observasi, wawancara, dan dokumentasi. Analisis menggunakan teori fungsi musik Alan P. Merriam dan teori struktur musik Bruno Nettl. Hasil penelitian menunjukkan bahwa musik pengiring dimainkan secara langsung menggunakan instrumen tradisional seperti gambus, marwas, rebana, dan vokal. Musik berfungsi sebagai pengatur tempo dan ritme tari, pembangun suasana pertunjukan, pendukung ekspresi penari, dan elemen estetika dalam pertunjukan. Struktur musik terdiri dari bagian pembuka, inti, dan penutup yang saling terkait dengan gerakan tari. Penelitian ini menyimpulkan bahwa musik pengiring merupakan elemen utama yang menciptakan kesatuan pertunjukan dan memperkuat identitas budaya Melayu dalam Tari Zapin Bengkalis.
The Reproduction of Karo Cultural Values through the Folktale Manuk Si Nanggur Dawa Emma Marsella; Fatimatuzzahra Nasution; Yoe Anto Ginting; Sapna Sitopu
Mimbar Ilmu Vol. 31 No. 2 (2026): August [ARTICLE IN PRESS]
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/mi.v31i3.121113

Abstract

Folktales function not only as entertainment but also as a medium for transmitting cultural values and identity across generations. The symbolic meanings and social functions of symbols in the reproduction of cultural values in the folktale Manuk Si Nanggur Dawa have not been extensively examined. This study aims to analyze the symbolic meanings and interpret the role of symbols in reproducing the cultural values represented in the folktale Manuk Si Nanggur Dawa. This study employs a qualitative approach with a descriptive-analytical method. The data consist of three versions of the folktale Manuk Si Nanggur Dawa, collected through documentation and analyzed using Roland Barthes’ semiotics at the levels of denotation, connotation, and myth, as well as Pierre Bourdieu’s concept of cultural reproduction to interpret the social functions of symbols. The findings show that bamboo, manuk (chicken), marriage practices, and cosmological structures represent values of honesty, openness, kinship, respect for kalimbubu, and the Karo belief system. These symbols function in the reproduction of cultural values through the internalization of meanings into habitus, thereby supporting the transmission of values across generations. The study concludes that folktales function as symbolic media for maintaining and transmitting cultural values through the relationship between narrative meanings and social practices. These findings have implications for utilizing folktales as learning resources and as media for preserving local cultural values.
Edukasi Anti Perundungan Pada Anak-Anak Sungai Deli (Sasude) Medan Melalui Pergelaran Drama Vivi Adryani Nasution; Niza Ayuningtias; Yoe Anto Ginting; Lestari Dara Cinta Utami Ginting; Intan Ervani; Vanesia Amelia Sebayang
J-ABDI: Jurnal Pengabdian kepada Masyarakat Vol. 6 No. 6 (2026): Nopember 2026
Publisher : Bajang Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This community service activity aims to help children and parents gain a better understanding of the forms of bullying, bullying behaviors, and the dangers and effects they leave on both the victims and the perpetrators themselves. It is expected that the children will develop attitudes that do not lead to verbal or non-verbal bullying. Parents, who also took part as a target audience, play a role as role models and protectors for their children. In addition to counseling, the activity provided anti-bullying education to the children of Sungai Deli, Lingkungan XII, through a drama performance. The drama script contained the forms, dangers, and effects of bullying, as well as the actions to be taken when children or their relatives become victims or perpetrators of bullying. The results of the rehearsals were staged as a drama performance enjoyed by residents around the Deli River, particularly Lingkungan XII, Sei Mati Subdistrict, Medan Maimun District, Medan City, and broadcast live via the Instagram account sasudeofficial. Through this activity, it is hoped that the children will develop characters that do not lead to bullying, have the courage to speak up, receive support to obtain protection, change their behavior, and improve their achievements.
Co-Authors Emma Marsella Fadlin Fadlin Fatimatuzzahra Nasution Gina Yessica Br Simanjuntak Gulo, Hubari Heristina Dewi, Heristina Hutajulu, Rithaony Indra Yosia Surbakti Intan Ervani Irfan Simatupang Lestari Dara Cinta Utami Ginting Lister Berutu Mauly Purba Niza Ayuningtias Nurbani . Rahmatika Luthfiana Sholikhah Rahmatika Luthfiana Sholikhah Rodo Andreas Panjaitan Ruth Naradhea Simanjuntak Sapna Sitopu Vanesia Amelia Sebayang Vivi Adryani Nasution Yosia Manik